Master Johannes Wacht (Fantasy and Horror Classics)

By E. T. A. Hoffmann

This early work by E. T. A. Hoffmann was originally published in the 19th century. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature.") Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.

• Language: English
• Publisher: Read Books Ltd.
• Release date: Oct 21, 2015
• ISBN: 9781473377417

Book preview

Master Johannes Wacht

By

E. T. A. Hoffmann

Copyright © 2012 Read Books Ltd.

This book is copyright and may not be

reproduced or copied in any way without

the express permission of the publisher in writing

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Contents

E. T. A. Hoffman

Master Johannes Wacht

Footnotes

E. T. A. Hoffman

Ernst Theodor Wilhelm Hoffmann was born in Königsberg, East Prussia in 1776. His family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant.

In was in his twenties, upon moving with his uncle to Berlin, that Hoffman first began to promote himself as a composer, writing an operetta called Die Maske and entering a number of playwriting competitions. Hoffman struggled to establish himself anywhere for a while, flitting between a number of cities and dodging the attentions of Napoleon’s occupying troops. In 1808, while living in Bamberg, he began his job as a theatre manager and a music critic, and Hoffman’s break came a year later, with the publication of Ritter Gluck. The story centred on a man who meets, or thinks he has met, a long-dead composer, and played into the ‘doppelgänger’ theme – at that time very popular in literature. It was shortly after this that Hoffman began to use the pseudonym E. T. A. Hoffmann, declaring the ‘A’ to stand for ‘Amadeus’, as a tribute to the great composer, Mozart.

Over the next decade, while moving between Dresden, Leipzig and Berlin, Hoffman produced a great range of both literary and musical works. Probably Hoffman’s most well-known story, produced in 1816, is ‘The Nutcracker and the Mouse King’, due to the fact that – some seventy-six years later - it inspired Tchaikovsky’s ballet The Nutcracker. In the same vein, his story ‘The Sandman’ provided both the inspiration for Léo Delibes’s ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called ‘The Uncanny’. (Indeed, Freud referred to Hoffman as the unrivalled master of the uncanny in literature.)

Alcohol abuse and syphilis eventually took a great toll on Hoffman though, and – having spent the last year of his life paralysed – he died in Berlin in 1822, aged just 46. His legacy is a powerful one, however: He is seen as a pioneer of both Romanticism and fantasy literature, and his novella, Mademoiselle de Scudéri: A Tale from the Times of Louis XIV is often cited as the first ever detective story.

Master Johannes Wacht

At the time when people in the beautiful and pleasant town of Bamberg lived, according to the well-known saying, well, i.e., under the crook, namely in the end of the previous century, there was also one inhabitant, a man belonging to the burgher class, who might be called in every respect both singular and eminent His name was Johannes Wacht, and his trade was that of a carpenter.

Nature, in weighing and definitely determining her children’s destinies, pursues her own dark inscrutable path; and all that is claimed by convenience, and by the opinions and considerations which prevail in man’s narrow existence, as determining factors in settling the true tendency of every man’s self. Nature regards as nothing more than the pert play of deluded children imagining themselves to be wise. But short-sighted man often finds an insuperable irony in the contradiction between the conviction of his own mind and the mysterious ordering of this inscrutable Power, who first nourished and fed him at her maternal bosom and then deserted him; and this irony fills him with terror and awe, since it threatens to annihilate his own self.

The mother of Life does not choose for her favourites either the palaces of the great or the state-apartments of princes. And so she made our Johannes, who, as the kindly reader will soon learn, might be called one of her most richly endowed favourites, first see the light of the world on a wretched heap of straw, in the workshop of an impoverished master turner in Augsburg. His mother died of want and from suffering soon after the child’s birth, and his father followed her after the lapse of a few months.

The town government had to take charge of the helpless boy; and when the Council’s master carpenter, a well-to-do, respectable man, who found in the child’s face, notwithstanding that it was pinched with hunger, certain traits which pleased him,— when he would not suffer the boy to be lodged in a public institution, but took him into his own house, in order to bring him up along with his own children, then there dawned upon Johannes his first genial ray of sunshine, heralding a happier lot in the future.

In an incredibly short space of time the boy’s frame developed, so that it was difficult to believe that the little insignificant creature in the cradle had really been the shapeless colourless chrysalis out of which this pretty, living, golden-locked boy had proceeded, like a beautiful butterfly. But — what seemed of more importance — along with this pleasing grace of physical form the boy soon displayed such eminent intellectual faculties as astonished both his foster-father and his teachers. Johannes grew up in a workshop which sent forth some of the best and highest work that mechanical skill was able to produce, since the master carpenter to the Council was constantly engaged upon the most important buildings. No wonder, therefore, that the child’s mind, which caught up everything with such keen clear perception, should be excited thereby, and should feel all his heart drawn towards a trade the deeper significance of which, in so far as it was concerned with the material creation of great and bold ideas, he dimly felt deep down