To Daniel - A Sacred Drama: Forgiveness saves the expense of anger, the cost of hatred, the waste of spirits"
By Hannah More
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About this ebook
Hannah More was born on February 2nd, 1745 at Fishponds in the parish of Stapleton, near Bristol. She was the fourth of five daughters. The City of Bristol, at that time, was a centre for slave-trading and Hannah would, over time, become one of its staunchest critics. She was keen to learn, possessed a sharp intellect and was assiduous in studying. Hannah first wrote in 1762 with The Search after Happiness (by the mid-1780s some 10,000 copies had been sold). In 1767 Hannah became engaged to William Turner. After six years, with no wedding in sight, the engagement was broken off. Turner then bestowed upon her an annual annuity of £200. This was enough to meet her needs and set her free to pursue a literary career. Her first play, The Inflexible Captive, was staged at Bath in 1775. The famous David Garrick himself produced her next play, Percy, in 1777 as well as writing both the Prologue and Epilogue for it. It was a great success when performed at Covent Garden in December of that year. Hannah turned to religious writing with Sacred Dramas in 1782; it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to a more serious and considered view of life. Hannah contributed much to the newly-founded Abolition Society including, in February 1788, her publication of Slavery, a Poem recognised as one of the most important of the abolition period. Her work now became more evangelical. In the 1790s she wrote several Cheap Repository Tracts which covered moral, religious and political topics and were both for sale or distributed to literate poor people. The most famous is, perhaps, The Shepherd of Salisbury Plain, describing a family of incredible frugality and contentment. Two million copies of these were circulated, in one year. In 1789, she purchased a small house at Cowslip Green in Somerset. She was instrumental in setting up twelve schools in the area by 1800. She continued to oppose slavery throughout her life, but at the time of the Abolition Bill of 1807, her health did not permit her to take as active a role in the movement as she had done in the late 1780s, although she maintained a correspondence with Wilberforce and others. In July 1833, the Bill to abolish slavery throughout the British Empire passed in the House of Commons, followed by the House of Lords on August 1st. Hannah More died on September 7th, 1833.
Hannah More
Hannah More (1745-1833) was one of the defining Christian female voices of Georgian Britain. An influential Evangelical writer, her vast literary output included essays, hymns, plays, poems, popular tracts (her Cheap Repository Tracts sold millions of copies) and a novel, while her philanthropic spirit established schools for children, woman's clubs and improved the conditions of the poor.She was a member of The Blue Stockings Society of England, and was connected with many notable figures of her era, including Edmund Burke, David Garrick, Samuel Johnson, Sir Joshua Reynolds, Horace Walpole, and the abolitionist William Wilberforce, whose campaign to end the British slave trade was greatly aided by her poem Slavery.Hannah steadfastly supported piety, traditional Christian values and education - her zeal even taking on Thomas Paine and the French Revolution.As England began to grapple with its industrial and scientific revolutions, More helped prepare British society for the challenges of the 19th century by promoting Biblical values and Evangelical social reforms. She was a paragon of her age, and a beacon for Christ.
Read more from Hannah More
Essays on Various Subjects: "Obstacles are those frightful things you see when you take your eyes off the goal" Rating: 0 out of 5 stars0 ratingsEssays on Various Subjects, Principally Designed for Young Ladies Rating: 0 out of 5 stars0 ratingsThe Shepherd of Salisbury Plain, and Other Tales Rating: 0 out of 5 stars0 ratingsCoelebs In Search of a Wife Rating: 0 out of 5 stars0 ratingsCœlebs In Search of a Wife: "A Christian will find it cheaper to pardon than to resent" Rating: 0 out of 5 stars0 ratingsCoelebs In Search of a Wife Rating: 0 out of 5 stars0 ratingsThe Fatal Falsehood Rating: 0 out of 5 stars0 ratingsThe Fatal Falsehood: A Tragedy. In Five Acts Rating: 0 out of 5 stars0 ratingsThe Inflexible Captive: A Tragedy, in Five Acts Rating: 0 out of 5 stars0 ratingsThe Search After Happiness: "The world does not require so much to be informed as reminded" Rating: 0 out of 5 stars0 ratingsThe Shepherd of Salisbury Plain and Other Tales: "If the one be good, the other must be evil" Rating: 0 out of 5 stars0 ratingsPercy: "In grief we know the worst of what we feel, But who can tell the end of what we fear?" Rating: 0 out of 5 stars0 ratingsPercy: A Tragedy Rating: 0 out of 5 stars0 ratingsThe Inflexible Captive A Tragedy, in Five Acts Rating: 0 out of 5 stars0 ratingsStories For the Young: "Luxury! More perilous to youth than storms or quicksand, poverty or chains" Rating: 0 out of 5 stars0 ratingsConsiderations on Religion and Public Education Rating: 0 out of 5 stars0 ratingsStories for the Young Or, Cheap Repository Tracts: Entertaining, Moral, and Religious. Vol. VI. Rating: 0 out of 5 stars0 ratingsThe Fatal Falsehood: "Depart from discretion when it interferes with duty" Rating: 0 out of 5 stars0 ratingsThe Inflexible Captive: "Life though a short, is a working day. Activity may lead to evil; but inactivity cannot be led to good" Rating: 0 out of 5 stars0 ratings
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To Daniel - A Sacred Drama - Hannah More
To Daniel: A Sacred Drama by Hannah More
Hannah More was born on February 2nd, 1745 at Fishponds in the parish of Stapleton, near Bristol. She was the fourth of five daughters.
The City of Bristol, at that time, was a centre for slave-trading and Hannah would, over time, become one of its staunchest critics.
She was keen to learn, possessed a sharp intellect and was assiduous in studying. Hannah first wrote in 1762 with The Search after Happiness (by the mid-1780s some 10,000 copies had been sold).
In 1767 Hannah became engaged to William Turner. After six years, with no wedding in sight, the engagement was broken off. Turner then bestowed upon her an annual annuity of £200. This was enough to meet her needs and set her free to pursue a literary career.
Her first play, The Inflexible Captive, was staged at Bath in 1775. The famous David Garrick himself produced her next play, Percy, in 1777 as well as writing both the Prologue and Epilogue for it. It was a great success when performed at Covent Garden in December of that year.
Hannah turned to religious writing with Sacred Dramas in 1782; it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to a more serious and considered view of life.
Hannah contributed much to the newly-founded Abolition Society including, in February 1788, her publication of Slavery, a Poem recognised as one of the most important of the abolition period.
Her work now became more evangelical. In the 1790s she wrote several Cheap Repository Tracts which covered moral, religious and political topics and were both for sale or distributed to literate poor people. The most famous is, perhaps, The Shepherd of Salisbury Plain, describing a family of incredible frugality and contentment. Two million copies of these were circulated, in one year.
In 1789, she purchased a small house at Cowslip Green in Somerset. She was instrumental in setting up twelve schools in the area by 1800.
She continued to oppose slavery throughout her life, but at the time of the Abolition Bill of 1807, her health did not permit her to take as active a role in the movement as she had done in the late 1780s, although she maintained a correspondence with Wilberforce and others.
In July 1833, the Bill to abolish slavery throughout the British Empire passed in the House of Commons, followed by the House of Lords on August 1st.
Hannah More died on September 7th, 1833.
Index of Contents
PERSONS OF THE DRAMA
SCENE
THE SUBJECT
PART I
PART II
PART III