The Defendant: "'My country, right or wrong,' us a thing that no patriot would think of saying except in a desperate case. It is like saying, 'My mother, drunk or sober.'"
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About this ebook
Gilbert Keith Chesterton, (29 May 1874 – 14 June 1936) was a poet, novelist, playwright, literary commentator, editor, biographer, journalist, orator and theologian. He was often dubbed as the “prince of paradox” for his light whimsical style that often addressed serious issues such as politics and religion. The latter was as a member and defender of the Christian faith and the former was shaped by a distrust of concentrated wealth and power. He advocated Distributionism and said that every man should be allowed to own "three acres and a cow." These political views have spread round the world, crediting Chesterton as the father of the “small is beautiful” movement. It is also said to have influenced Gandhi in seeking a genuine nationalism for India rather than imitating the British state. As one of the world’s most prolific writers, his main claim to fame is as the creator of Father Brown, but Chesterton’s style and ideas in this work reveals a truth that makes it remarkably contemporary and relevant to the modern reader. This is clearly demonstrated in “The Defendant” which takes to defending condemned or overlooked things, from farce to humility, nonsense to useful information, baby-worship to skeleton and ultimately optimism. As Chesterton refers to them, it is true of his words, they are "diamonds in the dustheap"
G.K. Chesterton
G.K. Chesterton (1874–1936) was an English writer, philosopher and critic known for his creative wordplay. Born in London, Chesterton attended St. Paul’s School before enrolling in the Slade School of Fine Art at University College. His professional writing career began as a freelance critic where he focused on art and literature. He then ventured into fiction with his novels The Napoleon of Notting Hill and The Man Who Was Thursday as well as a series of stories featuring Father Brown.
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The Defendant - G.K. Chesterton
The Defendant by G.K. Chesterton
The 'Defences' of which this volume is composed have appeared in The Speaker, and are here reprinted, after revision and amplification. Portions of 'The Defence of Publicity' appeared in The Daily News.
Gilbert Keith Chesterton was born in Campden Hill, Kensington on May 29th 1874.
Originally after attending St Pauls School he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic and going on to writing weekly columns in the Daily News and the Illustrated London News.
In 1901 he married Frances Blogg, to whom he remained married for the rest of his life.
For many he is known as a very fine novelist and the creator of the Father Brown Detective stories which were much influenced by his own beliefs. A large man – 6’ 4" and 21st in weight he was apt to be forgetful in that delightful way that the British sometimes are – a telegram home to his wife saying he was in one place but where should he actually be…….?
He was prolific in many other areas; he wrote plays, short stories, essays, loved to debate and wrote hundreds of poems. It is on his poems that we concentrate this volume. They range from the virtues and vices of England and the English to his world view and religious beliefs.
GK Chesterton died of congestive heart failure on 14th June, 1936 and is buried in Beaconsfield just outside of London.
Index of Contents
IN DEFENCE OF A NEW EDITION
INTRODUCTION
A DEFENCE OF PENNY DREADFULS
A DEFENCE OF RASH VOWS
A DEFENCE OF SKELETONS
A DEFENCE OF PUBLICITY
A DEFENCE OF NONSENSE
A DEFENCE OF PLANETS
A DEFENCE OF CHINA SHEPHERDESSES
A DEFENCE OF USEFUL INFORMATION
A DEFENCE OF HERALDRY
A DEFENCE OF UGLY THINGS
A DEFENCE OF FARCE
A DEFENCE OF HUMILITY
A DEFENCE OF SLANG
A DEFENCE OF BABY-WORSHIP
A DEFENCE OF DETECTIVE STORIES
A DEFENCE OF PATRIOTISM
G.K. CHESTERTON – A SHORT BIOGRAPHY
G. K. CHESTERTON – A CONCISE BIBLIOGRAPHY
IN DEFENCE OF A NEW EDITION
The reissue of a series of essays so ephemeral and even superfluous may seem at the first glance to require some excuse; probably the best excuse is that they will have been completely forgotten, and therefore may be read again with entirely new sensations. I am not sure, however, that this claim is so modest as it sounds, for I fancy that Shakespeare and Balzac, if moved to prayers, might not ask to be remembered, but to be forgotten, and forgotten thus; for if they were forgotten they would be everlastingly re-discovered and re-read. It is a monotonous memory which keeps us in the main from seeing things as splendid as they are. The ancients were not wrong when they made Lethe the boundary of a better land; perhaps the only flaw in their system is that a man who had bathed in the river of forgetfulness would be as likely as not to climb back upon the bank of the earth and fancy himself in Elysium.
If, therefore, I am certain that most sensible people have forgotten the existence of this book, I do not speak in modesty or in pride, I wish only to state a simple and somewhat beautiful fact. In one respect the passing of the period during which a book can be considered current has afflicted me with some melancholy, for I had intended to write anonymously in some daily paper a thorough and crushing exposure of the work inspired mostly by a certain artistic impatience of the too indulgent tone of the critiques and the manner in which a vast number of my most monstrous fallacies have passed unchallenged. I will not repeat that powerful article here, for it cannot be necessary to do anything more than warn the reader against the perfectly indefensible line of argument adopted at the end of p. 28. I am also conscious that the title of the book is, strictly speaking, inaccurate. It is a legal metaphor, and, speaking legally, a defendant is not an enthusiast for the character of King John or the domestic virtues of the prairie-dog. He is one who defends himself, a thing which the present writer, however poisoned his mind may be with paradox, certainly never dreamed of attempting.
Criticism upon the book considered as literature, if it can be so considered, I should, of course, never dream of discussing, -firstly, because it is ridiculous to do so; and, secondly, because there was, in my opinion, much justice in such criticism.
But there is one matter on which an author is generally considered as having a right to explain himself, since it has nothing to do with capacity or intelligence, and that is the question of his morals.
I am proud to say that a furious, uncompromising, and very effective attack was made upon what was alleged to be the utter immorality of this book by my excellent friend Mr. C.F.G. Masterman, in the 'Speaker.' The tendency of that criticism was to the effect that I was discouraging improvement and disguising scandals by my offensive optimism. Quoting the passage in which I said that 'diamonds were to be found in the dust-bin,' he said: 'There is no difficulty in finding good in what humanity rejects. The difficulty is to find it in what humanity accepts. The diamond is easy enough to find in the dust-bin. The difficulty is to find it in the drawing-room.' I must admit, for my part, without the slightest shame, that I have found a great many very excellent things in drawing-rooms. For example, I found Mr. Masterman in a drawing-room. But I merely mention this purely ethical attack in order to state, in as few sentences as possible, my difference from the theory of optimism and progress therein enunciated. At first sight it would seem that the pessimist encourages improvement. But in reality it is a singular truth that the era in which pessimism has been cried from the house-tops is also that in which almost all reform has stagnated and fallen into decay. The reason of this is not difficult to discover. No man ever did, and no man ever can, create or desire to make a bad thing good or an ugly thing beautiful. There must be some germ of good to be loved, some fragment of beauty to be admired. The mother washes and decks out the dirty or careless child, but no one can ask her to wash and deck out a goblin with a heart like hell. No one can kill the fatted calf for Mephistopheles. The cause which is blocking all progress today is the subtle scepticism which whispers in a million ears that things are not good enough to be worth improving. If the world is good we are revolutionaries, if the world is evil we must be conservatives. These essays, futile as they are considered as serious literature, are yet ethically sincere, since they seek to remind men that things must be loved first and improved afterwards.
G. K. C.
THE DEFENDANT
INTRODUCTION
In certain endless uplands, uplands like great flats gone dizzy, slopes that seem to contradict the idea that there is even such a thing as a level, and make us all realize that we live on a planet with a sloping roof, you will come from time to time upon whole valleys filled with loose rocks and boulders, so big as to be like mountains broken loose. The whole might be an experimental creation shattered and cast away. It is often difficult to believe that such cosmic refuse can have come together except by human means. The mildest and most cockney imagination conceives the place to be the scene of some war of giants. To me it is always associated with one idea, recurrent and at last instinctive. The scene was the scene of the stoning of some prehistoric prophet, a prophet as much more gigantic than after-prophets as the boulders are more gigantic than the pebbles. He spoke some words, words that seemed shameful and tremendous, and the world, in terror, buried him under a wilderness of stones. The place is the monument of an ancient fear.
If we followed the same mood of fancy, it would he more difficult to imagine what awful hint or wild picture of the universe called forth that primal persecution, what secret of sensational thought lies buried under the brutal stones. For in our time the blasphemies are threadbare. Pessimism is now patently, as it always was essentially, more commonplace than piety. Profanity is now more than an affectation, it is a convention. The curse against God is