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Constantinople painted by Warwick Goble
Constantinople painted by Warwick Goble
Constantinople painted by Warwick Goble
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Constantinople painted by Warwick Goble

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Alexander van Millingen (1840 – 1915) was a scholar in the field of Byzantine architecture, and a professor of history at Robert College, Istanbul between 1879 and 1915. (Excerpt from Wikipedia)
LanguageEnglish
Release dateSep 18, 2016
ISBN9783958647305
Constantinople painted by Warwick Goble
Author

Alexander Van Millingen

Prof Alexander van Millingen DD (1840–1915) was a scholar in the field of Byzantine architecture, and a professor of history at Robert College, Istanbul between 1879 and 1915. His works are now public domain in many jurisdictions. (Wikipedia)

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    Constantinople painted by Warwick Goble - Alexander Van Millingen

    quays.

    CHAPTER II

    the making of constantinople, under the emperors constantius, julian, valens, theodosius the great, and arcadius.

    337-408 a.d.

    After visiting the sights of Rome, the Persian prince Hormisdas was asked to give his impressions of the city. One thing disappoints me, he replied, men die here just as in the humblest village of the Empire. So was it in New Rome. Seven years after the inauguration of the city he founded, Constantine the Great died in the neighbourhood of Nicomedia. His body was carried to Constantinople in a golden coffin, and, amid demonstrations of public grief, was laid to rest in a sarcophagus of porphyry in the Church of the Holy Apostles. The tomb was flanked by twelve pillars, representing, so the fact was construed, the glorious company of the Apostles, with whom he could fitly be associated as the champion of the Christian faith. The good that men do is, however, not always interred with their bones, and Constantinople remained to attest the far-sighted wisdom of its founder, and to grow in splendour and importance. But one hundred and ten years had to come and go ere the city attained its full stature. It is the history of the growth of Constantinople during this period that will now engage our attention.

    A CEMETERY BY THE BOSPORUS

    Upon the death of Constantine, the eastern division of the Empire came under the rule of his second son, Constantius, who soon discovered how much work upon the new seat of government remained to be done. Nor could his visit to Old Rome fail to impress upon his mind the greatness and the difficulty of the task before him. Having entered, says the historian, Ammianus Marcellinus, speaking of that visit of Constantius, the Forum of Trajan, the most marvellous structure in the whole world, he was struck with admiration, and looked around in amazement without being able to utter a word, wondering at the array of gigantic buildings, which no pen can describe, and which men can create and see but once in the course of centuries. Abandoning all hope of ever being able to erect anything which would approach even at a respectful distance Trajan’s work, he turned his attention to the equestrian statue found in the centre of the Forum, and said to his followers that he would have one made like it. Hormisdas, who accompanied the Emperor, quietly remarked, pointing to the Forum, ‘For such a horse, you must first provide such a stable.’

    Nevertheless, Constantius carried forward the improvement of New Rome to such an extent that Themistius, a contemporary, speaking of the Emperor’s services in the matter, declares that the city was indebted to Constantine the Great only for its name, and owed its actual construction to Constantius. During this reign the fortifications of the city were completed, the Church of the Holy Apostles underwent repair, and the Church of S. Sophia, usually ascribed to the founder of the city, was built, the date of its dedication being the 15th of February 360, two years before Constantius died. Constantius, moreover, placed the city, like Rome, under a Prefect—Præfectus Urbis—and, what is worthy of note, endowed the new capital with a library, thus placing in its hand the lamp of learning which was to shine so far in the world’s history. If we may judge by the terms in which Themistius refers to the foundation of this library, the value of books was fully appreciated in those days. Thus, he exclaims, the Emperor has recalled and raised from the dead the souls of wise men and of heroes for the welfare of the city for the souls of wise men are in their wisdom, mind, and intelligence, while their monuments are the books and writings in which their remains are found. The author of the Areopagitica said no more when he declared, A good book is the precious life-blood of a master spirit embalmed and treasured up to a life beyond life.

    A KAFEDJI

    Turkish coffee is to be obtained everywhere; a kafedji has here set up his little stall at the corner of a street.

    Julian, the successor of Constantius, was attached to the city by special ties. It was the place of his birth, and there he had received part of his early education. The school he attended was attached to the Basilica which stood on the site of the Cistern now styled Yeri Batan Serai, a little to the south-west of S. Sophia, and thither he went under the conduct of his pædagogue, Mardonius, to study grammar and rhetoric, dressed simply and associating freely with his fellow-students. His progress in his studies soon became the talk of society, and in public opinion presaged his fitness to become, in due time, the ruler of the Empire. Whereupon the jealousy which besets despotic rule was roused in Constantius, and Julian was banished to Nicomedia. But Julian always retained a warm affection for the home of his childhood and youth. Speaking of Constantinople in one of his letters he says, I love her as my mother, for I was born and brought up there, and I can never be guilty of ingratitude towards her. Nor had he reason to complain of his Alma Mater’s feelings towards himself. When he approached the city, in 361, to assume the crown, the whole population poured out to meet him, and hailed him with transports of joy as at once their sovereign and fellow-citizen. The young capital acquired a greater sense of dignity and importance at the thought that one who had been cradled within its precincts now occupied the throne of the Roman world. Julian spent only ten months in Constantinople as Emperor, his stay being cut short by war with Persia, whose hostility was not less intense since the chief seat of the Empire had been brought nearer to the frontier between the two States. Into those few months, however, Julian put an immense amount of work. The condition of affairs in his native city was not after his heart, either as a statesman, philosopher, or devotee of the ancient faith of Athens and Rome. There the Christianity he would fain destroy was strongly entrenched. There wrangling sects of the new creed, more difficult to appease than the wild Franks and Alemanni, who had felt the strength of his arm upon the banks of the Rhine, kept the population in constant turmoil. There was found an Augean stable of official corruption, of unpunished crimes, of relaxed military discipline, and of extravagant luxury at the court. According to Libanius, a thousand cooks, a thousand hairdressers, more than a thousand cup-bearers, a crowd of waiters, swarming like bees in a hive, and eunuchs, thick as flies in early summer, were employed in the service of the imperial palace. One day Julian sent for a barber, and in answer to the summons an official in a gorgeous uniform made his appearance. But I called for a barber, not for a receiver-general, exclaimed the indignant Emperor. An investigation of the case having been made, it was discovered that in addition to a large salary the barber enjoyed the right to many perquisites, and received daily rations sufficient for twenty men and as many horses. Julian swept the palace clean of such abuses. Furthermore, Julian increased the importance of the Senate of the city by the embellishment of the Senate-House, by additional privileges conferred on the members of that body, and by taking part in the deliberations of the assembly. He also constructed another harbour on the southern side of the city, placing it in the hollow ground below the heights on which the Hippodrome stands, and thus provided for the convenience and safety of ships that found it difficult to make the Golden Horn from the Sea of Marmora, in the face of the northern winds that prevail in the Bosporus. The harbour was first known as the New Harbour and the Harbour of Julian, but, in the sixth century, it was also named the Harbour of Sophia or the Sophias, in view of extensive repairs made at the instance of the Empress Sophia, the consort of Justin II. The basin of the harbour can still be traced in the configuration of the ground it once occupied, where its memory is preserved by the present name of the locality—Kadriga Limani, the Port of the Galley. At the head of the harbour Julian built a portico, a crescent in shape, and therefore spoken of as the Sigma, from its resemblance to the curved form of that letter in the Greek alphabet. Very appropriately the portico became a favourite lounge of the philosophers in Constantinople, and the scene of their discussions. But what Julian doubtless considered his richest and most filial gift to the city of his birth, was the presentation to its public library of his collection of

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