Clio

By Anatole France

Along the hill-side he came, following a path which skirted the sea. His forehead was bare, deeply furrowed and bound by a fillet of red wool. The sea-breeze blew his white locks over his temples and pressed the fleece of a snow-white beard against his chin. His tunic and his feet were the colour of the roads which he had trodden for so many years.

• Language: English
• Publisher: Publisher s11838
• Release date: Dec 14, 2015
• ISBN: 9788892528857

Anatole France

Anatole France (1844–1924) was one of the true greats of French letters and the winner of the 1921 Nobel Prize in Literature. The son of a bookseller, France was first published in 1869 and became famous with The Crime of Sylvestre Bonnard. Elected as a member of the French Academy in 1896, France proved to be an ideal literary representative of his homeland until his death.

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Clio

By

Anatole France

TO

EMILE ZOLA

NOTE BY THE EDITORS

The Château de Vaux le Vicomte is a translation of the text of a sumptuously illustrated volume descriptive of this wonderful monument of human frailty and ambition, published in 1888 by Lemercier et Cie with plates by Rodolphe Pfnor. Although the text has not been published apart from the plates in France, it seemed only fitting to include a translation of The Château de Vaux le Vicomte in a complete edition of Monsieur Anatole France's works.

Clio

THE BARD OF KYME

Along the hill-side he came, following a path which skirted the sea. His forehead was bare, deeply furrowed and bound by a fillet of red wool. The sea-breeze blew his white locks over his temples and pressed the fleece of a snow-white beard against his chin. His tunic and his feet were the colour of the roads which he had trodden for so many years. A roughly made lyre hung at his side. He was known as the Aged One, and also as the Bard. Yet another name was given him by the children to whom he taught poetry and music, and many called him the Blind One, because his eyes, dim with age, were overhung by swollen lids, reddened by the smoke of the hearths beside which he was wont to sit when he sang. But his was no eternal night, and he was said to see things invisible to other men. For three generations he had been wandering ceaselessly to and fro. And now, having sung all day to a King of Ægea, he was returning to his home, the roof of which he could already see smoking in the distance; for now, after walking all night without a halt for fear of being overtaken by the heat of the day, in the clear light of the dawn he could see the white Kyme, his birthplace. With his dog at his side, leaning on his crooked staff, he walked with slow steps, his body upright, his head held high because of the steepness of the way leading down into the narrow valley and because he was still vigorous in his age. The sun, rising over the mountains of Asia, shed a rosy light over the fleecy clouds and the hill-sides of the islands that studded the sea. The coast-line glistened. But the hills that stretched away eastward, crowned with mastic and terebinth, lay still in the freshness and the shadow of night.

The Aged One measured along the incline the length of twelve times twelve lances and found, on the left, between the flanks of twin rocks, the narrow entrance to a sacred wood. There, on the brink of a spring, rose an altar of unhewn stones.

It was half hidden by an oleander the branches of which were laden with dazzling blossoms. The well-trodden ground in front of the altar was white with the bones of victims. All around, the boughs of the olive-trees were hung with offerings. And farther on, in the awesome shadow of the gorge, rose two ancient oaks, bearing, nailed to their trunks, the bleached skulls of bulls. Knowing that this altar was consecrated to Phœbus, the Aged One plunged into the wood, and, taking by its handle a little earthenware cup which hung from his belt, he bent over the stream which, flowing over a bed of wild parsley and water-cress, slowly wound its way down to the meadow. He filled his cup with the spring-water, and, because he was pious, before drinking he poured a few drops before the altar. He worshipped the immortal gods, who know neither pain nor death, while on earth generation follows generation of suffering men. He was conscious of fear; and he dreaded the arrows of Leto's sons. Full of sorrows and of years, he loved the light of day and feared death. For this reason an idea occurred to him. He bent the pliable trunk of a sapling, and drawing it towards him hung his earthenware cup from the topmost twig of the young tree, which, springing back, bore the old man's offering up to the open sky.

White Kyme, wall-encircled, rose from the edge of the sea. A steep highway, paved with flat stones, led to the gate of the town. This gate had been built in an age beyond man's memory, and it was said to be the work of the gods. Carved upon the lintel were signs which no man understood, yet they were regarded as of good omen. Not far from this gate was the public square, where the benches of the elders shone beneath the trees. Near this square, on the landward side, the Aged One stayed his steps. There was his house. It was low and small, and less beautiful than the neighbouring house, where a famous seer dwelt with his children. Its entrance was half hidden beneath a heap of manure, in which a pig was rooting. This dunghill was smaller than those at the doors of the rich. But behind the house was an orchard, and stables of unquarried stone, which the Aged One had built with his own hands. The sun was climbing up the white vault of heaven, the sea wind had fallen. The invisible fire in the air scorched the lungs of men and beasts. For a moment the Aged One paused upon the threshold to wipe the sweat from his brow with the back of his hand. His dog, with watchful eye and hanging tongue, stood still and panted.

The aged Melantho, emerging from the house, appeared on the threshold and spoke a few pleasant words. Her coming had been slow, because a god had sent an evil spirit into her legs which swelled them and made them heavier than a couple of wine-skins. She was a Carian slave and in her youth the King had bestowed her on the bard, who was then young and vigorous. And in her new master's bed she had conceived many children. But not one was left in the house. Some were dead, others had gone away to practise the art of song or to steer the plough in distant Achaian cities, for all were richly gifted. And Melantho was left alone in the house with Areta, her daughter-in-law, and Areta's two children.

She went with the master into the great hall with its smoky rafters. In the midst of it, before the domestic altar, lay the hearthstone covered with red embers and melted fat. Out of the hall opened two stories of small rooms; a wooden staircase led to the upper chambers, which were the women's quarters. Against the pillars that supported the roof leant the bronze weapons which the Aged One had borne in his youth, in the days when he followed the kings to the cities to which they drove in their chariots to recapture the daughters of Kyme whom the heroes had carried away. From one of the beams hung the skin of an ox.

The elders of the city, wishful to honour the bard, had sent it to him on the previous day. He rejoiced at the sight of it. As he stood drawing a long breath into a chest which was shrunken with age, he took from beneath his tunic, with a few cloves of garlic remaining from his alfresco supper, the King of Ægea's gift; it was a stone fallen from heaven and precious, for it was of iron, though too small for a lance-tip. He brought with him also a pebble which he had found on the road. On this pebble, when looked at in a certain light, was the form of a man's head. And the Aged One, showing it to Melantho, said:

Woman, see, on this pebble is the likeness of Pakoros, the blacksmith; not without permission of the gods may a stone thus present the semblance of Pakoros.

And when the aged Melantho had poured water over his feet and hands in order to remove the dust that defiled them, he grasped the shin of beef in his arms, placed it on the altar and began to tear it asunder. Being wise and prudent, he did not delegate to women or to children the duty of preparing the repast; and, after the manner of kings, he himself cooked the flesh of beasts.

Meanwhile Melantho coaxed the fire on the hearth into a flame. She blew upon the dry twigs until a god wrapped them in fire. Though the task was holy, the Aged One suffered it to be performed by a woman because years and fatigue had enfeebled him. When the flames leapt up he cast into them pieces of flesh which he turned over with a fork of bronze. Seated on his heels, he inhaled the smoke; and as it filled the room his eyes smarted and watered; but he paid no heed because he was accustomed to it and because the smoke signified abundance. As the toughness of the meat yielded to the fire's irresistible power, he put fragments of it into his mouth and, slowly masticating them with his well-worn teeth, ate in silence. Standing at his side, the aged Melantho poured the dark wine into an earthenware cup like that which he had given to the god.

When he had satisfied hunger and thirst, he inquired whether all in house and stable was well. And he inquired concerning the wool woven in his absence, the cheese placed in the vat and the ripe olives in the press. And, remembering that his goods were but few, he said:

The heroes keep herds of oxen and heifers in the meadows. They have a goodly number of strong and comely slaves; the doors of their houses are of ivory and of brass, and their tables are laden with pitchers of gold. The courage of their hearts assured them of wealth, which they sometimes keep until old age. In my youth, certes, I was not inferior to them in courage, but I had neither horses nor chariots, nor servants, nor even armour strong enough to vie with them in battle and to win tripods of gold and women of great beauty. He who fights on foot with poor weapons cannot kill many enemies, because he himself fears death. Wherefore, fighting beneath the town walls, in the ranks, with the serving men, never did I win rich spoil.

The aged Melantho made answer:

War giveth wealth to men and robs them of it. My father, Kyphos, had a palace and countless herds at Mylata. But armed men despoiled him of all and slew him. I myself was carried away into slavery, but I was never ill-treated because I was young. The chiefs took me to their bed and never did I lack food. You were my best master and the poorest.

There was neither joy nor sadness in her voice as she spoke.

The Aged One replied:

Melantho, you cannot complain of me, for I have always treated you kindly. Reproach me not with having failed to win great wealth. Armourers are there and blacksmiths who are rich. Those who are skilled in the construction of chariots derive no small advantage from their labours. Seers receive great gifts. But the life of minstrels is hard.

The aged Melantho said:

The life of many men is hard.

And with heavy step she went out of the house, with her daughter-in-law, to fetch wood from the cellar. It was the hour when the sun's invincible heat prostrates men and beasts, and silences even the song of the birds in the motionless foliage. The Aged One stretched himself upon a mat, and, veiling his face, fell asleep.

As he slumbered he was visited by a succession of dreams, which were neither more beautiful nor more unusual than those which he dreamed every day. In these dreams appeared to him the forms of men and of beasts. And, because among them he recognized some whom he had known while they lived on the green earth and who having lost the light of day had lain beneath the funeral pile, he concluded that the shades of the dead hover in the air, but that, having lost their vigour, they are nothing but empty shadows. He learned from dreams that there exist likewise shades of animals and of plants which are seen in sleep. He was convinced that the dead, wandering in Hades, themselves form their own image, since none may form it for them, unless it were one of those gods who love to deceive man's feeble intellect. But, being no seer, he could not distinguish between false dreams and true; and, weary of seeking to understand the confused visions of the night, he regarded them with indifference as they passed beneath his closed eyelids.

On awakening, he beheld, ranged before him in an attitude of respect, the children of Kyme, whom he instructed in poetry and music, as his father had instructed him. Among them were his daughter-in-law's two sons. Many of them were blind, for a bard's life was deemed fitting for those who, bereft of sight, could neither work in the fields nor follow heroes to war.

In their hands they bore the offerings in payment for the bard's lessons, fruit, cheese, a honeycomb, a sheep's fleece, and they waited for their master's approval before placing it on the domestic altar.

The Aged One, having risen and taken his lyre which hung from a beam in the hall, said kindly:

Children, it is just that the rich should give much and the poor less. Zeus, our father, hath unequally apportioned wealth among men. But he will punish the child who withholds the tribute due to the divine bard.

The vigilant Melantho came and took the gifts from the altar. And the Aged One, having tuned his lyre, began to teach a song to the children, who with crossed legs were seated on the ground around him.

Hearken, he said, to the combat between Patrocles and Sarpedon. This is a beautiful song.

And he sang. He skilfully modulated the sounds, applying the same rhythm and the same measure to each line; and, in order that his voice should not wander from the key, he supported it at regular intervals by striking a note upon his three-stringed lyre. And, before making a necessary pause, he uttered a shrill cry, accompanied by a strident vibration of strings. After he had sung lines equal in number to double the number of fingers on his two hands, he made the children repeat them. They cried them out all together in a high voice, as, following their master's example, they touched the little lyres which they themselves had carved out of wood and which gave no sound.

Patiently the Aged One sang the lines over and over until the little singers knew every word. The attentive children he praised, but those who lacked memory or intelligence he struck with the wooden part of his lyre, and they went away to lean weeping against a pillar of the hall. He taught by example, not by precept, because he believed poesy to be of hoary antiquity and beyond man's judgment. The only counsels which he gave related to manners. He bade them:

Honour kings and heroes, who are superior to other men. Call heroes by their own name and that of their father, so that these names be not forgotten. When you sit in assemblies gather your tunic about you and let your mien express grace and modesty.

Again he said to them:

Do not spit in rivers, because rivers are scared. Make no change, either through weakness of memory or of your own imagining, in the songs I teach you, and when a king shall say unto you: 'These songs are beautiful. From whom did you learn them?' you shall answer: 'I learnt them from the Aged One of Kyme, who received them from his father, whom doubtless a god had inspired.' Of the ox's shin, there yet remained a few succulent morsels. Having eaten one of them before the hearth and smashed the bone with an axe of bronze, in order to extract the marrow, of which he alone in the house was worthy to partake, he divided the rest of the meat into portions which should nourish the women and children for the space of two days.

Then he