History Write Now: South Auckland Writers at the Papakura Museum
By James George
()
About this ebook
Ever wondered about the history of objects in a museum? If they could talk, what tales could they tell?
South Auckland writers were invited into the Papakura Museum to see if they could find out. These stories and poems of love, loss, triumph, new beginnings and changing times include actual events and memories as well as fiction. All are inspired by real taonga (treasures) in the museum.
Aotearoa New Zealand has been peopled by waves of migrants over the land's last millennium. Recurring themes in History Write Now are the fears, hopes and dreams of all migrants - some told from the perspective of the few but precious possessions brought with them. Papakura and South Auckland form the backdrop but not always - these 'flights of fancy' have sometimes taken off to land elsewhere.
The 18 writers in this publication, many of whom are new to writing, were selected from the 2015 History Write Now project. Their stories and poems were edited by author James George, who was the project's writing coach and mentor.
Related to History Write Now
Related ebooks
The Ancestors Are Happy: True Tales of the Arctic Rating: 0 out of 5 stars0 ratingsHidden History of Cape Cod Rating: 0 out of 5 stars0 ratingsSpirits of the Coast: Orcas in Science, Art and History Rating: 0 out of 5 stars0 ratingsBeckoned by the Sea: Women at Work on the Cascadia Coast Rating: 0 out of 5 stars0 ratingsThe Rhythm of the Tide: Tales through the Ages of Chichester Harbour Rating: 0 out of 5 stars0 ratingsThings Were Going Fine... Till We Hit the Rapids Rating: 0 out of 5 stars0 ratingsNantucket Love Stories Rating: 0 out of 5 stars0 ratingsThe Death of a Waterman Rating: 0 out of 5 stars0 ratingsThe Shark God: Encounters with Ghosts and Ancestors in the South Pacific Rating: 4 out of 5 stars4/5A Year's Turning Rating: 4 out of 5 stars4/5The Waters and the Wild: The Trials and Tranquilities of Life on the Irish Waterways Rating: 0 out of 5 stars0 ratingsThe Owner of the Sea: Three Inuit Stories Retold Rating: 0 out of 5 stars0 ratingsBlue Water Rating: 4 out of 5 stars4/5Ukkusiksalik: The People's Story Rating: 4 out of 5 stars4/5Swimming with Cobras Rating: 0 out of 5 stars0 ratingsTunui | Comet Rating: 0 out of 5 stars0 ratingsFootpaths and Fishing Boats: Growing Up in Nipper's Harbour Rating: 0 out of 5 stars0 ratingsSecond Place Rosette: Poems about Britain Rating: 0 out of 5 stars0 ratingsCloser by Sea Rating: 4 out of 5 stars4/5Legends & Lore of Cape Cod Rating: 0 out of 5 stars0 ratingsShort Stories Rating: 0 out of 5 stars0 ratingsNan's Nan and the Pirates of Port Eynon Rating: 0 out of 5 stars0 ratingsIcebound In The Arctic: The Mystery of Captain Francis Crozier and the Franklin Expedition Rating: 4 out of 5 stars4/5Ken Kirkby. A Painter’s Quest for Canada Rating: 0 out of 5 stars0 ratingsOn the Rocks with Jack Knox: Islanders I Will Never Forget Rating: 0 out of 5 stars0 ratingsSagas of Salt and Stone Rating: 0 out of 5 stars0 ratingsEscape to Ikaria: All at Sea in the Aegean Rating: 2 out of 5 stars2/5Haunted Ground: Ghost Stories from the Rock Rating: 0 out of 5 stars0 ratingsBellamy's Bride: The Search for Maria Hallett of Cape Cod Rating: 3 out of 5 stars3/5Collectanea Rating: 0 out of 5 stars0 ratings
Composition & Creative Writing For You
The Craft of Research, Fourth Edition Rating: 4 out of 5 stars4/5Better Grammar in 30 Minutes a Day Rating: 3 out of 5 stars3/5The Emotion Thesaurus (Second Edition): A Writer's Guide to Character Expression Rating: 5 out of 5 stars5/5101 Best Sex Scenes Ever Written: An Erotic Romp Through Literature for Writers and Readers Rating: 4 out of 5 stars4/5Legal Writing in Plain English: A Text with Exercises Rating: 3 out of 5 stars3/5The Negative Trait Thesaurus: A Writer's Guide to Character Flaws Rating: 4 out of 5 stars4/5THE EMOTIONAL WOUND THESAURUS: A Writer's Guide to Psychological Trauma Rating: 5 out of 5 stars5/5Writing Fiction: A Guide to Narrative Craft Rating: 4 out of 5 stars4/5The Creative Journal: The Art of Finding Yourself: 35th Anniversary Edition Rating: 5 out of 5 stars5/5Wonderbook: The Illustrated Guide to Creating Imaginative Fiction Rating: 4 out of 5 stars4/5Writing to Learn: How to Write - and Think - Clearly About Any Subject at All Rating: 4 out of 5 stars4/5The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing Rating: 5 out of 5 stars5/5Rewrite Your Life: Discover Your Truth through the Healing Power of Fiction Rating: 4 out of 5 stars4/5Wordslut: A Feminist Guide to Taking Back the English Language Rating: 4 out of 5 stars4/5Write Useful Books: A modern approach to designing and refining recommendable nonfiction Rating: 4 out of 5 stars4/5How to Read Poetry Like a Professor: A Quippy and Sonorous Guide to Verse Rating: 4 out of 5 stars4/5How to Write a Mystery: A Handbook from Mystery Writers of America Rating: 5 out of 5 stars5/5People, Places, Things: My Human Landmarks Rating: 5 out of 5 stars5/5The Elements of Style, Fourth Edition Rating: 5 out of 5 stars5/5Writing to Wake the Soul: Opening the Sacred Conversation Within Rating: 4 out of 5 stars4/5The Everything Writing Poetry Book: A Practical Guide To Style, Structure, Form, And Expression Rating: 5 out of 5 stars5/5Letters to a Young Poet Rating: 4 out of 5 stars4/5The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better Rating: 5 out of 5 stars5/5The Power of Writing It Down: A Simple Habit to Unlock Your Brain and Reimagine Your Life Rating: 4 out of 5 stars4/5The Elements of Style: The Original Edition Rating: 4 out of 5 stars4/5
Reviews for History Write Now
0 ratings0 reviews
Book preview
History Write Now - James George
Foreword and Acknowledgements
Storytelling existed long before writing.
Good stories seep into our hearts as well as our minds. Whether told by the 'oral historian' of a tribe in ancient times, in cave drawings or dance or music, or via digital blogs, humans use stories to connect with their past and as a way of retaining their traditions and culture.
For the same reasons, museums also tell stories with their collections of artefacts and taonga (treasures). While museums strive for historical accuracy, I've sometimes wondered what sorts of adventures these objects might have had that we don't know about. As yet, we haven't invented an artefact-whispering machine but we have writers with imaginations and that seemed like a great place to start.
I talked over these ideas with Terry Carson (fellow writer and President of the Papakura District Historical Society) and Kay Thomas (Manager of the Papakura Museum), and the History Write Now Project was born.
Author James George came on board as the project's writing coach and mentor and funding was sourced from the Manukau Counties Writers Fund and Auckland Council Creative Communities Scheme.
South Auckland writers were then invited into the Papakura Museum to fossick behind the scenes and in the archives to choose an artifact/taonga to write about. Many attended one of two workshops with James so he could help them to hone their craft, to consider their historical object in a fresh way and to imagine a new and wonderful tale about it.
When the submissions rolled in for the History Write Now book, I was struck by the powerful and recurring theme of migration. Aotearoa/New Zealand is a land of migrants. All who live here have heritage and culture that can be traced back to 'somewhere else', whether they arrived yesterday or 900 years ago. Half of the stories and poems included in this book are about the fears, hopes or dreams of most migrants. Some are told as if by a child, others from the view of an adult, and still others from the perspective of one of the few precious possessions that came with them.
Other pieces are based on memories of real life events or people. However, all of the pieces in this book, whether fiction, creative non-fiction or poetry, prove again that we use storytelling as a way to connect with our past and that we are living examples of history right now.
Huge thanks and appreciation to James George, dedicated writing mentor and editor of this book. James' teaching and support has been inspirational and his ability to build confidence in the writers involved in this project has been remarkable.
I would also like to particularly thank the following for their skills, patience, enthusiasm and unwavering support: Terry Carson, Kay Thomas and the whole team from Papakura Museum, Ken Watkin for photographing the artefacts, the staff from The Sir Edmund Hillary Library, the South Auckland Writers Group, and Lis Sowerbutts and Kris Lockett (from DIY Publishing). Without these people and funding from Auckland Council Creative Communities Scheme and