Harold : the Last of the Saxon Kings — Volume 09

By Edward Bulwer-Lytton

Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like  "pursuit of the almighty dollar" and "the pen is mightier than the sword".


In addition to being a politician, he wrote across all genres, from horror stories to historical fiction and action titles.

• Language: English
• Publisher: Krill Press
• Release date: Dec 30, 2015
• ISBN: 9781518353642

Edward Bulwer-Lytton

Edward Bulwer-Lytton, engl. Romanschriftsteller und Politiker, ist bekannt geworden durch seine populären historischen/metaphysischen und unvergleichlichen Romane wie „Zanoni“, „Rienzi“, „Die letzten Tage von Pompeji“ und „Das kommende Geschlecht“. Ihm wird die Mitgliedschaft in der sagenumwobenen Gemeinschaft der Rosenkreuzer nachgesagt. 1852 wurde er zum Kolonialminister von Großbritannien ernannt.

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HAROLD : THE LAST OF THE SAXON KINGS — VOLUME 09

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Edward Bulwer-Lytton

SILVER SCROLL PUBLISHING

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Copyright © 2015 by Edward Bulwer-Lytton

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TABLE OF CONTENTS

BOOK IX.: THE BONES OF THE DEAD.: CHAPTER I.

CHAPTER II.

CHAPTER III.

CHAPTER IV.

CHAPTER V.

CHAPTER VI.

CHAPTER VII.

Harold : the Last of the Saxon Kings — Volume 09

By

Edward Bulwer-Lytton

Harold : the Last of the Saxon Kings — Volume 09

Published by Silver Scroll Publishing

New York City, NY

First published circa 1873

Copyright © Silver Scroll Publishing, 2015

All rights reserved

Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

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BOOK IX.: THE BONES OF THE DEAD.: CHAPTER I.

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WILLIAM, COUNT OF THE NORMANS, sate in a fair chamber of his palace of Rouen; and on the large table before him were ample evidences of the various labours, as warrior, chief, thinker, and statesman, which filled the capacious breadth of that sleepless mind.

There lay a plan of the new port of Cherbourg, and beside it an open MS. of the Duke’s favourite book, the Commentaries of Caesar, from which, it is said, he borrowed some of the tactics of his own martial science; marked, and dotted, and interlined with his large bold handwriting, were the words of the great Roman. A score or so of long arrows, which had received some skilful improvement in feather or bolt, lay carelessly scattered over some architectural sketches of a new Abbey Church, and the proposed charter for its endowment. An open cyst, of the beautiful workmanship for which the English goldsmiths were then pre-eminently renowned, that had been among the parting gifts of Edward, contained letters from the various potentates near and far, who sought his alliance or menaced his repose.

On a perch behind him sate his favourite Norway falcon unhooded, for it had been taught the finest polish in its dainty education—viz., to face company undisturbed. At a kind of easel at the farther end of the hall, a dwarf, misshapen in limbs, but of a face singularly acute and intelligent, was employed in the outline of that famous action at Val des Dunes, which had been the scene of one of the most brilliant of William’s feats in arms—an outline intended to be transferred to the notable stitchwork of Matilda the Duchess.

Upon the floor, playing with a huge boar-hound of English breed, that seemed but ill to like the play, and every now and then snarled and showed his white teeth, was a young boy, with something of the Duke’s features, but with an expression more open and less sagacious; and something of the Duke’s broad build of chest and shoulder, but without promise of the Duke’s stately stature, which was needed to give grace and dignity to a strength otherwise cumbrous and graceless. And indeed, since William’s visit to England, his athletic shape had lost much of its youthful symmetry, though not yet deformed by that corpulence which was a disease almost as rare in the Norman as the Spartan.

Nevertheless, what is a defect in the gladiator is often but a beauty in the prince; and the Duke’s large proportions filled the eye with a sense both of regal majesty and physical power. His countenance, yet more than his form, showed the work of time; the short dark hair was worn into partial baldness at