The Gods of Pegana
By Lord Dunsany
3.5/5
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About this ebook
Lord Dunsany
Lord Dunsany (1878-1957) was a British writer. Born in London, Dunsany—whose name was Edward Plunkett—was raised in a prominent Anglo-Irish family alongside a younger brother. When his father died in 1899, he received the title of Lord Dunsany and moved to Dunsany Castle in 1901. He met Lady Beatrice Child Villiers two years later, and they married in 1904. They were central figures in the social spheres of Dublin and London, donating generously to the Abbey Theatre while forging friendships with W. B. Yeats, Lady Gregory, and George William Russell. In 1905, he published The Gods of Pegāna, a collection of fantasy stories, launching his career as a leading figure in the Irish Literary Revival. Subsequent collections, such as A Dreamer’s Tales (1910) and The Book of Wonder (1912), would influence generations of writers, including J. R. R. Tolkein, Ursula K. Le Guin, and H. P. Lovecraft. In addition to his pioneering work in the fantasy and science fiction genres, Dunsany was a successful dramatist and poet. His works have been staged and adapted for theatre, radio, television, and cinema, and he was unsuccessfully nominated for the 1950 Nobel Prize in Literature.
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Reviews for The Gods of Pegana
48 ratings4 reviews
- Rating: 5 out of 5 stars5/5A masterpice, I began to read it because I like the art of Sydney Sime, and I might say that I was amazed at how beautiful the imagery is, and now I understand how someone was inspired to make such dream like paintings.
- Rating: 5 out of 5 stars5/5This is a book that I've reread time and again, usually every year or two. It's a strange one, and there's not much else to compare it to. Ya know the "dramatis personae" section that's included with many books of mythology, prefacing the stories that make up the bulk of those books? The Gods of Pegana has that, too... except that this is, essentially, all that it consists of. Lord Dunsany took the concept of "dramatis personae" and raised it to the level of poetry. Each invented god is beautifully described and given its own set of quirks. It actually gets really funny in a bleak kind of way. "Seinfeld" and the "Road Runner" cartoons taught us that nihilism is funny, right? The most notable case is that of Mung, Pegana's god of death. Every time Mung shows up to claim some stupid, arrogant human's life, he "makes the sign of Mung." The repetition involved renders it absurd to the point where I can't help but chuckle.
One day as a man trod upon the road that Kib had given him to tread he came suddenly upon Mung. And when Mung said: "I am Mung!" the man cried out: "Alas, that I took this road, for had I gone by any other way then had I not met with Mung."
The reader can see where both Lovecraft and Tolkien were inspired by this. Lovecraft, of course, took reign of the nihilistic aspects of indifferent supernatural beings and accelerated that indifference into misanthropy in order to turn them into horrific alien powers that have every interest in enslaving or destroying humanity. Tolkien, on the other hand, took the idea of an invented mythology and tamed it to give it a more traditional flavor that would allow him to capture the essence of old Europe. There's something of Dunsany's Kib in Tolkien's Yavanna, and something of Mana-Yood-Sushai in Illuvatar. It's unfortunate that these influences are mostly what come to mind when The Gods of Pegana is mentioned, because Dunsany's work is a remarkable work of art on its own. - Rating: 5 out of 5 stars5/5Really lovely and strange. They're deeply sad and poetic; probably a little overwrought, honestly, but it seems to work in this context. I think in a later book Dunsany ended up poking fun at this "earnest" tone from his earlier period, but it really does work just fine here.I'm reminded a little of the Silmarillion, in both the style and the substance. I wonder of Tolkien ever read any of this?
- Rating: 3 out of 5 stars3/5The Gods of Pegana is an invented pantheon. This slim book by Lord Dunsany has been tremendously influential, having inspired illustrious personages such as H.P.Lovecraft and J.R.R.Tolkien. And the original illustrations by Sidney Sime are classics by themselves.
I have been wanting to read this book for a long time, but the actual reading left me a wee bit disappointed; as this is not a story, rather an idea for one. Dunsany has done a tremendous job of world-building. The Gods are all imagined in detail and exquisitely developed as characters: the language is appropriately archaic and elliptical: and the events described are sufficiently awe-inspiring. However, the book stops there. No story is developed, other than bits and pieces of legends and myths here and there.
The Pegana Gods are loosely modelled on the Celtic Pantheon, as the names indicate. However, MANA-YOOD-SUSHAI who sleeps and dreams up the universe could be a stand-in for Vishnu, the Hindu preserver God, who does the same thing. And there are also gods for dreams and sleep, and even for stroking cats and dogs!
The Gods of Pegana has done a wonderful job in providing inspiration for The Silimarillion and the Cthulu mythos. That alone should mark it for immortality.
A short and enjoyable read for fantasy/ mythology fans.
PS: This book is available for download on the internet archive. Make sure you download the one with the Sidney Sime illustrations... they are magnificent!
Book preview
The Gods of Pegana - Lord Dunsany
OF SKARL THE DRUMMER
When MANA-YOOD-SUSHAI had made the gods and Skarl, Skarl made a drum, and began to beat upon it that he might drum for ever. Then because he was weary after the making of the gods, and because of the drumming of Skarl, did MANA-YOOD-SUSHAI grow drowsy and fall asleep.
And there fell a hush upon the gods when they saw that MANA rested, and there was silence on Pegana save for the drumming of Skarl. Skarl sitteth upon the mist before the feet of MANA-YOOD-SUSHAI, above the gods of Pegana, and there he beateth his drum. Some say that the Worlds and the Suns are but the echoes of the drumming of Skarl, and others say that they be dreams that arise in the mind of MANA because of the drumming of Skarl, as one may dream whose rest is troubled by sound of song, but none knoweth, for who hath heard the voice of MANA-YOOD-SUSHAI, or who hath seen his drummer?
Whether the season be winter or whether it be summer, whether it be morning among the worlds or whether it be night, Skarl still beateth his drum, for the purposes of the gods are not yet fulfilled. Sometimes the arm of Skarl grows weary; but still he beateth his drum, that the gods may do the work of the gods, and the worlds go on, for if he cease for an instant then MANA-YOOD-SUSHAI will start awake, and there will be worlds nor gods no more.
But, when at the last the arm of Skarl shall cease to beat his drum, silence shall startle Pegana like thunder in a cave, and MANA-YOOD-SUSHAI shall cease to rest.
Then shall Skarl put his drum upon his back and walk forth into the void beyond the worlds, because it is THE END, and the work of Skarl is over.
There may arise some other god whom Skarl may serve, or it may be that he shall perish; but to Skarl it shall matter not, for he shall have done the work of Skarl.
OF THE MAKING OF THE WORLDS
When MANA-YOOD-SUSHAI had made the gods there were only the gods, and They sat in the middle of Time, for there was as much Time before them as behind them, which having no end had neither a beginning.
And Pegana was without heat or light or sound, save for the drumming of Skarl; moreover Pegana was The Middle of All, for there was below Pegana what there was above it, and there lay before it that which lay beyond.
Then said the gods, making the signs of the gods and speaking with Their hands lest the silence of Pegana should blush; then said the gods to one another, speaking with Their hands; Let Us make worlds to amuse Ourselves while MANA rests. Let Us make worlds and Life and Death, and colours in the sky; only let Us not break the silence upon Pegana.
Then raising Their hands, each god according to his sign, They made the worlds and the suns, and put a light in the houses of the sky.
Then said the gods: Let Us make one to seek, to seek and never to find out concerning the wherefore of the making of the gods.
And They made by the lifting of Their hands, each god according to his sign, the Bright One with the flaring tail to seek from the end of the Worlds to the end of them again, to return again after a hundred years.
Man, when thou seest the comet, know that another seeketh besides thee nor ever findeth out.
Then said the gods, still speaking with Their hands: Let there be now a Watcher to regard.
And They made the Moon, with his face wrinkled with many mountains and worn with a thousand valleys, to regard with pale eyes the games of the small gods, and to watch throughout the resting time of MANA-YOOD-SUSHAI; to watch, to regard all things, and be silent.
Then said the gods: Let Us make one to rest. One not to move among the moving. One not to seek like the comet, nor to go round like the worlds; to rest while MANA rests.
And They made the Star of the Abiding and set it in the North.
Man, when thou seest the Star of the Abiding to the North, know that one resteth as doth MANA-YOOD-SUSHAI, and know that somewhere among the Worlds is rest.
Lastly the gods said: We have made worlds and suns, and one to seek and another to regard, let Us now make one to wonder.
And They made Earth to wonder, each god by the uplifting of his hand