Nine Buck's Row

By Jennifer Wilde

New York Times­–bestselling author Jennifer Wilde’s spine-tingling classic Gothic romance based on the facts and legends of Jack the Ripper

Panic has Victorian-era London in a death grip. Young women are being murdered in the East End, and Scotland Yard isn’t getting any closer to finding the serial killer. Now eighteen-year-old Susannah Hunt’s aunt has been found savagely slain, leaving her all alone in the world—until Nicholas Craig becomes her legal guardian.

But even under the protection of the handsome, unusually secretive Craig, Susannah may not be safe. Her new home at Nine Buck’s Row harbors mysteries of its own. What is she to make of the upstairs boarder, itinerant painter Daniel Lord, who professes desire for her yet conceals himself in the shadows?

As Susannah’s attraction to the enigmatic Nicholas increases, she is thrust deeper into danger. Grisly murders continue to terrorize the city, and as the list of suspects grows, Susannah finds she can trust no one, not even the man she loves—for the monster they call the Ripper is still out there.

• Language: English
• Publisher: Open Road Media
• Release date: Feb 10, 2015
• ISBN: 9781497698321

Jennifer Wilde

Jennifer Wilde is the pseudonym under which Tom E. Huff (1938–1990) wrote his groundbreaking New York Times–bestselling historical romance novels, including the Marietta Danver Trilogy (Love’s Tender Fury, Love Me, Marietta, and When Love Commands). Huff also wrote classic Gothic romances as Edwina Marlow, Beatrice Parker, Katherine St. Clair, and T. E. Huff. A native of Texas who taught high school English before pursuing a career as a novelist, Huff was honored with a Career Achievement Award from Romantic Times in 1988.

Book preview

1

Widow Jameson might be a notorious gossip, but she was still the best seamstress in East London, the only one Marietta would trust with her elaborate costumes. It was growing darker outside, the slate gray sky smeared with fading orange banners as I waited impatiently for the widow to finish mending the cloak. Marietta had instructed me to bring it to the music hall as soon as it was mended, and it was a long walk to Garrick’s. I didn’t relish the idea of being out after dark. No one did nowadays, not after the series of murders that were causing all the East End to panic.

Widow Jameson gathered up the heavy folds of honey-colored satin, her needle darting in and out along the hem to secure the black fox fur trim. I glanced around the cluttered shop, eyeing the bolts of cloth and racks of lace without really seeing them. Through the murky glass windows in front I could see the congestion of Charlotte Street, dingy gray brick walls spread with darkening violet shadows, carriages rattling noisily over the cobblestones, pedestrians moving rapidly now that night was falling. Soon the fog would veil everything with a swirling gray-white mist that not even the gaslights could penetrate. I prayed the widow would hurry.

’Ere, Miss Susannah, she said, giving the cloak a final pat. "I reckon it’s good as new ’n fit for a queen to wear. Such a lovely color ’n such fine trimmin’. Ain’t many can afford such fancy duds. Your aunt’s gotta real sense-a style. I reckon she don’t have much trouble findin’ the means-a gettin’ such a cloak."

I’m in rather a hurry, Mrs. Jameson, I said coldly, ignoring her sly dig. Are you finished?

She still at Garrick’s? the widow inquired, reaching under the counter to pull out a large white cardboard box.

Yes, I replied, patience wearing thin. Everyone knew Marietta was still at Garrick’s. She was the main attraction at that rowdy music hall, a celebrity of sorts, at least in this part of London.

Hateful way for a woman to make a livin’, Widow Jameson continued, "singin’ them risk-kay songs ’n dancin’ them Frenchie dances ’n showin’ the men ’er legs. ’Course, I guess it’s all in th’ eye of th’ beholder. Still, ain’t th’ sorter thing I’d want my daughter to do."

I frowned, furious with the old gossip yet forced to agree with her. I didn’t approve of Marietta’s way of life, but I was hardly in a position to comment one way or another.

I had been born in Devonshire and brought up in a beautiful red brick house with weathered white slate roof, dark green ivy growing up the walls. There were wild gardens and flagstone walks and a pond with a cracked white fountain. My life was serene, secure, and I was surrounded by love. My father was a lawyer, tall and handsome, full of robust good humor, and my mother was a famous hostess, celebrated for her gracious charm. I grew up in an atmosphere of wit and great warmth, one contented day melting amiably into the next. Then, when I was twelve, the typhoid epidemic of 1882 struck the countryside. Both my parents were taken ill. Both died. I was sent to stay with neighbors until my mother’s younger sister could come for me.

I had never met my aunt, but I had always been curious about her. She had left the family home and fled to London years before, and my mother was always evasive about her. Marietta Clark was the kind of woman polite society spoke of in whispers, a flamboyant creature not very particular about the men she associated with. I knew that she was an actress, though I discovered later that actress was hardly appropriate to describe the sort of thing my aunt did on stage.

Marietta came to fetch me. She was dazzling in her elegant satins and curling plumes. In her late twenties, she was the most beautiful woman I had ever seen, yet there was something hard about her. The lovely features might have been chiseled from smooth white granite, and the sapphire blue eyes were cold. She was the first woman I had seen who openly wore make-up. The lips were scarlet, the high cheekbones rouged, the delicate lids rubbed with soft violet shadow. Her elaborately curled hair was golden brown, too glistening to be natural. I was, of course, fascinated, even though I sensed she was hardly elated to be taking on the responsibility of a twelve-year-old child.

The red brick house was sold to strangers. My father, it seemed, had been making several unwise investments, and he had left very little money. Marietta took me back to London where I was promptly installed in a genteel but slightly down-at-the-heels school for girls. I remained there for the next four years, or until the money ran out, and then Marietta took me in with her for want of anything better to do. For the past two years, I had lived with her in the large, cluttered top-floor apartment on Old Montague Street, doing the cooking, keeping the rooms in order, waiting on Marietta, fetching and carrying, running errands, staying out of the way when she entertained one of her gentlemen friends in the parlor with lilac draperies and the large purple velvet sofa.

Marietta wasn’t cruel, she was just indifferent to me. When she happened to think of it, she was quite generous, seeing that I had plenty of new dresses, though I seldom had occasion to wear them, giving me money for books and sketch pads and paints. Knowing that I loved music, she had replaced the old upright piano with a newer one, although I was forbidden to play it when she had one of her headaches. Marietta was selfish and vain and shallow, incapable of affection. I was little more than a personal maid and housekeeper to her, but we got along well. I had learned how to humor her when she was self-pitying, and I had learned to avoid her when she was in one of her tempestuous rages.

It wasn’t a happy life, but it wasn’t so bad. There were books, and there were my watercolors, and there was my friend Millie who lived downstairs and loved to chatter and share daydreams. Although she was constantly demanding when she was around, Marietta was out much of the time, and I had the place to myself. Then I was free to read and paint and indulge in all those fantasies typical of every eighteen-year-old girl. I visualized a tall, dashing soldier in dazzling gold and blue tunic and white breeches. He would sweep me up and take me away to the country where there were trees and flowers or, better yet, to India where there were marble palaces and silk brocades. Such fantasies were harmless, and they made the bleakness a little more endurable.

In reality, the only men who had shown any interest in me were those every young girl is warned against. East London abounded in them: handsome sports out slumming and looking for a likely lass, jaded roués in monocles and top hats wearily prowling the streets for some kind of diversion, soldiers from the Tower of London searching for excitement, stevedores from the docks, confidence men and worse. I ignored them all, even though Millie assured me I was missing some smashing good times. I might be Marietta’s niece, but I had no intentions of ending up like her.

For a miss in a hurry you’re certainly gatherin’ wool, Widow Jameson said primly. You’ve been standin’ there th’ past five minutes, starin’ at space—

I—I suppose I was, I admitted.

"You ain’t worried about nothin’, are you, Miss Susannah?"

No. Of course not. I was just—

"Wouldn’t blame you none, she interrupted, clattering on, what with all these dreadful things happenin’ right in our own backyard. First that Tabram woman found on th’ stairs of one of th’ George Yard buildings. Thirty-nine times she was stabbed, they say, and blood simply pourin’ down the stairs! And then poor Polly Nicholls, stretched out there near the gutter on Buck’s Row. Throat slit from ear to ear, and her body all cut up—well, some things’re not even fit to mention!"

Please— I protested. I—I’d rather not hear about it again—

"Right across th’ street from the slaughterhouse they found her. Last Friday night, it was, and Scotland Yard still ain’t gotta inkling who done it! It’s one of them bloody furriners, I can tell-ya that much. No Englishman’d do such heinous deeds! They’re callin’ ’im The Ripper—"

I really must hurry, I said, reaching for the cardboard box containing the cloak. Widow Jameson slapped one large hand down on the box.

Th’ cash, dearie, she said in honeyed tones, her eyes hard.

Oh—I’m sorry.

I reached into my pink silk reticule and took out the proper amount of money. The hard look left the widow’s eyes as the coins fell into her outstretched palm. She shoved the box toward me.

"Ta ta, dearie. Have a nice walk. Night’s fallin’ fast, ’n th’ fog’s already startin’ to roll in. You won’t catch me steppin’ outside this shop, not on your life! It ain’t safe for a body to be about—"

She was a vicious old woman, trying to frighten me like that. I hurried down Charlotte Street and followed Back Church Lane to Whitechapel Road. It was a busy thoroughfare, carts and carriages joggling along the rough cobblestones, pedestrians crowding the narrow pavements in front of the still-busy shops. Above the soot-blackened walls I could see a darkening sky still faintly flushed with orange. In a quarter of an hour it would be dark, but if I hurried I could make it to Garrick’s before then.

I wasn’t really afraid. I knew these streets well, and I knew how to avoid trouble: walk fast, ignore everyone. During the daytime the neighborhood was boisterous, charged with rowdy energy, but quite safe. After dark it was something else altogether: a jungle of vice and violence. The pubs and alehouses were filled with brawling drunks. The streets were thronged with toughs, thieves, prostitutes and worse. It was no place for a young girl to be. Even the bobbies were dubious about strolling down the narrow, twisting alleys and dingy squares.

Clutching the cardboard box, I hurried down Whitechapel to Osborn. The first tendrils of fog were beginning to swirl in the air, barely visible now but gradually thickening, and all the orange had faded from the sky. I kept remembering tales of the dozens of young girls who vanished each year from this part of London. Millie was quite certain they were bundled off to South America or Constantinople, her eyes wide with fascinated horror as she speculated about such vile abductions.

Reaching the corner of Flower and Dean streets, I hesitated for only a moment. Marietta would be furious if I was much later, and unless I took a shortcut down Flower Street I would have to go around several more streets to reach Garrick’s. Holding my head erect, my stomach fluttering nervously, I hurried down the street. The girls were already out, sitting on the doorsteps or leaning against the grimy brick walls. The looked forlorn in the worn velvet dresses and tattered feather boas that were their uniforms, and I felt pity welling up inside of me. Many of these pathetic women were younger than I, barely in their teens, while others were ancient, faces wrinkled, grotesque under the make-up. Although the sight was disturbing, I wasn’t shocked. Queen Victoria and her tightly corseted ladies could deny the existence of such women, but the past few years had taught me that these creatures thrived on every side. When you lived in East London, you learned to accept it. Our Queen might impose her strict morals on polite society, but her influence didn’t extend to this section of the city.

What’s your ’urry, ducks? a wrinkled crone called out. ’Fraid th’ bogey man’ll get-ja?

Ain’t she sweet? one of her companions cried raucously. Such long yellow hair, such dainty features—reckon she’s aimin’ to move into one uv Black Jack’s rooms? ’E’d be ’appy to nab such a young ’un.

Watch out, ducks! the first woman yelled. If Black Jack were to catch a glimpse uv-ya, ’e’d clamp a scented handkerchief over your mouth ’n ’ave you in one uv ’is parlors ’fore you could say Boo!

Leave ’er be! a hard-faced blonde told them. "Filthy ’arridans! You ain’t got nothin’ better to do than scare a poor girl? You, lass! Scurry on, ya-hear? Your folks must be outta their ’eads lettin’ a chit like you roam loose. Get on! Get on ’ome ’fore th’ fog rolls in."

I moved on down the street, painfully self-conscious. Keeping my head down, I hurried on, praying they would let me pass unmolested.

You better run, lassie! a girl taunted. Eddie’s after you now. ’E looks like ’e means business!

I heard the heavy footsteps behind me, and there was the sound of labored breathing. My heart started pounding rapidly, and I must have gone pale. The footsteps grew louder, closer. I broke into a run, stumbling on the rough sidewalk.

Someone seized my arm. I gave a cry of alarm and whirled around to see a bobby with plump red cheeks and a drooping brown mustache. His helmet was fastened under his chin with a leather strap, and his heavy overcoat hung down in shiny black folds. He gripped my arm securely, his blue eyes full of concern. The fingers of his free hand curled around a formidable cocuswood truncheon stout enough to bash in the strongest head.

’Ave you lost your mind, lass, traipsin’ around in this neighborhood? This ain’t no kinda place for you to be!

You—you startled me, I exclaimed, breathless. I thought—

Aye, I can imagine what you thought what with all the things ’as been goin’ on ’ereabouts.

’Ey, Eddie! one of the women yelled. Why’n’t-cha pick on someone your own size!

Yeah, another called, like me! Wanna give your feet a rest? Come on up, I’ll let-cha put your shoes under my bed.

Go on with you, Bessie! he barked. ’Ave a little respect.

The women hooted noisily and made rude comments, but the bobby ignored them, muttering something under his breath. His cheeks were flaming pink, and he swung his truncheon fiercely.

Where you ’eaded, Miss? he inquired hoarsely.

I’m going to Garrick’s Music Hall. My aunt works there.

Garrick’s, is it? That’s several streets away. You’d better let me escort you so none of this riff-raff’ll bother you. Come along now. Don’t pay them no mind.

We walked to the corner and turned up Commercial Street, a wide, bustling artery exploding with life. Hansom cabs disgorged rowdy passengers in front of gaudy alehouses and pubs, horses leaving deposits on trash-littered cobblestones. Gaily dressed women tottered along on the arms of strapping young soldiers. Men in plum-colored frockcoats brushed shoulders with toughs in shapeless sweaters. Beggars crawled along the sidewalks with tin cups held out. Bawdy music poured out of the pubs, hawkers yelled to call attention to wares displayed on rickety carts, newsboys screamed of bloody deeds and waved the latest extras. Shrill discord assailed the ears. Foul odors assailed the nostrils. The street had a raw vitality, an undeniable fascination, yet it was reassuring to have a bobby moving along beside me.

You tell your aunt to keep you home nights, miss, he said huskily, holding my elbow in a firm grip. She ’ad no business lettin’ you out this late.

You mean the murders—

Aye. No one knows when ’e’ll strike again. Fancies the ladies, ’e does. A pert little thing like you wouldn’t last a minute in ’is ’ands.

Surely he’ll be apprehended soon. I mean, Scotland Yard is—

Doubled th’ force ’ere in the East End, we ’ave, but that ’asn’t done no good. ’E pops up outta no where, does ’is slashin’ and then vanishes into thin air. ’E’s a demon!

I remembered an account of the latest crime I had read in The Illustrated London News. Polly Nicholls’ body was still warm, the blood still flowing, when she was discovered by a market porter on his way to work at 3:20 A.M., yet no one had heard her scream. Neighbors had heard no cries, nor had the three night watchmen on duty directly across the street at Barber’s slaughterhouse. Police constables had been patrolling their regular beats in the neighborhood, one of them passing the scene of the crime only a few minutes before the body was discovered. The murder had taken place swiftly, silently, and some of the more superstitious East Enders were claiming the killer had supernatural powers.

The crimes were terrible, true, but I saw no reason for the panic that seemed to grip the city. There had been crimes in the East End before, horrible crimes, but they had been taken as a matter of course, accepted with a shrug of the shoulders and a shake of the head. For some reason this new abomination had captured the public’s imagination, and the newspapers were filled with blazing headlines and gory details where ordinarily they would have ignored the story—after all, what was another crime in the East End? People loved horror, I reasoned, they loved to be frightened. Why else would they flock to the waxworks to see replicas of murderers and monsters? Why else would they tell ghost stories and relish every word of novels full of terror? I had very little patience with such tomfoolery. The criminal would be caught. The crimes would stop. There was no reason to panic.

Still gripping my elbow firmly, the bobby led me across Dorset Street, said by many to be the wickedest spot in England. I averted my eyes, not wishing to look down that sordid expanse with its red lights and dingy pubs and brawling humanity. We walked on down Commercial, passing Christ Church, once a majestic wonder of architecture, now a dark, soot-begrimed pile with drunken derelicts sleeping on the benches around it. Further down the street I could see Garrick’s, gold and silver spangles of light already burning, carriages stopping in front to let out elegantly dressed merrymakers. Although located in the East End, Garrick’s catered to a higher class of customer. The liquor was more expensive, the entertainment a bit more refined, the fights less frequent and quickly broken up.

You’ve been very kind, I said, disengaging my elbow. There’s Garrick’s. I can go on alone now.

Glad to be of service, lass. You take care, ’ear? I wouldn’t want a pretty thing like you to fall into the ’ands of that fiend.

Thank you, officer, I said, smiling prettily.

I turned down the dark sidestreet that led to the rear of the building. A narrow alley took me to the stage door where Peters sat in a flimsy wooden chair, an unlighted cigar in the corner of his mouth. He got up with a start, peering across the rusty iron railing with frightened eyes when he heard my footsteps.

Lands-a Goshen, Miss Susannah! he exclaimed. You gave me a start, you did! Runnin’ in out of the fog like that—I was sure The Ripper was a-comin’ after me!

Bosh, Peters! A big, burly man like you? Don’t tell me you’re afraid of him too?

"Anyone in their right ’ead ’ud be afraid of ’im, Suzy girl, ’n that’s no joke. What’re you doin’ ’ere at this hour, and by yourself! ’Adn’t you got no sense at all?"

I had to fetch Marietta’s cloak and bring it to her. I suppose she’s in her dressing room?

That she is, and in a tizzy if you don’t mind my sayin’ so. I took ’er a cuppa tea a while ago ’n she darn near threw a vase at me! She ’ad a fight with ’er maid and the poor girl came runnin’ out in tears. Now ’er Ladyship ’adn’t got anyone to ’elp her change costumes ’n she’s furious!

Oh dear, I said, frowning.

I’d step easy if I was you, Miss Susannah. You know ’ow your aunt is when somethin’ goes wrong.

Indeed I do. Well—wish me luck, Peters.

I’d as soon face a cage fulla tigers, he retorted.

I smiled at his remark and moved on past. I knew exactly how he felt. A cage full of tigers would seem a mild risk when compared to Marietta in one of her states.

2

Backstage was a flurry of activity. Chorus girls in wrappers and cold cream came clattering down the iron staircase, babbling like an aviary of nervous birds. The comedian in checked coat and bulbous red nose leaned against a stack of flats, gulping down a last pint of ale before going on to do his turn. I stepped over ropes and moved past racks of spangled gowns, loving this tawdry, earthy atmosphere. There was a smell of grease paint and dust, an aura of tattered elegance and bedraggled glamor. I could hear customers out front talking loudly and rattling dishes as the band played lively melodies in the pit.

I waved at the stage manager and moved down the back hall. While the other performers had to make do with the tiny, drafty rooms upstairs, Marietta had a lavish suite of her own as befitted a star of her caliber. She had done her time in those jammed cubicles with their murky mirrors and icy drafts and now demanded something much more elaborate. The owners of Garrick’s had gone to great expense to satisfy her, and she had plush wine-red carpets and white furniture with gold leaf and many blue satin cushions for her velvet sofa. For all its splendor, the dressing room was always untidy, strewn with feather boas and vivid costumes, spilled powder dusting the top of the dressing table, pots of make-up and bottles of perfume littering its surface. Marietta herself was always perfectly groomed, but she left a wake of domestic destruction. Picking up after her could be a full-time job, as I knew all too well.

I opened the door without knocking. Marietta was sitting at the gold-framed mirror, calmly applying a coat of scarlet paint to her lips. Andrew Crothers was leaning over her, his lips brushing her ear. Both looked up as I entered. Andrew seemed startled. Marietta merely arched an eyebrow and stared into the mirror with deadpan concentration.

I—I brought the cloak, I said.

Put it down somewhere, Marietta replied. Andrew was just leaving.

Was I? he inquired.

You were, she said coldly.

He scowled. Andrew was the tenor, a strikingly handsome man with a body of a soccer player and the face of a wicked archangel. Although not much of a singer, he was vastly popular with the female customers and had a rather scandalous reputation. Marietta had warned me never to let him catch me alone in the room. As his eyes swept over me now, I remembered her warning.

Susannah, he said in his deep, seductive voice. How charming you look. Getting prettier every day. That dress is quite becoming—

Out! Marietta commanded.

Jealous, my love? Afraid your niece is going to out-dazzle you? I shouldn’t wonder.

Marietta reached for a bottle, her eyes blazing. Andrew gave her a mocking smile and backed out of the room. I could hear his rumbling laughter as he closed the door.

The bastard! she cried.

She leaned forward to examine her face more closely in the mirror, her brow creased. Marietta had a great fear of losing her looks, and every new wrinkle was a cause for panic. The wrinkles were few. At thirty-four, she had a hard, glacial beauty that few would find fault with. She rubbed some violet eye shadow over her lids and, dipping a tiny brush into a pot of paste, began to apply dark brown mascara to her long lashes.

Did I interrupt something? I inquired.

"Don’t be snide, pet. You did, as a matter of fact, and I was quite relieved. Andrew was about to make a touch—or try. He thinks just because he has limpid brown eyes he can ask a woman for anything and get it. He was about to ask for money in this instance. Gambling debts."

Would you have given it to him?

Not on your life! Men buy me presents, not vice versa. The day I have to pay a man for companionship—well, that day will never come, pet!

Do—do women pay Andrew?

Several do. These rich, aristocratic women who come to Garrick’s for amusement—bitches, the whole lot of ’em! No need to blush, Susannah! You aren’t a naive young thing, despite that well-bred background. You’ve been in London long enough to know what’s what.

I suppose I have. Sometimes, though, I wish—I wish life didn’t have to be so ugly.

"It’s not like

Reviews for Nine Buck's Row

[vera_mallard-1 · Rating: 5 out of 5 stars]

Ms. Wilde has created this story in London's east side which in the reign of Queen Victoria was a hell hole, during the day, it was relatively safe, at night evil reigned supreme, from young bucks looking for fun to the new evil of the murderer called the Ripper. The Ripper kills silently, efficiently and very brutally. Ms. Wildes descriptions of the east side were so vivid I could see each street and the activities taking place; I could see the trash and offal, I could almost smell the odors.The heroine of the story is Susannah; she lives in the east side with her Aunt Marietta until she is violently killed. Susannah moves in with a distant cousin of Marietta's, our hero Nicholas Craig, who is wealthy, sullen, cold, distant, and has a strange occupation of creating statistics and temporarily lives with his Aunt Margaret until he completes his book of statistics. Aunt Margaret also has a strange boarder, Mr. Lord, in her attic. The stage is set for this murder mystery. The Ripper is running a muck in London's East Side and Susannah is trying to solve the mystery of her guardian, Ms. Margaret's house on Nine Buck Row and fighting her attraction to Nicholas and that attraction runs both ways.Ms. Wilde created anticipation in solving the mystery of the dark and brooding Nicholas and the mysterious boarder, Mr. Lord's part in the Ripper story. Mysterious noises in the locked storeroom and hallways, and Nicholas relationship with the Yard were intriguing. The plot has many twists and turn, and keeps you guessing and keeps your attention throughout. Just when I thought I had solved the mystery, a new tidbit and twist is revealed. I couldn't put the book down, I had to know what was going on, what would be revealed, is the Ripper, what happens in that locked room, just who was Nicholas, and will Susannah and Nicholas realize their love and have a happy ever after. All are answered in time with an explosive ending.I would recommend this book to anyone that like a mystery romance.I received this book from the publisher and Netgalley in return for an honest review.

[opencad · Rating: 5 out of 5 stars]

Great book. A classic gothic romance novel by a great writer.