The Witches of Scotland (Fantasy and Horror Classics)
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The Witches of Scotland (Fantasy and Horror Classics) - Eliza Lynn Linton
Scotland
ELIZA LYNN LINTON
Eliza Lynn Linton was born Elizabeth Lynn in Keswick, England in 1822. Her mother died when she was still in infancy, and she was brought up by her strict and devoutly religious father. After publishing a number of poems in Ainsworth’s Magazine, the 23-year-old Lynn moved to London with a view to becoming a full-time writer. Her first two novels, Azeth, The Egyptian (1847) and Amyone: A Romance in the Days of Pericles (1848) were moderately well-received, but brought her little commercial success. In 1848, Lynn joined the staff of The Morning Chronicle and All the Year Round; in the process becoming the first woman journalist in England to draw a salary.
In 1851, Lynn published her third novel, Realities, a radical critique of Victorian society which was considered shocking by readers. The reaction led her to take a fourteen-year hiatus from writing fiction, and it wasn’t until after her separation from her husband, W. J. Linton, that she finally attained wide popularity with her most successful works The True History of Joshua Davidson (1872 and Patricia Kemball (1874). Around this time, Linton also became well-known for her columns in the Saturday Review, in which she revealed herself to be a staunch right-winger, attacking – amongst other things – the shrieking sisterhood
of suffragettes. Her most famous essay, ‘The Girl of the Period’, denounced young women for the twin evils of flirting and wearing makeup.
Eliza moved to Malvern in 1895, and she died of pneumonia in 1898, during a visit to London. Although recent critical attention has gone some way towards reestablishing Linton’s reputation as a novelist, it is for her reactionary journalism that she remains best-remembered.
THE WITCHES OF SCOTLAND
Mrs E. Lynn Linton
Scotland was always foremost in superstition. Her wild hills and lonely fells seemed the fit haunting-places for all mysterious powers; and long after spirits had fled, and ghosts had been laid in the level plains of the South, they were to be found lingering about the glens and glades of Scotland. Very little of graceful fancy lighted up the gloom of those popular superstitions. Even Elfame, or Faërie, was a place of dread and anguish, where the devil ruled heavy-handed and Hell claimed its yearly tithe, rather than the home of fun and beauty and petulant gaiety as with other nations: and the beautiful White Ladies, like the German Elle-women, had more of bale than bliss as their portion to scatter among the sons of men. Spirits like the goblin Gilpin Horner, full of malice and unholy cunning,—like grewsome brownies, at times unutterably terrific, at times grotesque and rude, but then more satyr-like than elfish,—like May Moulachs, lean and hairy-armed, watching over the fortunes of a family, but prophetic only of woe, not of well,—like the cruel Kelpie, hiding behind the river sedges to rush out on unwary passers-by, and strangle them beneath the waters,—like the unsained laidly* Elf, who came tempting Christian women, to their souls’ eternal perdition if they yielded to the desires of their bodies,—like the fatal Banshee, harbinger of death and ruin,—were the popular forms of the Scottish spirit-world; and in none of them do we find either love or gentleness, but only fierceness and crime, enmity to man and rebellion to God. But saddest and darkest and unholiest of all was the belief in witchcraft, which infested society for centuries like a sore eating through to the very heart of humanity, and which was nowhere more bitter and destructive than among the godly children of our Northern sister. Strange that the land of the Lord should have been the favourite camping-ground of Satan, that the hill of Zion should have had its roots in the depths of Tophet!
The formulas of the faith were as gloomy as the persons. The power of the evil eye; the faculty of second sight, which always saw the hearse plumes, and never the bridal roses;