Richard Iii: A History

By William Shakespeare

An account of the brutal and bloody rise of King Richard III to the throne, Shakespeare’s play depicts the short-lived monarch’s ruthless campaign for power, which resulted in the deaths of two of his brothers. Disfigured, hunchbacked, and cruel, King Richard’s unpopularity with the nobility crippled his reign, resulting in his ultimate demise.

Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech.

HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

• Language: English
• Publisher: HarperCollins
• Release date: Dec 16, 2014
• ISBN: 9781443443470

William Shakespeare

William Shakespeare is the world's greatest ever playwright. Born in 1564, he split his time between Stratford-upon-Avon and London, where he worked as a playwright, poet and actor. In 1582 he married Anne Hathaway. Shakespeare died in 1616 at the age of fifty-two, leaving three children—Susanna, Hamnet and Judith. The rest is silence.

Book preview

DRAMATIS PERSONAE

KING EDWARD THE FOURTH

SONS TO THE KING

EDWARD, PRINCE OF WALES, afterwards KING EDWARD V

RICHARD, DUKE OF YORK

BROTHERS TO THE KING

GEORGE, DUKE OF CLARENCE

RICHARD, DUKE OF GLOUCESTER, afterwards KING RICHARD III

A Young Son of Clarence [Edward, Earl of Warwick]

HENRY

Earl of Richmond, afterwards King Henry VII

CARDINAL BOURCHIER

Archbishop of Canterbury

THOMAS ROTHERHAM

Archbishop of York

JOHN MORTON

Bishop of Ely

DUKE OF BUCKINGHAM

DUKE OF NORFOLK

EARL OF SURREY

his son

EARL RIVERS

brother to King Edward’s Queen

MARQUIS OF DORSET and LORD GREY

her sons

EARL OF OXFORD

LORD HASTINGS

LORD STANLEY

called also Earl of Derby

LORD LOVELL

SIR THOMAS VAUGHAN

SIR RICHARD RATCLIFF

SIR WILLIAM CATESBY

SIR JAMES TYRREL

SIR JAMES BLUNT

SIR WALTER HERBERT

SIR ROBERT BRAKENBURY

Lieutenant of the Tower

SIR WILLIAM BRANDON

CHRISTOPHER URSWICK

a priest

LORD MAYOR OF LONDON

SHERIFF OF WILTSHIRE

HASTINGS a pursuivant

TRESSEL and BERKELEY

gentlemen attending on the Lady Anne

ELIZABETH

Queen to King Edward IV

MARGARET

widow of King Henry VI

DUCHESS OF YORK

mother to King Edward IV, Clarence, and Gloucester

LADY ANNE

widow of Edward Prince of Wales, son to King Henry VI; afterwards married to the Duke of Gloucester

A Young Daughter of Clarence [Margaret Plantagenet, Countess of Salisbury]

Ghosts of Richard’s victims

Lords, Gentlemen, and Attendants; a Priest, a Scrivener, a Page, Bishops, Aldermen, Citizens, Soldiers, Messengers, Murderers, and a Keeper.

THE SCENE: ENGLAND.

ACT ONE

SCENE I. London. A street.

Enter RICHARD, DUKE OF GLOUCESTER, solus.

GLOUCESTER Now is the winter of our discontent

Made glorious summer by this sun of York;

And all the clouds that lour’d upon our house

In the deep bosom of the ocean buried.

[5]

Now are our brows bound with victorious wreaths;

Our bruised arms hung up for monuments;

Our stem alarums chang’d to merry meetings,

Our dreadful marches to delightful measures.

Grim-visag’d war hath smooth’d his wrinkled front,

[10]

And now, instead of mounting barbed steeds

To fright the souls of fearful adversaries,

He capers nimbly in a lady’s chamber

To the lascivious pleasing of a lute.

But I – that am not shap’d for sportive tricks,

[15]

Nor made to court an amorous looking-glass –

I – that am rudely stamp’d, and want love’s majesty

To strut before a wanton ambling nymph –

I – that am curtail’d of this fair proportion,

Cheated of feature by dissembling nature,

[20]

Deform’d, unfinish’d, sent before my time

Into this breathing world scarce half made up,

And that so lamely and unfashionable

That dogs bark at me as I halt by them –

Why, I, in this weak piping time of peace,

[25]

Have no delight to pass away the time,

Unless to spy my shadow in the sun

And descant on mine own deformity.

And therefore, since I cannot prove a lover

To entertain these fair well-spoken days,

[30]

I am determined to prove a villain

And hate the idle pleasures of these days.

Plots have I laid, inductions dangerous,

By drunken prophecies, libels, and dreams,

To set my brother Clarence and the King

[35]

In deadly hate the one against the other;

And if King Edward be as true and just

As I am subtle, false, and treacherous,

This day should Clarence closely be mew’d up –

About a prophecy which says that G

[40]

Of Edward’s heirs the murderer shall be.

Dive, thoughts, down to my soul. Here Clarence comes.

Enter CLARENCE, guarded, and BRAKENBURY.

Brother, good day. What means this armed guard

That waits upon your Grace?

CLARENCE His Majesty,

Tend’ring my person’s safety, hath appointed

[45]

This conduct to convey me to th’ Tower.

GLOUCESTER Upon what cause?

CLARENCE Because my name is George.

GLOUCESTER Alack, my lord, that fault is none of yours:

He should, for that, commit your godfathers.

O, belike his Majesty hath some intent

[50]

That you should be new-christ’ned in the Tower.

But what’s the matter, Clarence? May I know?

CLARENCE Yea, Richard, when I know; for I protest

As yet I do not; but as I can learn,

He hearkens after prophecies and dreams,

[55]

And from the cross-row plucks the letter G,

And says a wizard told him that by G

His issue disinherited should be;

And, for my name of George begins with G,

It follows in his thought that I am he.

[60]

These, as I learn, and such like toys as these.

Hath mov’d his Highness to commit me now.

GLOUCESTER Why, this it is when men are rul’d by women:

’Tis not the King that sends you to the Tower;

My Lady Grey his wife, Clarence, ’tis she

[65]

That tempers him to this extremity.

Was it not she and that good man of worship,

Antony Woodville, her brother there,

That made him send Lord Hastings to the Tower,

From whence this present day he is delivered?

[70]

We are not safe, Clarence; we are not safe.

CLARENCE By heaven, I think there is no man is secure

But the Queen’s kindred, and night-walking heralds

That trudge betwixt the King and Mistress Shore.

Heard you not what an humble suppliant

[75]

Lord Hastings was, for her delivery?

GLOUCESTER Humbly complaining to her deity

Got my Lord Chamberlain his liberty.

I’ll tell you what – I think it is our way,

If we will keep in favour with the King,

[80]

To be her men and wear her livery:

The jealous o’er-wom widow and herself,

Since that our brother dubb’d them gentlewomen,

Are mighty gossips in our monarchy.

BRAKENBURY I beseech your Graces both to pardon me:

[85]

His Majesty hath straitly given in charge

That no man shall have private conference,

Of what degree soever, with your brother.

GLOUCESTER Even so; an’t please your worship, Brakenbury,

You may partake of any thing we say:

[90]

We speak no treason, man; we say the King

Is wise and virtuous, and his noble queen

Well struck in years, fair, and not jealous;

We say that Shore’s wife hath a pretty foot,

A cherry lip, a bonny eye, a passing pleasing tongue;

[95]

And that the Queen’s kindred are made gentlefolks.

How say you, sir? Can you deny all this?

BRAKENBURY With this, my lord, myself have nought to do.

GLOUCESTER Nought to do with Mistress Shore!

I tell thee, fellow,

He that doth naught with her, excepting one,

[100]

Were best to do it secretly alone.

BRAKENBURY What one, my lord?

GLOUCESTER Her husband, knave! Wouldst thou betray me?

BRAKENBURY I do beseech your Grace to pardon me, and withal

Forebear your conference with the noble Duke.

[105]

CLARENCE We know thy charge, Brakenbury, and will obey.

GLOUCESTER We are the Queen’s abjects and must obey.

Brother, farewell; I will unto the King;

And whatsoe’er you will employ me in –

Were it to call King Edward’s widow sister –

[110]

I will perform it to enfranchise you.

Meantime, this deep disgrace in brotherhood

Touches me deeper than you can imagine.

CLARENCE I know it pleaseth neither of us well.

GLOUCESTER Well, your imprisonment shall not be long;

[115]

I will deliver you, or else lie for you.

Meantime, have patience.

CLARENCE I must perforce. Farewell.

[Exeunt Clarence, Brakenbury, and Guard.

GLOUCESTER Go tread the path that thou shalt ne’er return.

Simple, plain Clarence, I do love thee so

That I will shortly send thy soul to heaven,

[120]

If heaven will take the present at our hands.

But who comes here? The new-delivered Hastings?

Enter LORD HASTINGS.

HASTINGS Good time of day unto my gracious lord!

GLOUCESTER As much unto my good Lord Chamberlain!

Well are you welcome to the open air.

[125]

How hath your lordship brook’d imprisonment?

HASTINGS With patience, noble lord, as prisoners must;

But I shall live, my lord, to give them thanks

That were the cause of my imprisonment.

GLOUCESTER No doubt, no doubt; and so shall Clarence loo;

[130]

For they that were your enemies are his,

And have prevail’d as much on him as you.

HASTINGS More pity that the eagles should be mew’d

Whiles kites and buzzards prey at liberty.

GLOUCESTER What news abroad?

[135]

HASTINGS No news so bad abroad as this at home:

The King is sickly, weak, and melancholy,

And his physicians fear him mightily.

GLOUCESTER Now, by Saint John, that news is bad indeed.

O, he hath kept an evil diet long

[140]

And overmuch consum’d his royal person!

’Tis very grievous to be thought upon.

Where is he? In his bed?

HASTINGS He is.

GLOUCESTER Go you before, and I will follow you. [Exit Hastings.

[145]

He cannot live, I hope, and must not die

Till George be pack’d with posthorse up to heaven.

I’ll in to urge his hatred more to Clarence

With lies well steel’d with weighty arguments;

And, if I fail not in my deep intent,

Clarence hath not another day to live;

[150]

Which done, God take King Edward to his mercy,

And leave the world for me to bustle in!

For then I’ll marry Warwick’s youngest daughter.

What though I kill’d her husband and her father?

[155]

The readiest way to make the wench amends

Is to become her husband and her father;

The which will I – not all so much for love

As for another secret close intent

By marrying her which I must reach unto.

[160]

But yet I run before my horse to market.

Clarence still breathes; Edward still lives and reigns;

When they are gone, then must I count my gains.

[Exit.

SCENE II. London. Another street.

Enter the corpse of King Henry the Sixth, with Halberds to guard it; LADY ANNE being the mourner,

Reviews for Richard Iii

[judithrs · Rating: 4 out of 5 stars]

Romeo and Juliet. William Shakespeare. Folger Shakespeare Library. 1992. As I said above, this was a book club selection. Cannot remember when I last read this play, but I loved reading it this time. How can I forget how much I love Shakespeare?!! After I read the play, I found a BBC Radio production with Kenneth Branagh playing Romeo and Judie Dench playing Nurse! I really enjoyed reading along as I listened and got more out of the play the second reading. I sort of wanted to listen to it again, but instead decided to watch Zeffierlli’s movie and am so glad I did. A great way to enjoy Shakespeare!

[jonfaith · Rating: 5 out of 5 stars]

O teach me how I should forget to think

I was prepared to be underwhelmed by a jaded near fifty return to this plethora of love-anchored verse. It was quite the opposite, as I found myself steeled with philosophy "adversity's sweet milk" and my appreciation proved ever enhanced by the Bard's appraisal of the human condition. How adroit to have situated such between two warring tribes, under a merciful deity, an all-too-human church and the wayward agency of hormonal teens. Many complain of this being a classic Greek drama adapted to a contemporary milieu. There is also a disproportionate focus on the frantic pacing in the five acts. I can appreciate both concerns but I think such is beyond the point. The chorus frames matters in terms of destiny, a rumination on Aristotelian tragedy yet the drama unfolds with caprice being the coin of the realm. Well, as much agency as smitten couples can manage. Pacing is a recent phenomenon, 50 episodes for McNulty to walk away from the force, a few less for Little Nell to die.

Shakespeare offers insights on loyalty and human frailty as well as the Edenic cursing of naming in some relative ontology. Would Heidegger smell as sweet? My mind's eye blurs the poise of Juliet with that of Ophelia; though no misdeeds await the Capulet, unless being disinherited by Plath's Daddy is the road's toll to a watery sleep. The black shoe and the attendant violent delights.

[sdtaylor555 · Rating: 2 out of 5 stars]

I'm not a big Shakespeare fan, so I won't rate any of his works very high

[gpangel_1 · Rating: 4 out of 5 stars]

Romeo and Juliet- Manga Classics – by William Shakespeare, by Stacy King, Crystal S. Chan (Adaptation), Julien Choy (Art), Akanovas (Lettering), Jeannie Lee (Lettering)There is no need to go into the synopsis or plot of one of William Shakespeare’s most famous plays. We all know the basics of this story by now. Many have read the play in school or have seen a stage or movie adaptation at one point. So, I think it is safe to skip the analysis. For me, Manga is something I flat out ignored for years because I presumed without ever giving it a fair chance that it would not be something I’d enjoy. Then I discovered it was often geared towards teens or young adults, which was yet another strike against it. But, by sheer accident, I discovered Manga covered a lot of areas, and was much more complex than I’d given it credit for. Having gotten to an age where I’ve dipped my toes in many different genres, and sub-genres, I find that the ‘I’ve outgrown this’ or ‘aged out of’ attitude closes off many unexplored avenues and because I like to think I’m open minded, I’ve begun to reconsider areas I’ve previously closed off. As a result, I’m having a lot of fun learning about Manga, Graphic Novels, and Comics. Much to my surprise, I’ve found a nice selection of classic stories, in Manga/Graphic Novel format. After recently reading a memoir by Olivia Hussey, the actress who portrayed Juliet in the famous Zeffirelli 1968 film, this play was on my mind quite a lot. So, when I noticed this Manga version on Netgalley, it grabbed my attention immediately. For anyone who may be thinking the dialogue is 'updated' with more modern dialect, you’d be wrong. This is the same script you’d find in the original play- except there are no stage directions. Instead, those are replaced by images, which works out much better than I’d have imagined. The artwork is spectacular, as is the adaptation. Obviously, a great deal of thought went into how to present this classic in Manga form, and I’d say it came off beautifully. Granted, I’m still a novice at this, but I was pleased with the presentation. I did have a few technical issues, since this one is not in Kindle/ MOBI format. I had to use Adobe Edition, which is a pain, and the scrolling was terrible, especially since, of course it’s back to front. Several times my screen jumped to the end of the book and caused a great deal of frustration.Shakespeare is still difficult to read and adjusting to this format made it an even bigger challenge. It took me a good long while to get through it. (If anyone has a suggestion on how to make this less daunting- please feel free to offer me some suggestions.) However, despite the heaviness of the drama, and the extra effort it required to read the book, I was impressed, and enjoyed reading this classic with the well-drawn illustrations and art work which certainly enriched and enhanced my experience.Despite the disdain of melodrama- I liked all the angst between Romeo and Juliet- but not that sad ending! It still makes a great cautionary tale- even after all these years. 4 stars

[libstaff2 · Rating: 4 out of 5 stars]

4.25 StarsA fanciful retelling of Romeo and Juliet in Manga format. Emotive artwork and much of the dialogue is in true Shakespeare form. A nice addition to the Manga Classics series. Keep up the good work! For classics and adaptation fans.Net Galley Feedback

[michael_rose-1 · Rating: 3 out of 5 stars]

Like most, I imagine, I was forced to read this in high school (freshman year, specifically). I was no fan of Shakespeare at the time, though I've since come around somewhat. While I've not read it since, I've no real desire to. They're just a couple of horny teenagers thinking they're experiencing true love and all that. For that reason, this work does not entertain me as one might want. However, I do appreciate what it's lent to our culture, and specifically to derivative works. Without this book, we would not have West Side Story, which I do happen to be fond of.

[heycaye · Rating: 3 out of 5 stars]

I would've given a star for the crazy plot. But then again, that's what makes this unforgettable. The story's crazy. Also, Shakespeare's as smooth as usual, especially in the language of love. I can see why this has become a classic.

[df5b_roberts · Rating: 4 out of 5 stars]

Ah, my favorite classic.

[dukefan86 · Rating: 3 out of 5 stars]

Beautiful language, classic Shakespeare.

[meditationesmartini · Rating: 5 out of 5 stars]

As long as you remind yourself that this is teen melodrama and not tragedy the essential vapidity of the central relationship and the frustratingly buried deeper and more complex relationships--actually all Romeo's, with Mercutio but also Benvolio, Tybalt, the priest--don't get in the way of good tawdry enjoyment. Now I think about it, Romeo's like a cryptohomoerotic sixteenth-century Archie.

[katieloucks · Rating: 5 out of 5 stars]

great classic

[bluedelirium · Rating: 5 out of 5 stars]

This review is for the Frankly Annotated First Folio Edition, with annotations by Demitra Papadinis.The layout of the book is fantastic, making it easy to keep your place in the play when checking on the notes. The notes themselves are fantastic, going in depth and not leaving out the dirty jokes. A thoroughly enjoyable and educational edition!

[therebelprince · Rating: 5 out of 5 stars]

The definitive edition of this play for 21st century academics. Weis is an intelligent editor who shows an objective viewpoint when looking at textual cruxes, and really provides a decent overview of the scholarship on the text. Perhaps the introduction doesn't cover the text in a literary analysis sense, but I suppose there are more highschool-oriented texts out there for that. Very good, and - while not perhaps in my Top 5 of the current Arden series - an example of what the Arden editions aspire to be.

[dr_cicle · Rating: 4 out of 5 stars]

It was pretty good but some parts were confusing.

[maxernst11 · Rating: 3 out of 5 stars]

Publiekslieveling, maar ik vond het niet altijd overtuigend, soms zelfs stroef. Bevat uiteraard weergaloze passages. Vertaling van Komrij.1595, bekend verhaal, midden XV?, maar wel afstand van moralistische behandeling,exuberante po?zie, evolutie van romantische komedie naar tragedie, maar heel vlot alsof het door Shakespeare zelf niet serieus werd bevonden. Twee stijlen: hoogdraven-mani?ristisch en rijper en sober. Thema is de roekeloze hartstocht; daarom een noodlottragedie: ondergang buiten hun wil om (bij de andere tragedies komt de ondergang door een tekort aan krachten of een gebrek).Huis van Montague tegen het huis van Capulet in Verona. Julia is 14 jaar.Boodschap van de prins tegen geweld I,1 (?Rebellious subjects, enemies to peace?, p 1012); omschrijving liefde I,1 (?Love is a smoke rais?d with the fume of sighs:/Beining purg?d, a fire sparkling in lovers? eyes;/Being vex?d, a sea nourish?d with lovers? tears:/What is it else? A madness most discreet,/A choking gall and a preserving sweet.?, 1013)Hoogtepunt: de dialoog Romeo-Julia II,2 en III,5Vlottere taal dan de vorige, maar toch ook stroeve delen; opvallend korte, komische entractes.

[antao-3 · Rating: 5 out of 5 stars]

Teenage Proclivity for Conjugation: "Romeo and Juliet" by William Shakespeare, J.A. Bryant Jr. Published 1998.

Upon each re-reading I always wonder why Shakespeare does not reveal the reason that the families hate each other. We are told that the households are alike in dignity (social status). We are even provided with a "spoiler alert" when we learn that the "star crossed lovers" will commit suicide, resulting in a halt to the feuding between the two families. In addition, we receive the clue that the feud has gone on for a long time (ancient grudge) However, the omission of the reason for the feud leaves us wondering and imagining a variety of scenarios--just as Shakespeare must have intended. I think it is important for an author to leave a mystery for the reader to explore. In Star Wars there was a sense of mystery about the Force, what was it. Are there any reasons needed, ever? The humankind's history is filled with feuds which are completely pointless... "Ancient grudge", servants' street fight -- and general desire to feel better than someone else. Isn't this very pointlessness that Shakespeare intended the viewers to see?

The rest of this review can be read elsewhere.

[thebookmagpie · Rating: 3 out of 5 stars]

It's okay. And I love the Queen Mab speech. And look, Shakespeare's SHAKESPEARE. Man knows how to write. And I get that it's not a love story and that Shakespeare knows this. Just. Everyone in this story needs to calm down like forty notches. It's histrionic. And I love Catcher in the Rye, so when I say something's histrionic, I mean it.

[cheryl_in_cc_nv · Rating: 4 out of 5 stars]

I like the nurse. I still don't think these dumb kids loved" each other."

[floratina · Rating: 2 out of 5 stars]

READ IN ENGLISH

I suppose this is an absolute must-read for everyone who has ever been to high school. I read it in my fifth year and actually I really couldn't understand what gave this story it's marvelous reputation.

May Contain Some Spoilers!

Maybe it was more normal in those days, as I'm not the slightest a professor when it comes to both English Literature/Plays and English History, but it seems at least a bit weird, to run away and kill yourself over someone you've only just met and everything. Yes, there is of course a lot of drama in it, and presumably it is better to see it on stage than to read it, but I had expected more from this story, as it is so extremely famous!

[mrsdanaalbasha · Rating: 4 out of 5 stars]

The play, set in Verona, begins with a street brawl between Montagues and Capulets who are sworn enemies. The Prince of Verona intervenes and declares that further breach of the peace will be punishable by death. Later, Count Paris talks to Capulet about marrying his daughter, but Capulet is wary of the request because Juliet is only thirteen. Capulet asks Paris to wait another two years and invites him to attend a planned Capulet ball. Lady Capulet and Juliet's nurse try to persuade Juliet to accept Paris's courtship.

Meanwhile, Benvolio talks with his cousin Romeo, Lord Montague's son, about Romeo's recent depression. Benvolio discovers that it stems from unrequited infatuation for a girl named Rosaline, one of Capulet's nieces. Persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house. However, Romeo instead meets and falls in love with Juliet. After the ball, in what is now called the "balcony scene", Romeo sneaks into the Capulet courtyard and overhears Juliet on her balcony vowing her love to him in spite of her family's hatred of the Montagues. Romeo makes himself known to her and they agree to be married. With the help of Friar Laurence, who hopes to reconcile the two families through their children's union, they are secretly married the next day.

Juliet's cousin Tybalt, incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt's insolence, as well as Romeo's "vile submission," and accepts the duel on Romeo's behalf. Mercutio is fatally wounded when Romeo attempts to break up the fight. Grief-stricken and wracked with guilt, Romeo confronts and slays Tybalt.

Montague argues that Romeo has justly executed Tybalt for the murder of Mercutio. The Prince, now having lost a kinsman in the warring families' feud, exiles Romeo from Verona and declares that if Romeo returns, "that hour is his last." Romeo secretly spends the night in Juliet's chamber, where they consummate their marriage. Capulet, misinterpreting Juliet's grief, agrees to marry her to Count Paris and threatens to disown her when she refuses to become Paris's "joyful bride." When she then pleads for the marriage to be delayed, her mother rejects her.

Juliet visits Friar Laurence for help, and he offers her a drug that will put her into a death-like coma for "two and forty hours." The Friar promises to send a messenger to inform Romeo of the plan, so that he can rejoin her when she awakens. On the night before the wedding, she takes the drug and, when discovered apparently dead, she is laid in the family crypt.

The messenger, however, does not reach Romeo and, instead, he learns of Juliet's apparent death from his servant Balthasar. Heartbroken, Romeo buys poison from an apothecary and goes to the Capulet crypt. He encounters Paris who has come to mourn Juliet privately. Believing Romeo to be a vandal, Paris confronts him and, in the ensuing battle, Romeo kills Paris. Still believing Juliet to be dead, he drinks the poison. Juliet then awakens and, finding Romeo dead, stabs herself with his dagger. The feuding families and the Prince meet at the tomb to find all three dead. Friar Laurence recounts the story of the two "star-cross'd lovers". The families are reconciled by their children's deaths and agree to end their violent feud. The play ends with the Prince's elegy for the lovers: "For never was a story of more woe / Than this of Juliet and her Romeo."

[wealhtheowwylfing · Rating: 4 out of 5 stars]

Note: this is only four stars compared to other Shakespeare. Romeo and Juliet is not the best play he ever wrote, but it is far and away better than almost anything else in the English language.

[delta351 · Rating: 5 out of 5 stars]

This updated Folger's edition is very readable, yet still contains all of the explanatory picture from the previous editions.I sometimes was able to read several pages without referencing the footnotes on the left page. I also thought the suggested books for further reading were helpful, as they highlight major themes of this classic.

[nolabelsunleashed · Rating: 5 out of 5 stars]

This is one of my favorite writes by William Shakespeare, along with Julius Caesar and The Merchant of Venice. Forbidden love, yet desire to be together. An elaborate plan that would have worked, had one been a little more patient as it pertained to Juliet waking up. The epitome of a romantic tragedy but not without lessons. The main one being that some feuds should be squashed.

[katie1802 · Rating: 5 out of 5 stars]

I absolutely love this! Romeo can be an idiot sometimes, their families are jerks and the Friar seriously screwed up but you have to love it all.

Favourite Quote ;

Oh she doth teach the torches to burn bright, it seems she hangs upon the cheek of night
As a rich jewel in an Ethiop's ear, beauty too rich for use, for earth too dear.

[elizabeth1929-1 · Rating: 4 out of 5 stars]

Ah. The tragic story of Romeo and Juliet. After years and years of hearing what its about, I finally got to read the story for myself. And what a wonderfully tragic story is was. First thing that surprized me was the sexual stuff. Well, I didn't know it was referring to sexual stuff until the teacher pointed it out, but still. I also realised how unrealistic this play is. I mean, two people falling in love at first sight, getting married before the week is over, and dying because of each other is something that I don't see happening in real life. And I'm so glad it doesn't.

[engpunk77 · Rating: 2 out of 5 stars]

I don't get the hype. I find Romeo to be completely annoying and the story is just frustrating. Worse is trying to see modern film adaptations of the same story, where life-or-death lost messages is impossible. I don't see the point in reading this story except to promote cultural literacy (in which case, a plot summary would suffice).

[dinadansfriend · Rating: 5 out of 5 stars]

While designing a board game based in Verona, Italy in the 1400's, I ended up reading the play 14 times. It stands up very well. If you're looking for a brilliant treatment in a film, the Francesco Zefferelli version is near perfect. Try to get a version that doesn't edit the Tibault/Mercutio sword-fight, a magnificent dramatic sequence. But for reading aloud in an evening, this is a great experience as well. Should I tell you that the male brain isn't fully matured until the age of 26? It is germane to the plot.

[tiffanyak_1 · Rating: 5 out of 5 stars]

This is a great romantic tragedy, which I had to read for my Intro. to Drama class. This is one of those works of Shakespeare that has been done in a multitude of forms and variations, so it is quite likely that everyone has a rough idea of the story. Still, you really cannot replace the original. There is a lot of unbelievable story to it, which can overdo it to the point of being distracting, but overall the language and story are so supremely memorable that it automatically qualifies as a must-read. As to the edition itself, I found it to be greatly helpful in understanding the action in the play. It has a layout which places each page of the play opposite a page of notes, definitions, explanations, and other things needed to understand that page more thoroughly. While I didn't always need it, I was certainly glad to have it whenever I ran into a turn of language that was unfamiliar, and I definitely appreciated the scene-by-scene summaries. Really, if you want to or need to read Shakespeare, an edition such as this is really the way to go, especially until you get more accustomed to it.

[newskepticx · Rating: 1 out of 5 stars]

This is a tragedy in the sense that Shakespeare did so much better with his other plays. This one is weak. The amount of coincidence is down right ridiculous, Shakespeare plays way too much into the "love" for a tale that is supposed to be cautionary(or so I think it might've been senseless fighting between two families led to tragic deaths, never really capitalizes on it til the end). It's also the standard for classic love story although it is nothing of the sort. I despised it.

[richestgirls-3 · Rating: 5 out of 5 stars]

I give this book 5 stars because it uses creative and expresses a true form of writing that makes you want to read more until you've read the whole book!!