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The Dark Cottage
The Dark Cottage
The Dark Cottage
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The Dark Cottage

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Mary Cholmondeley began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties." She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897).
The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally. It satirises religious hypocrisy and the narrowness of country life, and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women." Despite the book's great success, however, the author received little money for it because she had sold the copyright.
A silent film, Red Pottage was made in 1918. Diana Tempest was reissued in 2009 for the first time in a century.
Later works such as Moth and Rust (1902) and Notwithstanding (1913) were less successful. The Lowest Rung (1908) and The Romance of his Life (1921) were collections of stories, the latter, her final book, dedicated to the essayist and critic Percy Lubbock. Lubbock later commemorated her in Mary Cholmondeley: A Sketch from Memory (1928) (font: Wikipedia)
LanguageEnglish
Release dateDec 18, 2015
ISBN9788892530638
The Dark Cottage
Author

Mary Cholmondeley

Mary Cholmondeley (1859-1925) was an English novelist. Born in Shropshire, Cholmondeley was raised in a devoutly religious family. When she wasn’t helping her mother at home or her father in his work as a Reverend, she devoted herself to writing stories. Her first novel, The Danvers Jewels (1887), initially appeared in serial form in Temple Bar, earning Cholmondeley a reputation as a popular British storyteller. Red Pottage (1899), considered her masterpiece, was a bestselling novel in England and the United States and has been recognized as a pioneering work of satire that considers such themes as religious hypocrisy and female sexuality.

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    The Dark Cottage - Mary Cholmondeley

    The Dark Cottage

    Mary Cholmondeley

    To the best of our knowledge, the text of this

    work is in the Public Domain.

    HOWEVER, copyright law varies in other countries, and the work may still be under

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    The soul’s dark cottage, battered and decayed

    Lets in new light through chinks that time has made.

    Edmund Waller.

    Part 1: 1915

    John Damer was troubled for his country and his wife and his child.

    At first he had been all patriotism and good cheer. It will be a short war and a bloody one. The Russians will be in Berlin by Christmas. We shall sweep the German flag from the seas. We are bound to win.

    He had stood up in his place in the House and had said something of that kind, and had been cheered.

    But that was a year ago.

    Now the iron had entered into England’s soul, and into his soul. He had long since volunteered, and he was going to France tomorrow after an arduous training. He had come home to say good-bye.

    He might never come back. He might never see his Catherine, his beautiful young wife, again, or his son Michael, that minute, bald, amazing new comer with the waving clenched fists, and the pink soles as soft as Catherine’s cheek.

    And as John Damer, that extremely able successful wealthy man of thirty, sat on the wooden bench in the clearing he suddenly realised that, for the first time in his life, he was profoundly unhappy.

    How often he had come up here by the steep path through the wood, as a child, as

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