The Poetry of Caroline Elizabeth Sarah Norton - Volume 3: Volume 3
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Caroline Elizabeth Sarah Norton was born in London on March 22nd 1808. One of three sisters famed for their beauty and talents they became known as ‘The Three Graces’. In 1817 her father died whilst serving as the Colonial Secretary at the Cape of Good Hope and the family was left penniless but able to arrange a ‘grace and favour’ apartment at Hampton Court for several years. In 1827 Caroline married George Chapple Norton a barrister and Member of Parliament. Caroline used her beauty, wit, and political connections, to establish herself as a society hostess. Her unorthodox behaviour and candid conversation raised eyebrows among 19th-century British high society; ensuring enemies and admirers in equal measure. In spite of his jealousy and pride, Norton encouraged his wife to use her connections to advance his career. With her influence in 1831 he was made a Metropolitan Police Magistrate. But their marriage proved unhappy. Norton was unsuccessful as a barrister and the couple fought bitterly over money. During these difficult years, Caroline turned to prose and poetry. Her first book, The Sorrows of Rosalie (1829), was well received. The Undying One (1830), a romance founded upon the legend of the Wandering Jew soon followed. By 1836, Caroline had left her husband and was living on her earnings as an author, but Norton claimed these, arguing in court that, as her husband, Caroline's earnings were legally his. Paid nothing by her husband, her earnings confiscated, Caroline used the law to her own advantage by running up bills in her husband's name and telling the creditors when they came to collect, that if they wished to be paid, they could sue her husband. Norton abducted their children and refused to tell Caroline of their whereabouts and accused her of an ongoing affair with her close friend, Lord Melbourne, the Whig Prime Minister. He demanded £10,000 from Melbourne, who refused to be blackmailed, and Norton took him to court. The trial lasted nine days, and victory was Melbourne’s. However, the publicity almost brought down the government. Caroline's reputation was ruined as was her friendship with Lord Melbourne. Vindictively Norton continued to prevent Caroline seeing her three sons, and blocked her from receiving a divorce. According to British law in 1836, children were the legal property of their father, and there was little Caroline could do to regain custody. In 1842 her son William was out riding and fell from his horse. According to Caroline, the wounds were minor; but not properly treated and blood-poisoning set in. Norton, realising that the child was near death, sent for Caroline but William died before she arrived in Scotland. Caroline became passionately involved in the passage of laws promoting social justice, especially those granting rights to married and divorced women. Her poems "A Voice from the Factories" (1836) and "The Child of the Islands" (1845) centred around her political views. Legally unable to divorce her husband, Caroline engaged in a five-year affair with prominent Conservative politician Sidney Herbert in the early 1840s. The affair ended with his marriage to another in 1846. With the death of George Norton in 1875 she married an old friend, Scottish historical writer and politician Sir W. Stirling Maxwell in March 1877. Caroline died in London three months later on June 15th.
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The Poetry of Caroline Elizabeth Sarah Norton - Volume 3 - Caroline Elizabeth Sarah Norton
The Poetry of Caroline Elizabeth Sarah Norton
Volume 3
Caroline Elizabeth Sarah Norton was born in London on March 22nd 1808. One of three sisters famed for their beauty and talents they became known as ‘The Three Graces’
In 1817 her father died whilst serving as the Colonial Secretary at the Cape of Good Hope and the family was left penniless but able to arrange a ‘grace and favour’ apartment at Hampton Court for several years.
In 1827 Caroline married George Chapple Norton a barrister and Member of Parliament. Caroline used her beauty, wit, and political connections, to establish herself as a society hostess. Her unorthodox behaviour and candid conversation raised eyebrows among 19th-century British high society; ensuring enemies and admirers in equal measure.
In spite of his jealousy and pride, Norton encouraged his wife to use her connections to advance his career. With her influence in 1831 he was made a Metropolitan Police Magistrate. But their marriage proved unhappy. Norton was unsuccessful as a barrister and the couple fought bitterly over money.
During these difficult years, Caroline turned to prose and poetry. Her first book, The Sorrows of Rosalie (1829), was well received. The Undying One (1830), a romance founded upon the legend of the Wandering Jew soon followed.
By 1836, Caroline had left her husband and was living on her earnings as an author, but Norton claimed these, arguing in court that, as her husband, Caroline's earnings were legally his. Paid nothing by her husband, her earnings confiscated, Caroline used the law to her own advantage by running up bills in her husband's name and telling the creditors when they came to collect, that if they wished to be paid, they could sue her husband.
Norton abducted their children and refused to tell Caroline of their whereabouts and accused her of an ongoing affair with her close friend, Lord Melbourne, the Whig Prime Minister. He demanded £10,000 from Melbourne, who refused to be blackmailed, and Norton took him to court.
The trial lasted nine days, and victory was Melbourne’s. However, the publicity almost brought down the government. Caroline's reputation was ruined as was her friendship with Lord Melbourne.
Vindictively Norton continued to prevent Caroline seeing her three sons, and blocked her from receiving a divorce. According to British law in 1836, children were the legal property of their father, and there was little Caroline could do to regain custody. In 1842 her son William was out riding and fell from his horse. According to Caroline, the wounds were minor; but not properly treated and blood-poisoning set in. Norton, realising that the child was near death, sent for Caroline but William died before she arrived in Scotland.
Caroline became passionately involved in the passage of laws promoting social justice, especially those granting rights to married and divorced women. Her poems A Voice from the Factories
(1836) and The Child of the Islands
(1845) centred around her political views.
Legally unable to divorce her husband, Caroline engaged in a five-year affair with prominent Conservative politician Sidney Herbert in the early 1840s. The affair ended with his marriage to another in 1846.
With the death of George Norton in 1875 she married an old friend, Scottish historical writer and politician Sir W. Stirling Maxwell in March 1877. Caroline died in London three months later on June 15th.
Index Of Poems
The Dying Hour
The Faithful Friend
The Faithful Guardian
The Faithless Knight
The Fallen Leaves
The Fever-Dream
The Forsaken
The Future.
The German Student’s Love-Song
The Greek Girl’s Lament For Her Lover
The Hunting Horn Of Chalemagne
The King Of Denmark’s Ride
The Lament For Shuil Donald’s Daughter
The Lost One
The Mother’s Heart
The Mother’s Last Watch
The Mourners
The Name
The Picture Of Sappho
The Pilgrim of Life.
The Poet’s Choice
The Poplar Field
The Rebel
The Reprieve
The Ringlet
The Rock Of The Betrayed
The Sense Of Beauty
The Tryst
The Visionary Portrait
The Wanderer Looking Into Other Homes
The Widow To Her Son’s Betrothed
The Winter’s Walk
They Loved One Another
To Ferdinand Seymour
To The Lady H.O.
Twilight
We Have Been Friends Together
Weep Not For Him That Dieth
When Poor In All But Hope And Love
Would I Were With Thee!
The Dying Hour
I.
Oh! watch me; watch me still
Thro' the long night's dreary hours,
Uphold by thy firm will
Worn Nature's sinking powers!
II.
While yet thy face is there
(The loose locks round it flying),
So young, and fresh, and fair,
I feel not I am dying!
III.
Stoop down, and kiss my brow!
The shadows round me closing
Warn me that dark and low
I soon shall be reposing.
IV.
But while those pitying eyes
Are bending thus above me,
In vain the death-dews rise,
Thou dost regret and love me!
V.
Then watch me thro' the night,
Thro' my broken, fitful slumber;
By the pale lamp's sickly light
My dying moments number!
VI.
Thy fond and patient smile
Shall soothe my painful waking;
Thy voice shall cheer me while
The slow grey dawn is breaking!
VII.
The battle-slain, whose thirst
No kindly hand assuages,
Whose low faint farewells burst
Unheard, while combat rages,
VIII.
The exiled, near whose bed
Some vision'd form seems weeping,
Whose steps shall never tread
The land where he lies sleeping,
IX.
The drown'd, whose parting breath
Is caught by wild winds only,
Theirs is the bitter death,
Beloved, for they die lonely!
X.
But thus, tho' rack'd, to lie,
Thou near, tho' full of sadness,
Leaves still, e'en while I die,
A lingering gleam of gladness!
XI.
I feel not half my pain
When to mine thy fond lip presses,
I warm to life again
Beneath thy soft caresses!
XII.
Once more, oh! yet once more
Fling,