Encyclopedia of Embroidery Stitches, Including Crewel
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About this ebook
Let one of the most accomplished and creative crewel and embroidery experts into you home to teach you the ABCs of these increasingly popular handicrafts. Just turn the pages of this encyclopedic handbook and you will find her precise explanations and clear illustrations on how to work 178 different stitches and their variations.
Logically organized for easy use, the book is divided into ten sections. Each is devoted to one of the basic families of stitches, differentiated from the others by its own distinctive motion. Taking one family at a time, the author classifies its various stitches into different groups — such as isolated, isolated variations, line, angled line, grouped — and explains them in their order of difficulty. The clear, lucid text and carefully drawn diagrams — over 1,400 in all — together present the step-by-step working of each stitch. Illustrations of both the front and back of finished stitches are included.
Among the 178 stitches in such families as chain, straight, knotted, couched, and woven, are such variations as the Bosnian, Cable Outline, Whipped Satin, Lazy Daisy, Eyelet Buttonhole, Double Feather, Palestrina, Raised Lattice Band, and scores of others. In addition to the detailed working instructions, the author notes the basic rhythm of each stitch, direction of work, appropriate uses, and other pertinent information.
This is an excellent workbook for all who want to learn these highly creative and satisfying stitches, and an ideal refresher course and reference for more experienced needleworkers.
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12 ratings1 review
- Rating: 4 out of 5 stars4/5Bought this despite total absence of color illustration. The large clearly drawn black and white illustrations make an excellent self teaching guide and would be great for teaching.
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Encyclopedia of Embroidery Stitches, Including Crewel - Marion Nichols
family A
STRAIGHT STITCHES
Basic rhythm: simple up and down motion
Progression of difficulty
A.1 STRAIGHT STITCH
Stroke Stitch
RHYTHM
Up / over—down—up /
USES
Basis of many other stitches. Can be arranged in a circle to form a flower. Scattered hit or miss, but of uniform length, these stitches serve as a light powdery filling.
REMARKS
Draw a circle about the size of a quarter; mark center. With a dark gold thread, make many straight stitches coming almost to the center, like sunrays. With a lighter shade of gold, work over the same stitches again, and then a third time with a still lighter shade. This makes a lovely flower. Work center in French knots in a contrasting color.
Step 1. Bring thread up at A; pull through. Insert needle at B, bring out at C; pull through.
Step 2. Insert needle at D and bring out at E; pull through.
Step 3. Insert needle at F and pull through to back of work. Secure with clove hitch to finish. (See G. 19.)
DOT STITCH A.2
Single Seed Stitch, Seeding Stitch
RHYTHM
Up / over one space—down—up—change direction /
USES
Light powdery filling, Can be used to fill flower centers or scattered lightly on a hill
area in Jacobean designs.
REMARKS
Use darker colors; stitch will get lost
if too light.
Step 1. Bring thread up at A; pull through. Insert needle at B (one fabric thread away in any direction), bring out at C; pull through.
Step 2. Insert needle at D at a different angle from A-B, bring out at C; pull through.
Note
Remember that each stitch should be the same length and that each stitch should slant in a different direction. Spaces between stitches should be uniform, but try to avoid a set pattern.
A.3 RUNNING STITCH
Basting
RHYTHM
Up / over—down—up l
USES
Thin line; follows a curve nicely. Can be used for outlining or as a foundation for many laced, whipped and woven decorative stitches.
REMARKS
Must be even: stitches uniform in length and spaces between stitches even. Keep stitch about three times as long as space between.
Step 1. Bring thread up at A; pull through. Insert needle at B, bring up at C; insert at D, bring up at E. Pull through.
Step 2. Insert needle at F, bring out at G, etc. (If curve is gentle, several stitches may be picked up on the needle at one time. Work stitches one by one if curve is sharp.) Pull through.
Step 3. Insert needle at end of line and pull through to the back. End off.
HOLBEIN STITCH A.4
Double Running Stitch, Four-Sided Stitch
RHYTHM
Up / over—down / over—up l
USES
Borders, outlining, substitute for back stitch (saves on thread).
REMARKS
Proportion: equal distance between equal length of stitch; covers back and front alike and makes a neat back. Think graphpaper
when working steps.
Called Holbein stitch because Hans Holbein portrayed it often in his paintings of the decorations on women’s dresses. Basic stitch of black-work,
a type of embroidery.
FIRST JOURNEY
Step 1. Bring needle up at A; pull through. Insert needle at B; pull through. Continue through H. (This stabbing
up and down assures an even stitch, although stitch may be worked like regular running stitch.)
SECOND JOURNEY
Step 2. Bring needle up at G; pull through. Insert at F; pull through. Continue to end (B).
The figures at right show working method for another arrangement of Holbein stitch. Diagram shows second method of work but better accuracy is achieved using stab method. Four-sided stitch is formed when a second row is worked to complete the squares (I to H, G to F, etc.).
A.5 TENT STITCH
Half Cross Stitch
RHYTHM
Up / over—down—up l
USES
This stitch is common in needlepoint embroidery, where the yarn is wrapped around each thread of the canvas.
REMARKS
Must be worked evenly; picture graphpaper when working.
Tent stitch is used for the first journey when making cross stitch (see F.1).
Step 1. Bring thread up at A and pull through. Insert needle at B and bring out at C; pull through.
Step 2. Insert needle at D and bring out at E; pull through.
Note
Squares, like graph paper, drawn in solid lines, are used to help place stitches evenly. Keep this in mind when working stitch.
ARROWHEAD STITCH AND FILLING, THREE-SIDED STITCH A.6
RHYTHM
Up / down—angle—up l
USES
When stacked
this makes an excellent filling stitch; try it on large leaf designs, Jacobean oval flowers
etc., or in borders.
REMARKS
Think graphpaper
on the diagonal when working, to keep stitches even.
Decorate with isolated stitches such as French knots, cross or star cross stitches in centers.
Arrowhead stitch is very attractive when laced with a second color. Try whipping (wrapping a constrasting color around each stitch).
FIRST JOURNEY
Step 1. Bring thread up at A; pull through.
Step 2. Insert at B, bring up at C; pull through.
Step 3. Repeat at D-E and F-G.
SECOND JOURNEY
Step 4. Insert needle at F, bring out at E; pull through. Repeat at D-C. Insert at B, pull through to back and knot to finish.
Three-sided stitch is made by completing each triangle. (A to C, C to E, E to G.)
Note
When used as a filling stitch, all stitches in one direction should be worked first, and then all stitches in the other direction. This method tends to keep the work more even.
A.7 BOSNIAN STITCH
RHYTHM
Up / down—slant—up l
USES
Even borders, area filling.
REMARKS
Work evenly, thinking graph paper.
The easiest way in which to make the filling stitch is to work all the perpendicular (alternate) stitches first, and then go back and work all the intervening diagonal stitches.
FIRST JOURNEY
Steps 1 and 2. Bring needle up at A; pull through. Insert needle at B, bring out at C; pull through. Insert needle at D, bring out at E; pull through. Continue until line is covered.
SECOND JOURNEY
Steps 3 and 4. Bring needle up at I; pull through. Insert needle at H and bring up at G; pull through. Insert at F, bring up at E; pull through. Continue until all diagonal stitches are made.
STACKED ARROWHEAD A.8
Double Satin Stitch
Step 1. Bring needle up at A; pull through. Insert at B, bring up at C; pull through.
Step 2. Insert needle again at B, bring up at D; pull through. Continue until each arrowhead is completed. Do not work too closely to previous stitch.
TO FILL A LEAF-SHAPED AREA
Bring thread out at A; pull through. Insert needle at B, bring out at C; pull through. Keep stitches very close.
Insert needle again at B and bring out at D; pull through.
Insert needle again at B, bring out at E and pull through. (Three straight stitches in one hole at B give the leaf a pointed shape.) Complete leaf shape by making arrowheads, closely spaced, to bottom of area.
RHYTHM
Up / down—angle right down—up