Hurricane
4.5/5
()
About this ebook
In The Great Escape and Papillon, Steve McQueen embodied the tough guy on the run from captivity and injustice. But when it comes to toughness, McQueen is following in the daring and determined footsteps of Captain Spar.
Wrongfully accused, Spar has been condemned to suffer the brutality of the guards and the conditions on Devil’s Island. But they haven’t broken his will, and now, escaping, he has one mission in life: revenge. Spar’s out to kill the man who put him into the devil’s hands. But he’ll have to take on a gallery of rogues who are as treacherous as the waters of the Caribbean.
Pressure is rising and a storm is brewing. But even in the face of a natural disaster, Spar discovers that nothing is more volatile than human nature—as temptation and danger are about to collide with Hurricane force.
In 1937 L. Ron Hubbard wrote to one of his editors: “You might have noticed that I am intensely wary of becoming any kind of a story specialist. I have sold the gamut of types: air war, air, western, detective, love, terror. . . . My one passion is to build a name for variety. . . . I like my freedom. I fight hard for independent individualism. I love to tie into a yarn and make it blaze in print.” Hubbard’s passion for writing, creativity and individualism certainly blazes across the page in stories like Hurricane.
“Hurricane will keep you on the edge of your seat from beginning to end as it unfolds.” —Mommy’s Favorite Things
* An International Book Awards Finalists
L. Ron Hubbard
With 19 New York Times bestsellers and more than 350 million copies of his works in circulation, L. Ron Hubbard is among the most enduring and widely read authors of our time. As a leading light of American Pulp Fiction through the 1930s and '40s, he is further among the most influential authors of the modern age. Indeed, from Ray Bradbury to Stephen King, there is scarcely a master of imaginative tales who has not paid tribute to L. Ron Hubbard. Then too, of course, there is all L. Ron Hubbard represents as the Founder of Dianetics and Scientology and thus the only major religion born in the 20th century.
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Reviews for Hurricane
6 ratings2 reviews
- Rating: 5 out of 5 stars5/5Another excellent story by Hubbard albeit far more violent than some of his other pulp fiction. The relentless pacing, grim villians and stark action make this a worthy addition to your pulp fiction library. Essentially a novella, Hubbard had a flare for endearing characters and wild plots. Hurricane is no exception, but as I mentioned a tad more violent than some of the other stories reprinted by Galaxy Press. But don't let that turn you off - this is pulp fiction action at its best!
- Rating: 4 out of 5 stars4/5This audiobook performance is superb and the story line classic and well written.
I tend to compare it to the movie by Howard Hawks of Hemingway's novel To Have and To Have Not with the bits on avoiding Devil's Island and acts of old classic story heroism.
I enjoyed both a lot but have to tip my hat and give the nod to Hurricane even if Bogey and Becall aren't starring. The edgy characters and story seems more effective in Hurricane and the sound effects of the storm are truly realistic.
The arch-villain goes by the name "The Saint" and the suspense in hoping that that character gets what he really deserves keeps you going till the end. He is damn slippery and conniving.
A quote from Ellery Queen on the jacket:
"One of the great pulp writers, with colorful prose, lively action writing, exotic locales, fresh variations on standard characters and situations and well-constructed plots."
Book preview
Hurricane - L. Ron Hubbard
SELECTED FICTION WORKS
BY L. RON HUBBARD
FANTASY
The Case of the Friendly Corpse
Death’s Deputy
Fear
The Ghoul
The Indigestible Triton
Slaves of Sleep & The Masters of Sleep
Typewriter in the Sky
The Ultimate Adventure
SCIENCE FICTION
Battlefield Earth
The Conquest of Space
The End Is Not Yet
Final Blackout
The Kilkenny Cats
The Kingslayer
The Mission Earth Dekalogy*
Ole Doc Methuselah
To the Stars
ADVENTURE
The Hell Job series
WESTERN
Buckskin Brigades
Empty Saddles
Guns of Mark Jardine
Hot Lead Payoff
A full list of L. Ron Hubbard’s
novellas and short stories is provided at the back.
*Dekalogy: a group of ten volumes
TitlePgArt.jpgPublished by
Galaxy Press, LLC
7051 Hollywood Boulevard, Suite 200
Hollywood, CA 90028
© 2007 L. Ron Hubbard Library. All Rights Reserved.
Any unauthorized copying, translation, duplication, importation or distribution, in whole or in part, by any means, including electronic copying, storage or transmission, is a violation of applicable laws.
Mission Earth is a trademark owned by L. Ron Hubbard Library and is used with permission. Battlefield Earth is a trademark owned by Author Services, Inc. and is used with permission.
Horsemen illustration from Western Story Magazine and story preview cover art from Top Notch Magazineis © and ™ Condé Nast Publications and is used with their permission. Fantasy, Far-Flung Adventure and Science Fiction illustrations: Unknown and Astounding Science Fiction copyright © by Street & Smith Publications, Inc. Reprinted with permission of Penny Publications, LLC.
Printed in the United States of America.
ISBN 978-1-59212-574-6 ePub version
ISBN 978-1-59212-764-1 Kindle version
ISBN 978-1-59212-284-4 print version
ISBN 978-1-59212-292-9 audiobook version
Library of Congress Control Number: 2007903533
Contents
FOREWORD
HURRICANE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
STORY PREVIEW:
HELL'S LEGIONNAIRE
GLOSSARY
L. RON HUBBARD
IN THE GOLDEN AGE
OF PULP FICTION
THE STORIES FROM THE
GOLDEN AGE
FOREWORD
Stories from Pulp Fiction’s Golden Age
AND it was a golden age.
The 1930s and 1940s were a vibrant, seminal time for a gigantic audience of eager readers, probably the largest per capita audience of readers in American history. The magazine racks were chock-full of publications with ragged trims, garish cover art, cheap brown pulp paper, low cover prices—and the most excitement you could hold in your hands.
Pulp
magazines, named for their rough-cut, pulpwood paper, were a vehicle for more amazing tales than Scheherazade could have told in a million and one nights. Set apart from higher-class slick
magazines, printed on fancy glossy paper with quality artwork and superior production values, the pulps were for the rest of us,
adventure story after adventure story for people who liked to read. Pulp fiction authors were no-holds-barred entertainers—real storytellers. They were more interested in a thrilling plot twist, a horrific villain or a white-knuckle adventure than they were in lavish prose or convoluted metaphors.
The sheer volume of tales released during this wondrous golden age remains unmatched in any other period of literary history—hundreds of thousands of published stories in over nine hundred different magazines. Some titles lasted only an issue or two; many magazines succumbed to paper shortages during World War II, while others endured for decades yet. Pulp fiction remains as a treasure trove of stories you can read, stories you can love, stories you can remember. The stories were driven by plot and character, with grand heroes, terrible villains, beautiful damsels (often in distress), diabolical plots, amazing places, breathless romances. The readers wanted to be taken beyond the mundane, to live adventures far removed from their ordinary lives—and the pulps rarely failed to deliver.
In that regard, pulp fiction stands in the tradition of all memorable literature. For as history has shown, good stories are much more than fancy prose. William Shakespeare, Charles Dickens, Jules Verne, Alexandre Dumas—many of the greatest literary figures wrote their fiction for the readers, not simply literary colleagues and academic admirers. And writers for pulp magazines were no exception. These publications reached an audience that dwarfed the circulations of today’s short story magazines. Issues of the pulps were scooped up and read by over thirty million avid readers each month.
Because pulp fiction writers were often paid no more than a cent a word, they had to become prolific or starve. They also had to write aggressively. As Richard Kyle, publisher and editor of Argosy, the first and most long-lived of the pulps, so pointedly explained: The pulp magazine writers, the best of them, worked for markets that did not write for critics or attempt to satisfy timid advertisers. Not having to answer to anyone other than their readers, they wrote about human beings on the edges of the unknown, in those new lands the future would explore. They wrote for what we would become, not for what we had already been.
Some of the more lasting names that graced the pulps include H. P. Lovecraft, Edgar Rice Burroughs, Robert E. Howard, Max Brand, Louis L’Amour, Elmore Leonard, Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, John D. MacDonald, Ray Bradbury, Isaac Asimov, Robert Heinlein—and, of course, L. Ron Hubbard.
In a word, he was among the most prolific and popular writers of the era. He was also the most enduring—hence this series—and certainly among the most legendary. It all began only months after he first tried his hand at fiction, with L. Ron Hubbard tales appearing in Thrilling Adventures, Argosy, Five-Novels Monthly, Detective Fiction Weekly, Top-Notch, Texas Ranger, War Birds, Western Stories, even Romantic Range. He could write on any subject, in any genre, from jungle explorers to deep-sea divers, from G-men and gangsters, cowboys and flying aces to mountain climbers, hard-boiled detectives and spies. But he really began to shine when he turned his talent to science fiction and fantasy of which he authored nearly fifty novels or novelettes to forever change the shape of those genres.
Following in the tradition of such famed authors as Herman Melville, Mark Twain, Jack London and Ernest Hemingway, Ron Hubbard actually lived adventures that his own characters would have admired—as an ethnologist among primitive tribes, as prospector and engineer in hostile climes, as a captain of vessels on four oceans. He even wrote a series of articles for Argosy, called Hell Job,
in which he lived and told of the most dangerous professions a man could put his hand to.
Finally, and just for good measure, he was also an accomplished photographer, artist, filmmaker, musician and educator. But he was first and foremost a writer, and that’s the L. Ron Hubbard we come to know through the pages of this volume.
This library of Stories from the Golden Age presents the best of L. Ron Hubbard’s fiction from the heyday of storytelling, the Golden Age of the pulp magazines. In these eighty volumes, readers are treated to a full banquet of 153 stories, a kaleidoscope of tales representing every imaginable genre: science fiction, fantasy, western, mystery, thriller, horror, even romance—action of all kinds and in all places.
Because the pulps themselves were printed on such inexpensive paper with high acid content, issues were not meant to endure. As the years go by, the original issues of every pulp from Argosy through Zeppelin Stories continue crumbling into brittle, brown dust. This library preserves the L. Ron Hubbard tales from that era, presented with a distinctive look that brings back the nostalgic flavor of those times.
L. Ron Hubbard’s Stories from the Golden Age has something for every taste, every reader. These tales will return you to a time when fiction was good clean entertainment and the most fun a kid could have