The Tyburn Guinea: A Fragment
By Sean Gabb
()
About this ebook
Please note: This is an unrevised and unfinished fragment of a novel by Richard Blake.
London 1696
War. Treason. Espionage. Financial chaos. Speculation.
Sarah Goodricke writes plays. It pays the rent. It keeps her in tobacco and laudanum. She has a play to finish.
Then she gets caught up in a hanging procession to Tyburn. She agrees to perform a last service for one of the convicts.
It goes wrong. It goes terribly wrong.
Sarah runs. Sarah thinks she is safe. But can she hide in a city filled with plotters, all desperate to lay hands on the packet of letters she has carried away from Tyburn?
This unfinished fragment of a novel by Richard Blake is offered free in e-book format as a sample of his finished works. Do not be disappointed if it leaves you in suspense.
One day, someone may pay him to finish it....
Sean Gabb
Sean Gabb is the author of 30 books and about 300 essays. Under the name Richard Blake, he has written six historical novels for Hodder & Stoughton. These have been translated into Spanish, Italian, Greek, Slovak, Hungarian, Chinese and Indonesian. Under his own name, he has written four novels. His other books are mainly about libertarian politics. He broadcasts regularly in the British media. He lives in Kent with his wife and daughter.
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The Tyburn Guinea - Sean Gabb
The Tyburn Guinea: A Fragment
by Richard Blake
First published in e-book and hard copy formats
by the Hampden Press in July 2017
© Richard Blake, 2017
Many thanks for downloading this free e-book. If you like it, please consider posting a review to your favourite on-line bookseller. You may also wish to see my other books, which are available here: http://www.richardblake.me.uk/ There are many of them, and, unlike this one, they are all finished.
Prologue
I will begin by emphasising that this is an unrevised fragment. I began it last year, in the hope that I could diversify my historical fiction away from the Ancient and Byzantine periods in which I have so far specialised. I then became busy with something else, and I am not sure whether or when I shall find the time to come back to it. Rather than let it sit on my hard desk, perhaps until my literary executors stumble across it, I have decided to publish it as it stands. I will publish it as a free e-book, and in hard copy as cheaply as the printing costs will allow. I do this to give readers a free sample of my work. I do it also in the vague hope that some publisher will one day hurry forward with an offer I dare not refuse.
The Plot
The novel is set in London in the May of 1696. The protagonist, Sarah Goodricke, is a widow who lives with her father. He is a Jacobite priest, who was deprived of his living when he refused to swear allegiance to William in 1689. He now teaches for a living. Sarah writes for the stage and is addicted to opium—though she is largely unaware of this, believing the drug is needed to treat various underlying ailments.
Other characters include Polly, a sluttish maidservant, Samuel Lambert, an obese actor, Lord Fremont, a ruthless and lascivious fop, Jeremy Collier, a Jacobite troublemaker, and Sir John Fenwick, a traitor on the run. These last two characters existed.
The novel opens a few days after the beginning of the Great Recoinage, which put England into several months of economic paralysis when all the old silver coins were called in, and could not be immediately reminted.
Sarah is out in London to collect one of her father’s debts—so she can buy more laudanum. She is shambling about, half dead from withdrawal pains, when she finds herself in the middle of a procession to the gallows at Tyburn. She is accosted by a sinister Irishman with one leg. He wants her to perform the last offices for a condemned man—that is, he wants her to pull on his legs to shorten the death pains. He offers her a guinea for doing this. When she agrees, he adds that he wants her to plant a sealed package on the hanged man. Sarah needs the money and is in no position to refuse.
The plan goes badly wrong, and Sarah has to run away from Tyburn. She wants to open the package, to see what it contains. However, while recovering herself with opiumised coffee, she meets Samuel Lambert, who is the actor-manager of the theatre for which she writes. He is putting on her latest play a week early, and needs her to finish its Prologue for that evening.
Sarah goes home, to find Jeremy Collier up to no good with her naïve father. She withdraws to her bedroom, where she pulls herself together with opium, tobacco and gin, so she can write her Prologue.
The draft ends here. In the next chapter, Sarah’s play is a triumphant success, but she realises that she is being hunted by men who will stop at nothing to lay hands on the Irishman’s packet.
Continuation
In my previous novels, plots have emerged during the process of composition. None has been completed as I thought it might when I began.
If I were to provide a detailed synopsis of how this novel continues, it would bear little relation to the completed work. Indeed, if it ever is completed, the present draft of the opening will be revised and revised. Characters will be retired or split or merged. Some will stand out more prominently. New plot-lines will emerge.