The Hotel Child

By F. Scott Fitzgerald

Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair.

Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".

• Language: English
• Publisher: BoD E-Short
• Release date: May 11, 2015
• ISBN: 9783734795213

F. Scott Fitzgerald

F. Scott Fitzgerald (1896–1940) is regarded as one of the greatest American authors of the 20th century. His short stories and novels are set in the American ‘Jazz Age’ of the Roaring Twenties and include This Side of Paradise, The Beautiful and Damned, Tender Is the Night, The Great Gatsby, The Last Tycoon, and Tales of the Jazz Age.

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Table Of Contents

I

II

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IV

Copyright

I

It is a place where one's instinct is to give a reason for being there--Oh, you see, I'm here because-- Failing that, you are faintly suspect, because this corner of Europe does not draw people; rather, it accepts them without too many inconvenient questions--live and let live. Routes cross here--people bound for private cliniques or tuberculosis resorts in the mountains, people who are no longer persona grata in Italy or France. And if that were all--

Yet on a gala night at the Hotel des Trois Mondes a new arrival would scarcely detect the current beneath the surface. Watching the dancing there would be a gallery of Englishwomen of a certain age, with neckbands, dyed hair and faces powdered pinkish gray; a gallery of American women of a certain age, with snowy-white transformations, black dresses and lips of cherry red. And most of them with their eyes swinging right or left from time to time to rest upon the ubiquitous Fifi. The entire hotel had been made aware that Fifi had reached the age of eighteen that night.

Fifi Schwartz. An exquisitely, radiantly beautiful Jewess whose fine, high forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of soft dark red. Her eyes were bright, big, clear, wet and shining; the color of her cheeks and lips was real, breaking close to the surface from the strong young pump of her heart. Her body was so assertively adequate that one cynic had been heard to remark that she always looked as if she had nothing on underneath her dresses; but he was probably wrong, for Fifi had been as thoroughly equipped for beauty by man as by God. Such dresses--cerise for Chanel, mauve for Molyneux, pink for Patou; dozens of them, tight at the hips, swaying, furling, folding just an eighth of an inch off the dancing floor. Tonight she was a woman of thirty in dazzling black, with long white gloves dripping from her forearms. Such ghastly taste, the whispers said. "The stage, the shop window, the manikins' parade. What can her mother