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Russia in the Shadows
Russia in the Shadows
Russia in the Shadows
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Russia in the Shadows

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"Russia in the Shadows" is a 1921 book by H. G. Well. It is a collection of articles from "The Sunday Express" pertaining to Wells's 1914 visit to Russia. This fascinating volume provides an authentic and unparalleled insight into Russia at the beginning of the revolution, constituting a must-read for those with an interest in the subject. Herbert George "H. G." Wells (21 September 1866 - 13 August 1946) was an English writer. Although he was prolific in many genres, he is best remembered for his science fiction novels, including "The Time Machine "(1895), "The Island of Doctor Moreau" (1896), and "The Invisible Man" (1897). Contents include: "Petersburg in Collapse", "Drift and Salvage", "The Quintessence of Bolshevism", "The Creative Effort in Russia", "The Petersburg Soviet", "The Dreamer in the Kremlin", and "The Envoy". Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
LanguageEnglish
Release dateJul 21, 2017
ISBN9781473349292
Russia in the Shadows
Author

H. G. Wells

H.G. Wells (1866–1946) was an English novelist who helped to define modern science fiction. Wells came from humble beginnings with a working-class family. As a teen, he was a draper’s assistant before earning a scholarship to the Normal School of Science. It was there that he expanded his horizons learning different subjects like physics and biology. Wells spent his free time writing stories, which eventually led to his groundbreaking debut, The Time Machine. It was quickly followed by other successful works like The Island of Doctor Moreau and The War of the Worlds.

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    Russia in the Shadows - H. G. Wells

    1.png

    RUSSIA IN

    THE SHADOWS

    BY

    H. G. WELLS

    Copyright © 2017 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available from

    the British Library

    Contents

    H. G. Wells

    I. — PETERSBURG IN COLLAPSE

    II. — DRIFT AND SALVAGE

    III. — THE QUINTESSENCE OF BOLSHEVISM

    IV. — THE CREATIVE EFFORT IN RUSSIA

    V. — THE PETERSBURG SOVIET

    VI. — THE DREAMER IN THE KREMLIN

    VII. — THE ENVOY

    H. G. Wells

    Herbert George Wells was born in Bromley, England in 1866. He apprenticed as a draper before becoming a pupil-teacher at Midhurst Grammar School in West Sussex. Some years later, Wells won a scholarship to the School of Science in London, where he developed a strong interest in biology and evolution, founding and editing the Science Schools Journal. However, he left before graduating to return to teaching, and began to focus increasingly on writing. His first major essay on science, ‘The Rediscovery of the Unique’, appeared in 1891. However, it was in 1895 that Wells seriously established himself as a writer, with the publication of the now iconic novel, The Time Machine.

    Wells followed The Time Machine with the equally well-received War of the Worlds (1898), which proved highly popular in the USA, and was serialized in the magazine Cosmopolitan. Around the turn of the century, he also began to write extensively on politics, technology and the future, producing works The Discovery of the Future (1902) and Mankind in the Making (1903). An active socialist, in 1904 Wells joined the Fabian Society, and his 1905 book A Modern Utopia presented a vision of a socialist society founded on reason and compassion. Wells also penned a range of successful comic novels, such as Kipps (1905) and The History of Mr Polly (1910).

    Wells’ 1920 work, The Outline of History, was penned in response to the Russian Revolution, and declared that world would be improved by education, rather than revolution. It made Wells one of the most important political thinkers of the twenties and thirties, and he began to write for a number of journals and newspapers, even travelling to Russia to lecture Lenin and Trotsky on social reform. Appalled by the carnage of World War II, Wells began to work on a project dealing with the perils of nuclear war, but died before completing it. He is now regarded as one of the greatest science-fiction writers of all time, and an important political thinker.

    I. — PETERSBURG IN COLLAPSE

    In January 1914 I visited Petersburg and Moscow for a couple of weeks; in September 1920 I was asked to repeat this visit by Mr. Kamenev, of the Russian Trade Delegation in London. I snatched at this suggestion, and went to Russia at the end of September with my son, who speaks a little Russian. We spent a fortnight and a day in Russia, passing most of our time in Petersburg, where we went about freely by ourselves, and were shown nearly everything we asked to see. We visited Moscow, and I had a long conversation with Mr. Lenin, which I shall relate. In Petersburg I did not stay at the Hotel International, to which foreign visitors are usually sent, but with my old friend, Maxim Gorky. The guide and interpreter assigned to assist us was a lady I had met in Russia in 1914, the niece of a former Russian Ambassador to London. She was educated at Newnham, she has been imprisoned five times by the Bolshevist Government, she is not allowed to leave Petersburg because of an attempt to cross the frontier to her children in Esthonia, and she was, therefore, the last person likely to lend herself to any attempt to hoodwink me. I mention this because on every hand at home and in Russia I had been told that the most elaborate camouflage of realities would go on, and that I should be kept in blinkers throughout my visit.

    As a matter of fact, the harsh and terrible realities of the situation in Russia cannot be camouflaged. In the case of special delegations, perhaps, a certain distracting tumult of receptions, bands, and speeches may be possible, and may be attempted. But it is hardly possible to dress up two large cities for the benefit of two stray visitors, wandering observantly often in different directions. Naturally, when one demands to see a school or a prison one is not shown the worst. Any country would in the circumstances show the best it had, and Soviet Russia is no exception. One can allow for that.

    Our dominant impression of things Russian is an impression of a vast irreparable breakdown. The great monarchy that was here in 1914, the administrative, social, financial, and commercial systems connected with it have, under the strains of six years of incessant war, fallen down and smashed utterly. Never in all history has there been so great a débâcle before. The fact of the Revolution is, to our minds, altogether dwarfed by the fact of this downfall. By its own inherent rottenness and by the thrusts and strains of aggressive imperialism the Russian part of the old civilised world that existed before 1914 fell, and is now gone. The peasant, who was the base of the old pyramid, remains upon the land, living very much as he has always lived. Everything else is broken down, or is breaking down. Amid this vast disorganisation an emergency Government, supported by a disciplined party of perhaps 150,000 adherents—the Communist Party—has taken control. It has—at the price of much shooting—suppressed brigandage, established a sort of order and security in the exhausted towns, and set up a crude rationing system.

    It is, I would say at once, the only possible Government in Russia at the present time. It is the only idea, it supplies the only solidarity, left in Russia. But it is a secondary fact. The dominant fact for the Western reader, the threatening and disconcerting fact, is that a social and economic system very like our own and intimately connected with our own has crashed.

    Nowhere in all Russia is the fact of that crash so completely evident as it is in Petersburg. Petersburg was the artificial creation of Peter the Great; his bronze statue in the little garden near the Admiralty still prances amid the ebbing life of the city. Its palaces are still and empty,

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