The Head of the House of Coombe
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"The Head of the House of Coombe" by Frances Hodgeson Burnett is a classic novel that centers around a woman, Feather, who loses her husband and must raise her daughter, Robin, alone in a large amount of dept.
Frances Hodgson Burnett
Frances Hodgson Burnett (1849–1924) was an English-American author and playwright. She is best known for her incredibly popular novels for children, including Little Lord Fauntleroy, A Little Princess, and The Secret Garden.
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Reviews for The Head of the House of Coombe
5 ratings1 review
- Rating: 4 out of 5 stars4/5Frances Hodgson Burnett has her faults; I am the first to admit it. She can be sententious, foolishly sentimental, even tedious. But when you read one of her adult novels, you come away with a powerful sense of the world she was writing about; she's a one-woman Sociology of the Early Twentieth Century course.The eponymous head of the House of Coombe is the Earl of Coombe who, early in the novel, mysteriously consents to pay the bills of the pretty, spiteful and wholly nitwitted Feather Gareth-Lawless, who has been left penniless on the death of her irresponsible husband Robert. The arrangement is a scandal to the respectable society of London, who assume, mistakenly, that the Earl is enjoying Feather's sexual favors. Feather and her friends are unconcerned about the rumors; the impact is felt most by little Robin, Feather's innocent, neglected daughter.Robin is the real focus of the novel. Her neglected childhood, wicked nanny, and isolated existence are drawn in the bleakest colors. Luckily for the wretched Robin, young Donal (who happens to be the Earl's heir) briefly enters her life; he is a beacon of light, teaching 6-year-old Robin about kisses and mothers and picture books. But alas, Robin is tainted by her mother's scandalous life, and Donal's mother snatches Donal away from Robin, breaking her wee heart. Her obvious grief brings her to Lord Coombe's attention, and he begins to interest himself in her life.This is a bit of a "sensation" novel; I loved the parts about the wicked German lusting after Robin's innocence as she struggles to support herself. Robin herself is a clear portrait of the schizophrenic view of women in this pre-WWI time period: she rockets back and forth from utter passivity to fierce assertiveness between lunch and dinner, with hardly a moment to rest between moods. Whatever. I loved it. There is a sequel ("Robin"), and there is no sense reading one without the other; they were originally one novel, appearing in serial form.