The Shadow Line; a confession
3.5/5
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"The Shadow Line; a confession" by Joseph Conrad is a novel written in 1915 that centers around a deep, conflicted seaman, Captain Giles.
Joseph Conrad
Joseph Conrad was born to Polish parents in the Ukraine on 3rd December 1857. He grew up surrounded by upheaval. His father was exiled to northern Russia for political activities and although they eventually returned to Poland, Conrad was orphaned by the age of 11. Subsequently he was taught by his uncle, a great influence and mentor. Leaving for Marseilles in 1874, Conrad began his training as a seaman. After an attempt at suicide, Conrad joined the British merchant navy and became a British subject in 1886. After his first novel, Almayer's Folly was published in 1895 he left the sea behind and settled down to a life of writing. Indeed, as his wife wrote in 1927, he would move only "from his table to his bed, for days and days on end". Troubled financially for many years, he faced uncomplimentary critics and an indifferent public. He finally became a popular success with Chance (1913). By the end of his life on 3rd August 1924 his status as one of the great writers of his time was assured.
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Reviews for The Shadow Line; a confession
166 ratings6 reviews
- Rating: 3 out of 5 stars3/5A young sea captain gets his first command after he quits his comfortable position as first mate somewhere in South East Asia. This command tests him to the limit and takes him over the shadow line, that line that separates insouciant youth from responsible maturity. The days are filled with a curious mix of inactivity and tension, as their ship barely moves due to lack of wind and the crew get sick one after the other. To top it all off his first mate is sure the ship is haunted.
The book is written from the perspective of the young captain. His struggle with the loneliness of command, the separation of himself from those under his command, his doubts and feelings of guilt for things beyond his control are a nice read, though at times quite a rambling one. - Rating: 3 out of 5 stars3/5This is the story of a young man who takes over command of a sailing ship that is haunted by it's previous captain. This is my second book by Conrad. I had already read Heart of Darkness and I found that amazing classic to be just mediocre for me. I read this book hoping that maybe I just hadn't been in the right frame of mind, but I came away still feeling not emotionally moved or even entertained by this story. Not a bad book, but not that compelling or memorable for me.
- Rating: 4 out of 5 stars4/5Slow to start, with hero having lost track a bit and landing a command almost by accident. The story itself lacks grip in the early pages. But once he sees his ship and effectively falls in love with it, the writing gets tight focus: the ship, the weather, disease, madness, will-power, with a hint of the supernatural. In essence autobiographical, with much scholarly ink spilt on the details thereof, but what does it matter? Great style, great story.
- Rating: 5 out of 5 stars5/5Short but gripping. An insight into how the crew of a ship must pull together to survive, no matter what is thrown at them. As ever, Conrad's understanding of human nature is to the fore, and his language as elegant as ever.
- Rating: 5 out of 5 stars5/5A ripping good yarn of ships, the sea and the Orient.
- Rating: 2 out of 5 stars2/5I picked up this book much too casually and without any forethought, and because of this, didn’t give to the book the time and energy that it deserved. This is one of Conrad’s later stories, and happens to have a lot of autobiographical elements, in that it focuses on a young man who gets a commission to lead a ship into the Orient. Conrad’s first command was to sail a ship called the Otago from Singapore into Bangkok. Despite the death of the previous captain and the less-than-auspicious circumstances, Conrad decides to lead the ship anyway. The ship only managed to cover 800 miles in three weeks, and every crew member except Conrad and the onboard cook were stricken with debilitating fever. “The Shadow-Line” supposedly refers to the anonymous protagonist’s transition from callow boyhood to maturity when he takes up command of the ship and all that entails. The main character certainly does take an exceeding amount of pride in his first role as captain. However, different readings inevitably produce different interpretations – and the story has been taken as everything from a metaphor for the outbreak of World War I to some sort of meditation on the supernatural. The store never really “goes anywhere.” It works well as a psychological study of a character, but I think this takes a longer story - something more on the order of “The Heart of Darkenss,” which at least *felt* longer and more developed. There, you came away knowing the kind of people that Marlow and Kurtz were. Here, that development was lacking, and what almost never happens while reading a book happened to me – I didn’t even feel compelled to finish the last several pages. Maybe I’ll pick this up again in several more years, and be more cautious of the kind of fiction Conrad is interested in writing.