The Many Deaths of Jew Süss: The Notorious Trial and Execution of an Eighteenth-Century Court Jew
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A groundbreaking historical reexamination of one of the most infamous episodes in the history of anti-Semitism
Joseph Süss Oppenheimer—"Jew Süss"—is one of the most iconic figures in the history of anti-Semitism. In 1733, Oppenheimer became the "court Jew" of Carl Alexander, the duke of the small German state of Württemberg. When Carl Alexander died unexpectedly, the Württemberg authorities arrested Oppenheimer, put him on trial, and condemned him to death for unspecified "misdeeds." On February 4, 1738, Oppenheimer was hanged in front of a large crowd just outside Stuttgart. He is most often remembered today through several works of fiction, chief among them a vicious Nazi propaganda movie made in 1940 at the behest of Joseph Goebbels.
The Many Deaths of Jew Süss is a compelling new account of Oppenheimer's notorious trial. Drawing on a wealth of rare archival evidence, Yair Mintzker investigates conflicting versions of Oppenheimer's life and death as told by four contemporaries: the leading inquisitor in the criminal investigation, the most important eyewitness to Oppenheimer's final days, a fellow court Jew who was permitted to visit Oppenheimer on the eve of his execution, and one of Oppenheimer's earliest biographers. What emerges is a lurid tale of greed, sex, violence, and disgrace—but are these narrators to be trusted? Meticulously reconstructing the social world in which they lived, and taking nothing they say at face value, Mintzker conjures an unforgettable picture of "Jew Süss" in his final days that is at once moving, disturbing, and profound.
The Many Deaths of Jew Süss is a masterfully innovative work of history, and an illuminating parable about Jewish life in the fraught transition to modernity.
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Reviews for The Many Deaths of Jew Süss
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- Rating: 4 out of 5 stars4/5"Jew Suss" was Joseph Oppenheimer, who in 1733 became a "court Jew" to the duke of Wurtemberg, one of the many tiny German states which then constituted the Holy Roman Empire. A court Jew was a Jewish banker who handled the finances of, or lent money to, European royalty and nobility. Court Jews were needed because prohibitions against usury - lending money for interest - applied to Christians but did not apply to Jews. The position brought privileges to the Jew concerned, but also risks; removing the Jewish banker was sometimes the easiest way for his aristocratic employer to eliminate his debts. And in the case of the Jew "Suss", it seems that it was resentment of his power and privilege at court that brought about his downfall, when his employer, duke Carl Alexander, died suddenly. Oppenheimer was immediately arrested, accused of various unspecified criminal and moral misdeeds; he was tried and condemned to death, and hanged in public just outside Stuttgart.There have been numerous historical treatments and encyclopedia entries about the case - from contemporary 18th century accounts to modern ones - and it has been woven into a number of works of fiction, including novels, plays, an opera and two films. Of the latter, the most infamous example was the vicious Nazi propaganda film made at the behest of Goebbels. Remarkably, the state archives in Stuttgart contain about thirty thousand pages of handwritten documents from the time period of the trial; they include protocols of the interrogations of Oppenheimer, his alleged accomplices and many witnesses; there are also descriptions of Oppenheimer's conversations with visitors and much else. Why, with this multiplicity of information on "Jew Suss", would anyone think it worthwhile to write - or read - a new history?In spite of the wealth of material, Oppenheimer remains an elusive figure. We might well suppose that he was stitched up by non-Jews, who resented his position of power and privilege or who perhaps had had their own interests adversely affected by him; but the specifics of his alleged crimes are too vague, and not enough is known about his life prior to Wurtemburg to make judgments about his character. The author of the present book takes a very different approach to the case, by deliberately not seeking a conclusion about Oppenheimer’s guilt or innocence. Instead he examines, the accounts of four different people who interacted with Oppenheimer during or after the period of his trial; Philipp Friedrich Jager, the judge-inquisitor who wrote the factual part of Oppenheimer's verdict and thus the basis for his death sentence. This is followed by the stories of two men who visited Oppenheimer during his last days; Christoph David Bernard, a university lecturer, born a Jew who had converted to Christianity; and Mordechai Schloss, who published the only contemporary Jewish account of Oppenheimer's life and death. The final chapter of the book tells the story of David Fassman - a "litterateur and fabulist from Leipzig", who was one of the earliest biographers of Joseph Oppenheimer. This book thus is as much an account these four people - their lives and their motivations - as it is of "Jew Suss" himself. The author believes that there is no point in trying to reconcile their different views of Oppenheimer, but that much can be learned from them about the lives of Jews in 18th century Germany and about the, often fraught, relationships between them. It is indeed a fascinating study of a microcosm of Jewish history in Europe.