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The Death of Ivan Ilyich
The Death of Ivan Ilyich
The Death of Ivan Ilyich
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The Death of Ivan Ilyich

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Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitability of his death so much as a passing thought. But one day death announces itself to him, and to his shocked surprise he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth? A thoroughly absorbing and, at times, terrifying glimpse into the abyss of death, it is also a strong testament to the possibility of finding spiritual salvation.
LanguageEnglish
Release dateMar 28, 2017
ISBN9781974996339
Author

Leo Tolstoy

Leo Tolstoy was born in 1828 in Tula, near Moscow. His parents, who both died when he was young, belonged to the Russian nobility, and to the end of his life Tolstoy remained conscious of his aristocratic status. His novels, ‘War and Peace’ and ‘Anna Karenina’ are literary classics and he is revered as one of the greatest writers of the nineteenth century. He died in 1910 at the age of 82.

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Rating: 3.971944740968486 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    Bought and read this book over the weekend in Montreal. I was really enchanted by the portrayal of Ivan's decline and death, being so detailed. I really empathize with his struggle to understand death as a thing that truly applies to / effects him. The descriptive quality (as noted by many other readers) of Tolstoy's prose was readily apparent, and I enjoyed it immensely. For sure, this is one that begs to be re-read. I'm especially interested in revisiting the 1st chapter, which is from the perspective of his "friends" who, greedy for his social position, callously snub his funeral and bereaved wife. Highly recommended for those interested in getting into Russian lit since it is so short and sweet.
  • Rating: 4 out of 5 stars
    4/5
    The subject of this short classic is the process of dying and finally, acceptance of death. It's a look into the mind of a dying man who had lived an ordinary life as a high-court judge, had a family and friends, and had not given much thought about dying some day. After being ill for a long time, he realizes that he will never get well again and uses the time to reflect and question how well he lived his life. Was it meaningful? He struggles with redemption and forgiveness as all of us would in his situation.I felt it was depressing about Ivan's agonizing end. The novel was written in 1886 and was easy to read. Leo Tolstoy put lots of meaning into a short novel and gave me plenty to think about.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of the life and - as the title indicates - the death of an ordinary man. Ivan Ilych is not a particularly likeable character, nor are his wife and children, nor the colleagues who also appear in the narrative. And yet, the story of Ivan's death is powerful and moving, simply but exquisitely told. Ivan's anger, his fear, his resentment are all unflinchingly described.

    I've spent the past few months acutely aware of mortality. A close friend died suddenly a few months ago. Two other women I know well have inoperable cancer. My mother is frail and elderly and every time I see her I know I may never see her alive again. That sense of being surrounded by death in life is something that all of us face as we age.

    Talking about dying and death is not something we do much of in our society, even though it is something which occurs every moment of every day. Reading this book, as short as it is, brings the reader face to face with that perience. No matter how ordinary a person, no matter how ordinary their life, each death is unique - an extraordinary experience for the person concerned.

    This is not easy reading, but it is something to read and remember.
  • Rating: 4 out of 5 stars
    4/5
    Normally a book that looks this closely at death would, I'm afraid, terrify me. I have enough anxiety already, I don't need to think about the "dragging pain" in Ivan Ilyich's side, which -- being a doctor's daughter -- I could diagnose fairly easily as some kind of cancer, quite probably cancer of the gallbladder. That "dragging pain" is the giveaway to me, because it was in all the descriptions of the sort of pain cancer of the gallbladder causes. I know all about that because of the anxious period before I was diagnosed with gallstones. Anyway, it occurs to me that because Tolstoy never uses a specific word, never tells you specifically what is wrong with Ivan -- in fact, Ivan himself never knows -- it can be whatever you fear. For me, cancer is the obvious one.

    And okay, yes, this book did terrify me a bit, but I think in the way that it would terrify anybody. Imagining lying at the point of death and questioning if your life was of any use, if you did anything that really made you happy, if you did anything that really made you satisfied...

    This is nothing like Tolstoy's other books. There's a narrow focus on a single character, and -- in this translation at least -- the words are simple and directly to the point. Tolstoy's gift for a slightly satirical tone is in evidence. Ivan is not a particularly good man, but he's very much an everyman -- you will see yourself in Ivan, unless you really do have an ego so big you can't even be brought to imagine facing your own death.
  • Rating: 4 out of 5 stars
    4/5
    Very well written novella by Tolstoy. I was worried after "Anna Karenina" Tolstoy might have lost his way as he became older. However this was much more like the Tolstoy I remember from "War and Peace". A very affecting study of one man's life and death.
  • Rating: 5 out of 5 stars
    5/5
    This was one of my favorite stories of all time in 1999. I read it over and over again, thinking it contained and could reveal all the wisdom in the world.
  • Rating: 4 out of 5 stars
    4/5
    This classic novella was chosen by my university as their pick for The Big Read- a national reading event in North America sponsored by grants from the Nation Endowment for the Arts. Additionally, it was my first real essay into Russian literature. The novella begins, aptly, with the death of Ivan Ilyich, a 45 year old judge in St. Petersburg. His coworkers receive the news, and though they seem to be saddened by the event they also are very concerned over who will get promoted to where in order to fill Ivan's vacancy. One close friend of Ivan's, Peter, drags himself reluctantly to the funeral, only to be grilled by the not-so-grieving widow over Ivan's pension. He finally escapes, and wanders off to play bridge and rid his mind of the death.After briefly covering his death, the story turns to Ivan's life, which it terms as most simple...and most horrifying. We learn that Ivan skimmed through most of his life in a fairly ordinary way: grow up, go to school, have father set up a career, sow some wild oats, find a girl, marry, raise a family, get promoted, buy a house, decorate the house. It is decorating the house in fact that starts the grim chain of events. In trying to show the drapier how to hang curtains, Ivan slips off the ladder and bumps his side against a knob. Seemingly no real harm is done, just a small bruise.Yet that bruise leads him to his death. First he can't taste and enjoy food, then he can't focus on playing cards. Doctor after doctor try various treatments, but all for naught. He steadily declines, becoming more and more angry, frightened, and unreasonable. As the end draws near, he begins screaming- three days and nights he screams.Finally, he has two hours left to live. He stops screaming, stops fighting, and faces his death. it is in this moment that he finally finds peace- perhaps for the first time in his life. He thinks back and sees that his life was not all that it could or should have been, but he knows he can rectify that. Looking at those around him, he sees the pain that his illness is causing them. As he sees this, he realizes that his pain is hard to feel, that it is no longer dominating his mind and soul. He can no longer see death, and instead Ivan sees the joy and light ahead of him- and so he dies.I really enjoyed the story. Tolstoy masterfully begins by putting you in no doubt of the end so the focus is completely on the journey to death. It is undeniably depressing, but the end has a beauty and serenity to it that justifies the whole novella.
  • Rating: 5 out of 5 stars
    5/5
    a good story of a dying man. good introduction
  • Rating: 4 out of 5 stars
    4/5
    Word I wasn't expecting to read in this bleak masterpiece: pasties. (Hugh Alpin translator, UK's Hesperus Press)
  • Rating: 5 out of 5 stars
    5/5
    Two spoilers: Ivan dies, and this book is great.
  • Rating: 4 out of 5 stars
    4/5
    “Ivan Ilych's life had been most simple and most ordinary and therefore most terrible.” The book opens at the end of the story when a group of judges are informed that Ivan Ilyich has died. These men rather than mourn his passing instead begin to think of the promotions and transfers that the death will mean. That evening, one of the number travels to Ivan's house to attend his funeral. But whilst there becomes bothered by an expression of disapproval and warning on Ivan's face. The story then shifts more than thirty years into the past and picks up with a description of Ivan's life. As a teenager he attends a Law School where he takes on the habits and mannerisms of his contemporaries who are generally of those with high social standing. Ivan becomes a magistrate and marries Praskovya. Everything seems to be going smoothly until Praskovya becomes pregnant. Suddenly Praskovya's behaviour changes and they begin to argue a lot but rather than face it Ivan buries himself in his work and distances himself from his family. Time passes and Ivan moves up in the ranks and is eventually awarded a higher paying position in St Petersburg where he moves his family to. Whilst decorating the home he bangs his side against the window frame. The injury does not seem serious, but sometime late Ivan begins to experience some discomfort in his left side and an unusual taste in his mouth. The discomfort gradually increases and Ivan decides to see several doctors . However, the doctors all disagree on the nature of the illness and Ivan's physical condition degenerates rapidly. One night while lying alone in the dark, he is visited by his first thoughts of mortality, and they terrify him. He realizes that his illness is not a question of health or disease, but of life or death. Ivan knows that he is dying, but he is unable to grasp the full implications of his mortality. As his health fails Ivan starts examine his life and begins to question whether or nor it was a good one. This only a short novella and in many respects quite black in its outlook but is a very harsh look at how people choose to live their lives and whether or not our ambitions and ideals were real or merely artificial. Whether our official and personal lives can and should truly be kept separate.
  • Rating: 2 out of 5 stars
    2/5
    this book was supposed to be a bout a man's review of his life and his relationship with God. At the end of the book I was still wondering what he'd really learned from all of this. There was no grand revelation for me. I do think he realized what his family should have meant to him, but other than that there was nothing. I was very disappointed and wonder what I was supposed to get from the book.
  • Rating: 3 out of 5 stars
    3/5
    I read this for my World Lit II class. Actually, I read it twice. I read two different translations, because I wasn't satisfied with the one that was in my text book. I found another, and I liked it a lot better. Translation does make a difference.Poor Ivan Ilyich. I wasn't too crazy about this, but I understand its importance in literature. So many writers that came later have been influenced by this little novel! It's amazing how Tolstoy was able to capture all these emotions of human suffering and dying. I gave it three stars because it wasn't really all that life-changing or inspirational to me personally, but I'm glad to have read it. Twice, even!
  • Rating: 3 out of 5 stars
    3/5
    I liked the concept, but quickly grew bored.
  • Rating: 3 out of 5 stars
    3/5
    Dit verhaal biedt variaties op twee dingen: eerst, hoe Ivan vóór zijn ziekte is, namelijk statusgericht en egoïstisch, en vervolgens hoe hij tijdens zijn ziekte is, namelijk helemaal gemangeld door pijn en wanhoop. De nog gezonde Ivan wil prettig en licht leven, geen aanstoot geven en soepel meedraaien in de sociale wereld. Als zijn huwelijk slecht uitpakt, want zijn vrouw is erg jaloers, sluit hij zich voor haar af en richt zich op zijn werk. Daar geniet hij stiekem, terwijl hij zich welwillend en vriendelijk voordoet, van de macht die hij uitoefent. Echte vrienden heeft hij niet. Als hij stijgt op de sociale ladder, dan stoot hij minder hooggeplaatste kennissen af en zoekt het, ook in zijn vrije tijd, hogerop. Het is jammer dat deze fase van Ivans leven aan het slot min of meer wordt bestempeld als immoreel. Iwan zelf gaat, als hij bijna overlijdt, spijt krijgen van zijn oppervlakkige en zelfzuchtige leven. De manier waarop de onpersoonlijke verteller dit weergeeft suggereert instemming. Waarschijnlijk is deze normatieve invalshoek ook Tolstoj’s eigen visie. Maar de manier waarop hij het uitdrukt is terughoudend, zodat de niet in moraal geïnteresseerde lezer het ook zuiver beschrijvend kan opvatten. En die beschrijvingen tintelen van geloofwaardigheid en laten een prachtige mix zien van sociaal inzicht en emotionele zeggingskracht.De zieke Iwan trekt zich terug in zijn eigen ellende, hij wordt de ultieme navelstaarder. Steeds lezen we welke wending zijn grote geestelijke lijden nu weer neemt en welk aspectje dan weer de overhand krijgt. Heel mooi vond ik de interactie met Gerasim, het eenvoudige knechtje dat Ivan nog een tijdlang, als enige, weet te kalmeren. Ook mooi, hoe Ivans ellende een climax bereikt wanneer hij een enorme schreeuw uitstoot die drie dagen aanhoudt en bij iedereen door merg en been gaat. Naar het einde toe wordt het verhaal claustrofobisch, omdat het exclusief Ivans belevingswereld volgt. In die belevingswereld spelen waarnemingen en interacties nauwelijks meer een rol. Ivan vormt zich geen beeld meer van de wereld om hem heen. De jeugdherinneringen die door zijn hoofd gaan kwamen wat mij betreft niet echt tot leven. Het geheel kreeg daardoor iets reductionistisch in mijn ogen, alsof er maar een klein deel van de menselijke ervaring werd weergegeven. Daarom heeft dit verhaal me minder geraakt en geënthousiasmeerd dan de twee grote romans.
  • Rating: 5 out of 5 stars
    5/5
    In this short novella Tolstoy ingeniously unmasks the raw emotions and the puzzled lamentations of one Ivan Ilyich, a typical personage of his time, as he lies dying while suffering physical and mental agony (the latter being as excruciating as the former), trying to grasp the seeming "unfairness" of his position and finally arriving at some startling realizations about his life. The surrounding characters come under harsh light as they hover around the dying man and reveal their most unattractive human traits, and Ivan Ilyich is finally able to see through the veil of human hypocrisy. Not an upbeat story in the least. But one with a pretty clever insight into human nature. It also does point to the unrelenting frailty of life.
  • Rating: 5 out of 5 stars
    5/5
    This book is the portuguese translation of the russian original Смерть Ивана Ильпча. This is a terrible book. Admittedly a masterpiece, but a terrible work nevertheless: the portrait of a high level judge's life from the moment he discovers he has an incurable illness until his innescapable death. One probably needs a genius of Tolstoy's stature to be able to produce such a portrait, at once engaging and depressing, of human suffering and decay.
  • Rating: 4 out of 5 stars
    4/5
    A man dies slowly and in great agony. He ponders the meaning of life, and this increases his anguish: even worse than the physical pain of a slow, lingering death is the spiritual anguish of realising he has wasted his life.Tolstoy's main target here is dishonesty and hypocrisy. This is established from the opening scene, when Ivan Ilyich's death is announced, and the reaction of his colleagues is to think about how this will affect their promotion chances, while speaking the usual lines about it being a "sad business" and so on. Even his widow, Praskovya Fiodorovna, is more concerned about herself than her dead husband: after telling a mourner about his three days and nights of incessant screaming, she says "Oh, what I have gone through!" Then she tries to find out how she can increase the government pension money due to her from her husband's death.Then Tolstoy takes us on a quick tour back through Ivan Ilyich's life, showing us that he also participated fully in this dishonesty, concerning himself with appearances and advancement. In every decision, even marriage, he is heavily influenced by what other people will think. With each promotion in his career as a judge, he attains more power and money, but it's never enough. At each stage he simply spends more money imitating people higher in the social scale than he is, and wanting to attain that next level. It's not coincidental that he sustains his fatal injury while climbing a ladder to show a workman exactly how he wants a new curtain to be hung. The novel is saturated with vanity, pettiness and materialism, and they cause Ivan Ilyich's spiritual and physical death.Long before Kubler-Ross, Tolstoy hit on the stages of grief in the character Ivan Ilyich. He goes through denial, anger, bargaining, depression and acceptance, although not always in that order. He often swings violently between the different emotions, depending on his own state of mind and on outside events like a doctor getting his hopes up.The only examples of honesty in the book are in children (both Ivan Ilyich's own childhood and his young son Vassya) and in the character of Gerassim, the butler's assistant. Vassya and Gerassim don't lie to him or see him as an inconvenience - they display simple human affection and love for him.Indeed, love seems to be what Tolstoy is saying life is all about - not romantic love necessarily, but a broader kind of love for your fellow human beings and for God. This is what was missing from Ivan Ilyich's life as he immersed himself in petty advancement and the acquisition of meaningless accoutrements. This deathbed revelation at first causes him great agony as he rages against all the lost time, but in the end it's what allows him to find peace.
  • Rating: 3 out of 5 stars
    3/5
    Blow by blow account of the thoughts of Ivan Ilych as he lays dying, wallowing in his own misery and self-pity and ruminating over the meaningless of his life. As usual, I can't really get inside the Russian mindset, and the only really effective parts of the book for me are some of Tolstoy's observations about home decorating (seriously). I'm sure I will think about this from time to time, however; and when I find my self on MY death bed, I won't be reading Tolstoy.
  • Rating: 5 out of 5 stars
    5/5
    The minute we are born we are compelled to live. Ironically it is also the minute we begin the dying process. While some spend their lives obsessed with (the fear of) dying, others, like Tolstoy’s Ivan Ilyich have never given it a second thought. Death is an inconvenience that happens to others. But when Ivan falls ill at 45 and understands his time on earth is short he tries to reconcile his life’s choices and realize the absurdity and futility of it all. With his mortality looming, despondent and in agony, Ivan has an epiphany; as death finally announces itself to him, it then ceased to exist. Now that’s a simple but powerful concept worth contemplating. A masterpiece novella, this one is worth everybody’s time and consideration.
  • Rating: 5 out of 5 stars
    5/5
    Oh non-Gothic, gothic horror. Oh sweaty relief. (ew)

    I wish I'd been a writing sort in high school--the books I read then were arguably more interesting than the ones I read now, brief Michael Crichton preoccupation excepted.
  • Rating: 4 out of 5 stars
    4/5
    This novella opens with a scene reminiscent of the one shown to Scrooge by the Ghost of Christmas Yet to Come: Ivan Ilyich has died, and his friends, colleagues, and relations gather for the funeral, but also to advance their own interests. Who will be promoted into his old position? Can his wife wrangle a better pension out of the government? And the weekly card game will go on as scheduled, won’t it? The reader then gets a survey of Ivan’s life, from school days, to married life, through career advancements, and through the illness that eventually leads to his death. There’s a lot of focus on the big questions: why death, and why pain? Did Ivan lead the life he was meant to lead? What if he got it all wrong?One gets the sense that Tolstoy was working through his thoughts on these matters. It would be silly to say that I “enjoyed” this book, but I appreciated it (though, when it comes to the Russians, I’ll take Dostoyevsky over Tolstoy any day). It’s a big subject for such a small volume; I’m glad I finally read it, though I probably won’t read it again.
  • Rating: 5 out of 5 stars
    5/5
    Nice. Very nice short story. A lot of self-reflection, which is right up my street, as it were.
  • Rating: 4 out of 5 stars
    4/5
    An excellent, soulful book in the vein of The Trial, and Crime and Punishment. Vladimir Nabokov sums my views of this Novella quite well.In his lectures on Russian Literature Russian born Novelist and critic Vladimir Nabokov argues that, for Tolstoy, a sinful life is (such as Ivan's was), moral death. Therefore death, the return of the soul to God is, for Tolstoy, moral life . To quote Nabokov: "The Tolstoyan formula is: Ivan lived a bad life and since the bad life is nothing but the death of the soul, then Ivan lived a living death; and since beyond death is God's living light, then Ivan died into a new life- Life with a capital L."(Nabokov, Vladimir Vladimirovich: Lectures On Russain Literature pg.237: Harcourt Edition)
  • Rating: 4 out of 5 stars
    4/5
    Think over whether you live the life that you want to live or simply do the "correct" things unquestionably.
  • Rating: 5 out of 5 stars
    5/5
    Powerful, powerful book about the range of emotions the main character goes through as he learns that his time on earth is dwindling quickly.
  • Rating: 4 out of 5 stars
    4/5
    A brilliant short work. He captured the psychology of a dying man and those around him with a great deal of thoroughness. The end of Illych had him questioning so many of the silly societal mores which he had self-imposed, but in the end, his resignation to the peaceful pull of death put the angst behind him. Wonderfully written.
  • Rating: 3 out of 5 stars
    3/5
    The story begins with three friends and colleagues of a man named Ivan Ilych learning of his death. No one seems deeply affected by this, but one of them, Peter Ivanovich, goes to the wake at Ivan's house that night out of a sense of obligation. From there Tolstoy allows us to view Ilych’s life and his subsequent death, a wasted and meaningless life. In addition we become witness to the hypocrisy and the pointlessness of the lives of those around him—except for his young butler—who has an understanding of life and death that Ilych does not. What is particular tragic about this novella is the loneliness and isolation and the feeling that the life that Ilych has lived was meaningless—worse than death. This book allows us to explore how we live our lives, what is important in that life—and what is a “good life.” 3 out of 5 stars.
  • Rating: 5 out of 5 stars
    5/5
    It is the epitome of a true classic. It is timeless. It is as immediately relevant now as it was when it was published 130 years ago.
    Here is the unexamined Life, with its strivings, hypocrisies, bargains, illusions upon illusions, and its screens stopping thoughts of Death.
    Then Life is introduced to Death. The screens are relentlessly stripped away, revealing…nothing? “There is no explanation! Agony, death… .What for?”
    This is why I read.
  • Rating: 3 out of 5 stars
    3/5
    Until the nature of his injury makes itself known Ivan Ilych ambles through life, succeeding in both his career and personal life (at least he keeps up the facade of success in those realms). Yet Ivan Ilych never exhibits any passion, nor does he examine the path he has taken and where it might lead.

    When a foolish accident brings home his own mortality, however, Ivan Ilych is forced to consider all the things he had taken for granted before. His unhappy marriage, his career that he sometimes enjoyed but largely performed for the sake of a salary and social advancement, and his life in general where he never stood for or against anything, all provide grist for Ivan's tormented mind. The nature of life and the inevitability of death spur in Ivan thoughts about dying for the first time. Tolstoy gives us a dying man who is bitter that everyone else is continuing their lives as if "the world was going on as usual." Of course, to everyone except the dying man, it is. He gives us a man who always thought of himself as death's exception. Everyone has probably done something similar, at least at times, because that thought is so much easier to grasp compared to the idea that we are mortal and will be dead someday, our consciousness ending like a candle being snuffed. He gives us a man railing against the cruelty of God while simultaneously railing against God's absence. Finally Tolstoy lets Ivan Ilych begin to examine his own life, and as he does so he realizes that his moments of purest happiness were during childhood, and since then his life has been one big death-spiral, before giving Ivan a moment of forgiveness and what I interpret as divine absolution.

    Tolstoy in this book tells what I imagine is a universal tale of a person trying to reconcile themselves with his or her own mortality. We probably have all had the thoughts that go through Ivan's head in our own head at some point in our lives- if anything Ivan Ilych thinks about hasn't occurred to you in at least a general sense before then you probably don't spend much time thinking- but Tolstoy presents these thoughts well. That being said, his writing did not spur any realization about life or death that I didn't have before I began the book. Maybe I contemplate my own mortality more than most people do? I think that, despite the lack of new insight, the book could have been great if the scenes of Iva Ilych's terror and suffering were portrayed with great prose that made the scenes depicted viscerally striking. I didn't find the prose to be particularly impressive, unfortunately, though that may be the fault of the Maude translation. I also thought the ending was a bit of a cop-out, at least if you interpret the ending as his soul receiving forgiveness, as it undercuts the fear of death and the ensuing nothingness that was such an integral part of the story up until that point. I hope Tolstoy really believed in such forgiveness, and didn't include it so as to give a more uplifting ending, because the story would have been better off without it.

    If you've never really thought about death, it's worth reading a book that contemplates such a thing. There are plenty to choose from: Death Comes for the Archbishop, Gilead, The Tartar Steppe, or Hamlet just to name a few (death is hardly a rare theme). Still, The Death of Ivan Ilych stands out as perhaps the work most focused on death. Choose it if that sounds appealing to you.

Book preview

The Death of Ivan Ilyich - Leo Tolstoy

Chapter 1

During an interval in the Melvinski trial in the large building of the Law Courts the members and public prosecutor met in Ivan Egorovich Shebek's private room, where the conversation turned on the celebrated Krasovski case. Fedor Vasilievich warmly maintained that it was not subject to their jurisdiction, Ivan Egorovich maintained the contrary, while Peter Ivanovich, not having entered into the discussion at the start, took no part in it but looked through the Gazette which had just been handed in.

Gentlemen, he said, Ivan Ilyich has died!

You don't say so!

Here, read it yourself, replied Peter Ivanovich, handing Fedor Vasilievich the paper still damp from the press. Surrounded by a black border were the words: Praskovya Fedorovna Golovina, with profound sorrow, informs relatives and friends of the demise of her beloved husband Ivan Ilyich Golovin, Member of the Court of Justice, which occurred on February the 4th of this year 1882. The funeral will take place on Friday at one o'clock in the afternoon.

Ivan Ilyich had been a colleague of the gentlemen present and was liked by them all. He had been ill for some weeks with an illness said to be incurable. His post had been kept open for him, but there had been conjectures that in case of his death Alexeev might receive his appointment, and that either Vinnikov or Shtabel would succeed Alexeev. So on receiving the news of Ivan Ilyich's death the first thought of each of the gentlemen in that private room was of the changes and promotions it might occasion among themselves or their acquaintances.

I shall be sure to get Shtabel's place or Vinnikov's, thought Fedor Vasilievich. I was promised that long ago, and the promotion means an extra eight hundred rubles a year for me besides the allowance.

Now I must apply for my brother-in-law's transfer from Kaluga, thought Peter Ivanovich. My wife will be very glad, and then she won't be able to say that I never do anything for her relations.

I thought he would never leave his bed again, said Peter Ivanovich aloud. It's very sad.

But what really was the matter with him?

The doctors couldn't say—at least they could, but each of them said something different. When last I saw him I thought he was getting better.

And I haven't been to see him since the holidays. I always meant to go.

Had he any property?

I think his wife had a little—but something quite trifling.

We shall have to go to see her, but they live so terribly far away.

Far away from you, you mean. Everything's far away from your place.

You see, he never can forgive my living on the other side of the river, said Peter Ivanovich, smiling at Shebek. Then, still talking of the distances between different parts of the city, they returned to the Court.

Besides considerations as to the possible transfers and promotions likely to result from Ivan Ilyich's death, the mere fact of the death of a near acquaintance aroused, as usual, in all who heard of it the complacent feeling that, it is he who is dead and not I.

Each one thought or felt, Well, he's dead but I'm alive! But the more intimate of Ivan Ilyich's acquaintances, his so-called friends, could not help thinking also that they would now have to fulfill the very tiresome demands of propriety by attending the funeral service and paying a visit of condolence to the widow.

Fedor Vasilievich and Peter Ivanovich had been his nearest acquaintances. Peter Ivanovich had studied law with Ivan Ilyich and had considered himself to be under obligations to him. Having told his wife at dinner-time of Ivan Ilyich's death, and of his conjecture that it might be possible to get her brother transferred to their circuit, Peter Ivanovich sacrificed his usual nap, put on his evening clothes and drove to Ivan Ilyich's house.

At the entrance stood a carriage and two cabs. Leaning against the wall in the hall downstairs near the cloakstand was a coffin-lid covered with cloth of gold, ornamented with gold cord and tassels, that had been polished up with metal powder. Two ladies in black were taking off their fur cloaks. Peter Ivanovich recognized one of them as Ivan Ilyich's sister, but the other was a stranger to him. His colleague Schwartz was just coming downstairs, but on seeing Peter Ivanovich enter he stopped and winked at him, as if to say: Ivan Ilyich has made a mess of things—not like you and me.

Schwartz's face with his Piccadilly whiskers, and his slim figure in evening dress, had as usual an air of elegant solemnity which contrasted with the playfulness of his character and had a special piquancy here, or so it seemed to Peter Ivanovich.

Peter Ivanovich allowed the ladies to precede him and slowly followed them upstairs. Schwartz did not come down but remained where he was, and Peter Ivanovich understood that he wanted to arrange where they should play bridge that evening. The ladies went upstairs to the widow's room, and Schwartz with seriously compressed lips but a playful look in his eyes, indicated by a twist of his eyebrows the room to the right where the body lay.

Peter Ivanovich, like everyone else on such occasions, entered feeling uncertain what he would have to do. All he knew was that at such times it is always safe to cross oneself. But he was not quite sure whether one should make obseisances while doing so. He therefore adopted a middle course. On entering the room he began crossing himself and made a slight movement resembling a bow. At the same time, as far as the motion of his head and arm allowed, he surveyed the room. Two young men—apparently nephews, one of whom was a high-school pupil—were leaving the room, crossing themselves as they did so. An old woman was standing motionless, and a lady with strangely arched eyebrows was saying something to her in a whisper. A vigorous, resolute Church Reader, in a frock-coat, was reading something in a loud voice with an expression that precluded any contradiction. The butler's assistant, Gerasim, stepping lightly in front of Peter Ivanovich, was strewing something on the floor. Noticing this, Peter Ivanovich was immediately aware of a faint odour of a decomposing body.

The last time he had called on Ivan Ilyich, Peter Ivanovich had seen Gerasim in the study. Ivan Ilyich had been particularly fond of him and he was performing the duty of a sick nurse. Peter Ivanovich continued to make the sign of the cross slightly inclining his head in an intermediate direction between the coffin, the Reader, and the icons on the table in a

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