Matthew Arnold, The Poetry Of: "Truth sits upon the lips of dying men."
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Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. Matthew Arnold is rightly placed amongst the other greats of Victorian Poetry; Browning and Tennyson. The son of the founder of Rugby School he grew up to become a poet via a career as a school inspector. His own words best represent how he came to be so well regarded: “My poems represent, on the whole, the main movement of mind of the last quarter of a century, and thus they will probably have their day as people become conscious to themselves of what that movement of mind is”. Many of the poems are also available as an audiobook from our sister company Portable Poetry at iTunes, Amazon and other digital stores.. Many samples are at our youtube channel http://www.youtube.com/user/PortablePoetry?feature=mhee
Matthew Arnold
Matthew Arnold (1822–1888) was an English poet and critic. Educated at Oxford, Arnold is primarily remembered for his verse, although his critical works are equally noteworthy.
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Matthew Arnold, The Poetry Of - Matthew Arnold
Matthew Arnold, The Poetry
Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage.
Matthew Arnold is rightly placed amongst the other greats of Victorian Poetry; Browning and
Tennyson. The son of the founder of Rugby School he grew up to become a poet via a career as a school inspector. His own words best represent how he came to be so well regarded: My poems represent, on the whole, the main movement of mind of the last quarter of a century, and thus they will probably have their day as people become conscious to themselves of what that movement of mind is
.
Many of the poems are also available as an audiobook from our sister company Portable Poetry. Many samples are at our youtube channel http://www.youtube.com/user/PortablePoetry?feature=mhee The full volume can be purchased from iTunes, Amazon and other digital stores. Among the readers are Richard Mitchley and Ghizela Rowe
Index Of Poems
The Last Word
The Austerity Of Poetry (A Sonnet) By Matthew Arnold
Bacchanalia; Or, The New Age
The Buried Life
A Caution To Poets
Consolation
Continued
Despondency
Calais Sands
Dover Beach
The Sea of Faith
The Divinity (A Sonnet)
Early Death And Fame
East London (A Sonnet)
Epilogue
Faded Leaves
The Future
Growing Old
Haworth Churchyard
Human Life
Immortality
A Memory Picture
A Modern Sappho
Mortality
A Nameless Epitaph
Religious Isolation
The Youth Of Man
Youth And Calm
West London (A Sonnet)
A Wish
A Southern Night
Requiescat
Tristram Ans Iseult
The Last Word
Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last.
Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired; best be still.
They out-talk'd thee, hiss'd thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and pass'd,
Hotly charged and sank at last.
Charge once more, then, and be dumb!
Let the victors, when they come,
When the forts of folly fall,
Find thy body by the wall!
The Austerity Of Poetry (A Sonnet)
That son of Italy who tried to blow,
Ere Dante came, the trump of sacred song,
In his light youth amid a festal throng
Sate with his bride to see a public show.
Fair was the bride, and on her front did glow
Youth like a star; and what to youth belong
Gay raiment, sparkling gauds, elation strong.
A prop gave way! crash fell a platform! lo,
'Mid struggling sufferers, hurt to death, she lay!
Shuddering, they drew her garments off--and found
A robe of sackcloth next the smooth, white skin.
Such, poets, is your bride, the Muse! young, gay,
Radiant, adorn'd outside; a hidden ground
Of thought and of austerity within.
Bacchanalia; Or, The New Age
The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.
Loitering and leaping,
With saunter, with bounds
Flickering and circling
In files and in rounds
Gaily their pine-staff green
Tossing in air,
Loose o'er their shoulders white
Showering their hair
See! the wild Maenads
Break from the wood,
Youth and Iacchus
Maddening their blood.
See! through the quiet land
Rioting they pass--
Fling the fresh heaps about,
Trample the grass.
Tear from the rifled hedge
Garlands, their prize;
Fill with their sports the field,
Fill with their cries.
Shepherd, what ails thee, then?
Shepherd, why mute?
Forth with thy joyous song!
Forth with thy flute!
Tempts not the revel blithe?
Lure not