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Jessica Swale's Blue Stockings: A guide for studying and staging the play
Unavailable
Jessica Swale's Blue Stockings: A guide for studying and staging the play
Unavailable
Jessica Swale's Blue Stockings: A guide for studying and staging the play
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Jessica Swale's Blue Stockings: A guide for studying and staging the play

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Jessica Swale's Blue Stockings is the empowering and surprising story of four young women fighting for their right to a university education in a world that assumed women belonged at home. First produced professionally at Shakespeare's Globe in 2013, and a sell-out success, it is now regularly performed by theatre groups in the UK and beyond, and widely studied by GCSE Drama students.

This Page to Stage guide, written by the playwright, who also directed the first production at RADA, along with her assistant director Lois Jeary, is packed with contextual information, scene-by-scene and character breakdowns, and personal insights into the world of the play and the real lives that inspired it.

An invaluable resource for those studying and staging the play, it takes you through the entire production process, considering each of the elements in turn, from sound and music to design and rehearsals. You'll also find notes from the original rehearsal process, extracts from working diaries, and interviews with key members of the creative team. Throughout, there are hints and tips on staging, and helpful games and exercises to bring the play to life on the stage and in the classroom.

Highly accessible and uniquely authoritative, it is the indispensible guide for anyone studying, teaching or performing the play.

LanguageEnglish
Release dateJul 3, 2017
ISBN9781780019062
Unavailable
Jessica Swale's Blue Stockings: A guide for studying and staging the play
Author

Jessica Swale

Jessica Swale is an Olivier Award-winning writer, director and film maker. She trained at Central School of Speech and Drama and the University of Exeter. Jessica began her career spending a happy decade as a theatre director, during which she founded and Red Handed Theatre Company, with whom she won Best Ensemble in the Peter Brook Empty Space Awards and multiple Evening Standard Award nominations. She then began writing. Her first play, Blue Stockings, premiered at Shakespeare’s Globe in 2013. It is now one of the most performed plays in the country, and is featured on the GCSE Drama syllabus. She is currently writing the TV series. Jessica’s next play, Nell Gwynn, won her an Olivier Award for Best New Comedy and transferred from the Globe to the West End, starring Gemma Arterton. She is currently writing the screenplay for Working Title. Other plays include Thomas Tallis (Sam Wanamaker Playhouse), The Mission and adaptations of The Jungle Book, Sense and Sensibility, Far from the Madding Crowd, Stig of the Dump and The Secret Garden. Now working primarily in film and television, she both directs and writes for the screens – original works and adaptations. Screenplays include Persuasion for Fox Searchlight, Nell Gwynn for Working Title, Longbourn for Studio Canal and an original rom-com for Blue Print Pictures. Her first film, Horrible Histories the Movie, premiered in 2019 and was nominated for a BAFTA for Best Feature for Children. Her directorial debut feature, Summerland (also writer), starring Gemma Arterton, premiered in 2020. She also wrote and directed the internet hit Leading Lady Parts, a short film promoting equality in film, starring Arterton, Felicity Jones, Emilia Clarke and friends, for the BBC and Rebel Park Productions. You can watch it on YouTube. Jessica is an associate artist with Youth Bridge Global, an international NGO which uses theatre as a tool for promoting social change in war-torn and developing nations. As such, she has lived in the Marshall Islands and in Bosnia and Herzegovina, directing Shakespeare productions including The Comedy of Errors, Much Ado About Nothing, Twelfth Night and The Tempest. She has written three titles in Nick Hern Books’ popular Drama Games series: for Classrooms and Workshops, for Devising, and for Rehearsals. She is also an active campaigner for greater equality and diversity across all dramatic media, and an active member of Times Up and the Me Too movement.

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