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Marion de Lorme: "Concision in style, precision in thought, decision in life"
Marion de Lorme: "Concision in style, precision in thought, decision in life"
Marion de Lorme: "Concision in style, precision in thought, decision in life"
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Marion de Lorme: "Concision in style, precision in thought, decision in life"

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Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers. A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.

His life was paralleled by the immense political and social movements of the 19th Century. When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored.

It was only with his Mother’s death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother. Their first child was born inside a year but died in infancy. Leopoldine was born the following year, followed by three further siblings.

Hugo published his first novel the year following year, Han d'Islande, (1823). Three years later his second, Bug-Jargal (1826).

Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time. His reputation was growing not only in France but across Europe.

In 1841 he was elected to the Académie Française, cementing his position in the world of French arts and letters. Hugo also now began to turn his attention to an involvement in French politics.

Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.

When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.

In exile, Hugo published his famous political pamphlets; Napoléon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus. He composed or published some of his greatest work including Les Misérables, and three widely honoured collections of poetry (Les Châtiments, 1853; Les Contemplations, 1856; and La Légende des siècles, 1859).

In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate. That same year War erupted between France and Prussia and the French were badly beaten.

With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Littéraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.

Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.

Index of Contents

DRAMATIS PERSONÆ

TIME: 1638

MARION DE LORME

ACT I―THE MEETING

SCENE I

SCENE II

SCENE III

SCENE IV

ACT II―THE ENCOUNTER

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE V

ACT III―THE COMEDY

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE V

SCENE VI

SCENE VII

SCENE VIII

SCENE IX

SCENE X

ACT IV―THE KING

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE V

SCENE VI

SCENE VII

SCENE VIII

ACT V―THE CARDINAL

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE V

SCENE VI

VICTOR HUGO – A SHORT BIOGRAPHY

VICTOR HUGO – A CONCISE BIBLIOGRAPHY

LanguageEnglish
PublisherStage Door
Release dateMar 10, 2018
ISBN9781787378414
Marion de Lorme: "Concision in style, precision in thought, decision in life"
Author

Victor Hugo

Victor Hugo (1802-1885) is one of the most well-regarded French writers of the nineteenth century. He was a poet, novelist and dramatist, and he is best remembered in English as the author of Notre-Dame de Paris (The Hunchback of Notre-Dame) (1831) and Les Misérables (1862). Hugo was born in Besançon, and became a pivotal figure of the Romantic movement in France, involved in both literature and politics. He founded the literary magazine Conservateur Littéraire in 1819, aged just seventeen, and turned his hand to writing political verse and drama after the accession to the throne of Louis-Philippe in 1830. His literary output was curtailed following the death of his daughter in 1843, but he began a new novel as an outlet for his grief. Completed many years later, this novel became Hugo's most notable work, Les Misérables.

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    Marion de Lorme - Victor Hugo

    Marion de Lorme by Victor Hugo

    Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers.   A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.

    His life was paralleled by the immense political and social movements of the 19th Century.   When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored. 

    It was only with his Mother’s death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother.  Their first child was born inside a year but died in infancy.  Leopoldine was born the following year, followed by three further siblings.  

    Hugo published his first novel the year following year, Han d'Islande, (1823).  Three years later his second, Bug-Jargal (1826).

    Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time.  His reputation was growing not only in France but across Europe.

    In 1841 he was elected to the Académie Française, cementing his position in the world of French arts and letters.  Hugo also now began to turn his attention to an involvement in French politics.

    Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.

    When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.

    In exile, Hugo published his famous political pamphlets;  Napoléon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus.  He composed or published some of his greatest work including Les Misérables, and three widely honoured collections of poetry (Les Châtiments, 1853; Les Contemplations, 1856; and La Légende des siècles, 1859).

    In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate.  That same year War erupted between France and Prussia and the French were badly beaten.

    With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Littéraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.

    Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.

    Index of Contents

    DRAMATIS PERSONÆ

    TIME: 1638

    MARION DE LORME

    ACT I―THE MEETING

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    ACT II―THE ENCOUNTER

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    ACT III―THE COMEDY

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    SCENE VI

    SCENE VII

    SCENE VIII

    SCENE IX

    SCENE X

    ACT IV―THE KING

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    SCENE VI

    SCENE VII

    SCENE VIII

    ACT V―THE CARDINAL

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    SCENE VI

    VICTOR HUGO – A SHORT BIOGRAPHY

    VICTOR HUGO – A CONCISE BIBLIOGRAPHY

    DRAMATIS PERSONÆ

    Marion de Lorme

    Didier

    Louis XIII

    Marquis de Saverny

    Marquis de Nangis

    L'Angely

    M. de Laffemas

    Duke de Bellegarde

    Marquis de Brichanteau  }

    Count de Gassé   }

    Viscount de Bouchavannes } Officers of the Regiment of Anjou

    Chevalier de Rochebaron }

    Count de Villac   }

    Chevalier de Montpesat  }

    Duke de Beaupréau

    Viscount de Rohan

    Abbé de Gondi

    Count de Charnacé

    Scaramouche }

    Gracieux } Provincial Comedians

    Taillebras }

    Councilor of the Great Chamber

    Town Crier 

    Captain

    A Jailer 

    A Registrar

    The Executioner

    First Workman

    Second Workman

    Third Workman

    A Lackey

    Dame Rose

    Provincial Comedians, Guards, Populace, Nobles, Pages.

    TIME: 1638

    MARION DE LORME

    ACT I

    THE MEETING

    Scene.—Blois. A bed-chamber. A window opening on a balcony at the back. To the right, a table with a lamp, and an armchair. To the left a door, covered by a portière of tapestry. In the background a bed

    SCENE I

    MARION DE LORME, in a very elegant wrapper, sitting beside the table, embroidering. MARQUIS DE SAVERNY, very young man, blonde, without mustache, dressed in the latest fashion of 1638

    SAVERNY [approaching MARION and trying to embrace her]

    Let us be reconciled, my sweet Marie!

    MARION [pushing him away]

    Not such close reconciliation, please!

    SAVERNY [insisting]

    Just one kiss!

    MARION [angrily]

    Marquis!

    SAVERNY

    What a rage! Your mouth

    Had sweeter manners, not so long ago!

    MARION

    Ah, you forget!

    SAVERNY

    No, I remember, dear.

    MARION [aside]

    The bore! the tiresome creature!

    SAVERNY

    Speak, fair one!

    What does this swift, unkind departure mean?

    While all are seeking you at Place Royale,

    Why do you hide yourself at Blois? Traitress,

    What have you done here all these two long months?

    MARION

    I do what pleases me, and what I wish

    Is right. I'm free, my lord!

    SAVERNY

    Free! Yes. But those

    Whose hearts you've stolen, are they also free?

    I? Gondi, who omitted half his Mass

    The other day, because he had a duel

    Upon his hands for you? Nesmond, D'Arquien,

    The two Caussades, Pressigny, whom your flight

    Has left so wretched, so morose, even

    Their wives wish you were back in Paris, that

    They might have gayer husbands!

    MARION [smiling]

    Beauvillain?

    SAVERNY

    Is still in love.

    MARION

    Cereste?

    SAVERNY

    Adores you yet.

    MARION

    And Pons?

    SAVERNY

    Oh, as for him, he hates you!

    MARION

    Proof

    He is the only one who loves me! Well,

    The President?

    [Laughing]

    The old man! What's his name?

    [Laughing more heartily.

    Leloup!

    SAVERNY

    He's waiting for you, and meanwhile

    He keeps your portrait and sings odes to it.

    MARION

    He's loved me two years now, in effigy.

    SAVERNY

    He'd much prefer to burn you. Tell me how

    You keep away from such dear friends.

    MARION [serious, and lowering her eyes]

    That's just

    The reason, Marquis; to be frank with you,

    Those brilliant follies which seduced my youth

    Have given me much more misery than joy.

    In a retreat, a convent cell, perhaps,

    I want to try to expiate my life.

    SAVERNY

    I'll wager there's a love-tale behind that.

    MARION

    You dare to think—

    SAVERNY

    That never a nun's veil

    Surmounted eyes so full of earthly fire.

    It could not be. You love some poor provincial!

    For shame! To end a fine romance with such

    A page!

    MARION

    It isn't true!

    SAVERNY

    Let's make a wager!

    MARION

    Dame Rose, what time is it?

    DAME ROSE [outside]

    Almost midnight!

    MARION [aside]

    Midnight!

    SAVERNY

    That is a most ingenious way

    Of saying, Time to go.

    MARION

    I live retired,

    Receiving no one, and unknown to all.

    Besides, 'tis dangerous to be out late:

    The street is lonely, full of robbers.

    SAVERNY

    Well,

    They can rob me.

    MARION

    And oftentimes they kill!

    SAVERNY

    Good! they can kill me.

    MARION

    But—

    SAVERNY

    You are divine!

    But I'll not stir one foot before I know

    Who this gay shepherd is, who's routed us!

    MARION

    There's no one!

    SAVERNY

    I will be discreet. We courtiers,

    Whom people think so mad, so curious

    And spiteful, are maligned. We gossip, but

    We never talk! You're silent?

    [Sits down.

    Then I'll stay!

    MARION

    What does it matter? Well, it's true! I love!

    I'm waiting for him!

    SAVERNY

    That's the way to talk!

    That's right! Where is it you expect him?

    MARION

    Here!

    SAVERNY

    When?

    MARION

    Now!

    [She goes to the balcony and listens.

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