Psyche's Art
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About this ebook
This comes to you courtesy of Miniature Masterpieces who have an excellent range of quality short stories from the masters of the craft. Do search for Miniature Masterpieces at any digital store for further information.
This audiobook is also duplicated in print as an ebook. Same title, same words. Perhaps a different experience but with Amazon’s whispersync you can pick up and put down on any device. Start on audio, continue in print and any which way after that. This, and these are, Miniature Masterpieces. Join us for the journey.
Louisa May Alcott – An Introduction
Many great writers are defined and remembered by one piece of work; one novel or poem that embeds itself in Society. For Louisa May Alcott it was Little Women - enjoyed by every generation since its publication.
Born in 1832 in Germantown, Pennsylvania into a poor family she received part of her education from family friends such as Henry David Thoreau, Ralph Waldo Emerson and Nathaniel Hawthorne. These early influences on the young Louisa weaved into her early life provided much of the material for her later novels. She was also a poet and a short story writer. This is a chance to explore her take on other subjects in a different discipline.
Louisa May Alcott
Louisa May Alcott (1832-1888) was an American novelist, poet, and short story writer. Born in Philadelphia to a family of transcendentalists—her parents were friends with Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau—Alcott was raised in Massachusetts. She worked from a young age as a teacher, seamstress, and domestic worker in order to alleviate her family’s difficult financial situation. These experiences helped to guide her as a professional writer, just as her family’s background in education reform, social work, and abolition—their home was a safe house for escaped slaves on the Underground Railroad—aided her development as an early feminist and staunch abolitionist. Her career began as a writer for the Atlantic Monthly in 1860, took a brief pause while she served as a nurse in a Georgetown Hospital for wounded Union soldiers during the Civil War, and truly flourished with the 1868 and 1869 publications of parts one and two of Little Women. The first installment of her acclaimed and immensely popular “March Family Saga” has since become a classic of American literature and has been adapted countless times for the theater, film, and television. Alcott was a prolific writer throughout her lifetime, with dozens of novels, short stories, and novelettes published under her name, as the pseudonym A.M. Barnard, and anonymously.
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Psyche's Art - Louisa May Alcott
This comes to you courtesy of Miniature Masterpieces who have an excellent range of quality short stories from the masters of the craft. Do search for Miniature Masterpieces at any digital store for further information.
This audiobook is also duplicated in print as an ebook. Same title, same words. Perhaps a different experience but with Amazon’s whispersync you can pick up and put down on any device. Start on audio, continue in print and any which way after that. This, and these are, Miniature Masterpieces. Join us for the journey.
Louisa May Alcott – An Introduction
Many great writers are defined and remembered by one piece of work; one novel or poem that embeds itself in Society. For Louisa May Alcott it was Little Women - enjoyed by every generation since its publication.
Born in 1832 in Germantown, Pennsylvania into a poor family she received part of her education from family friends such as Henry David Thoreau, Ralph Waldo Emerson and Nathaniel Hawthorne. These early influences on the young Louisa weaved into her early life provided much of the material for her later novels. She was also a poet and a short story writer. This is a chance to explore her take on other subjects in a different discipline.
Psyche's Art by Louisa May Alcott
Handsome is that handsome does.
Once upon a time there raged in a certain city one of those fashionable epidemics which occasionally attack our youthful population. It wasn't the music mania, nor gymnastic convulsions, nor that wide-spread malady, croquet. Neither was it one of the new dances which, like a tarantula-bite, set everyone a twirling, nor stage madness, nor yet that American lecturing influenza which yearly sweeps over the land. No, it was a new disease called the Art fever, and it attacked the young women of the community with great violence.
Nothing but time could cure it, and it ran its course to the dismay, amusement, or edification of the beholders, for its victims did all manner of queer things in their delirium. They begged potteries for clay, drove Italian plaster-corkers out of their wits with unexecutable orders, got neuralgia and rheumatism sketching perched on fences and trees like artistic hens, and caused a rise in the price of bread, paper, and charcoal, by their ardor in crayoning. They covered canvas with the expedition of scene-painters, had classes, lectures, receptions, and exhibitions, made models