Four Four Jew: Football, Fans and Faith
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Four Four Jew - The Jewish Museum
INTRODUCTION
‘I am now convinced that the Jews have taken up soccer in a most whole-hearted way.’
Daily Express, 1934
FOUR F OUR J EW : F OOTBALL , F ANS AND F AITH explores the many ways that Britain’s Jews have – in the above words of sports correspondent Trevor Wignall – ‘taken up’ the beautiful game.
The exhibition both celebrates the contribution Jews have made to the world of football, on and off the field, and considers what football has given to British Jews. The national game has offered Jews a means of integration and the opportunity to transcend ethnic or religious divisions through belonging to a wider community. Tracing the story from Association Football’s roots in the late nineteenth century to the modern game we know today, Four Four Jew frames the Jewish story in the context of football and vice versa. Given this historical scope it is fitting that we are staging the exhibition in the year that the Football Association celebrates its 150th anniversary, under the chairmanship of David Bernstein.
In recent years there has been a growing interest in the subject of Jews and football. A 1996 study by the Institute for Jewish Policy Research found that Jews were nearly twice as likely to be football fans as the general population.¹ More recently, the subject has been the focus of both academic and non-academic study, with David Dee² of Leicester De Montfort University, and sports writer Anthony Clavane³ publishing books that look deeper at the connections between Jews and football. Both writers have contributed generously to the exhibition’s development and both are featured in this book.
Four Four Jew evolved in the context of this growing interest. It was clear that there was an appetite for this story to be told. For the Jewish Museum, this exhibition offers an exciting opportunity to extend our mission of celebrating and exploring Jewish culture and heritage into a completely new arena.
Part of the joy of putting this exhibition together has been searching for the material to tell the stories we knew needed to be told. Football is experienced in the moment, whether at the pub, in the stadium, or on the pitch and football stories live in these moments. Exhibitions, on the other hand, are based primarily on what is tangible, so it has been a challenge – an enjoyable one – to find this material.
Most of the items the exhibition brings together have never been seen publicly before and few could be termed conventional ‘museum’ objects. They come from attics and bedrooms, as much, if not more so, as libraries and archives. We are grateful