Hungry Constellations
By Mike Allen
4.5/5
()
About this ebook
“The poems in Mike Allen’s latest book, HUNGRY CONSTELLATIONS, make a rowdy, red-tinged tapestry, representing twenty years of work from one of the major creative forces in this genre. These poems are physical, expansive, and revolutionary. They are grand and dystopic. They seethe with the conflict of opposites. Allen likes the destructive side of creation as much as the emergent side ... He writes about stars and legends and human beings contending with the monster-filled and glorious cosmos. He does it all with a relentless, energetic style, full of thought and invention.”
—STAR*LINE
The mutants of Wonderland threaten to smash through the looking glass as the river of Time overflows its banks. The King of Cats and the Queen of Wolves dance a duet across eons, alternately foes and lovers. Monstrous constellations come to life in the sky, hungry for people-filled worlds.
HUNGRY CONSTELLATIONS, the newest poetry collection from Nebula Award finalist and three-time Rhysling Award winner Mike Allen, surveys two decades of mind-bending verse. Editor Dominik Parisien starts with poems drawn from Allen’s previous book-length collections, Strange Wisdoms of the Dead (2006) and The Journey to Kailash (2008), then concludes the triptych with a selection of new and previously uncollected pieces, which author, poet and editor Amal El-Mohtar calls Allen’s most ambitious work to date in her introduction. Cover artist Paula Arwen Friedlander (arwendesigns.net) adroitly illustrates the collection’s Rhysling Award-nominated title poem.
Funded by a Kickstarter campaign, HUNGRY CONSTELLATIONS is Allen’s first poetry collection available in digital format.
Praise for Mike Allen's poetry:
“Allen’s is poetry for goths of all ages … There is a long tradition of poetry dealing with the uncanny—think Keats’ ‘La Belle Dame Sans Merci’ or Coleridge’s ‘The Rime of the Ancient Mariner’—and it’s nice to see someone putting it to such use again. Allen’s poems … do a fine job of making the human scary and the scary human.”
—THE PHILADELPHIA INQUIRER
“Mike Allen pours everything he’s got onto his poem-canvases. Mythologies, science-fiction scenarios, private memories and desires, and untestable ideas crowd and overlay one another upon the pages as if flung from an overloaded brush. Here is a vividly vertiginous collection of poems, all fun and mind-games.”
—Fred Chappell
“Mike Allen is a poetic Shiva, whirling his thousand limbs to snatch gold from thin air and create these epics-in-miniature, each with its own metallic sheen.”
—Catherynne M. Valente
“In the great tradition of Clark Ashton Smith, Ray Bradbury and Ursula K. Le Guin, Mike Allen shows us how science fiction poetry can do what all first-rate poetry does—rouse the imagination to venture into darkness and the unknown, there to discover old truths and new delights.”
—R.H.W. Dillard
Mike Allen
Mike S. Allen, a graduate of Harding University with a degree in print journalism, has written articles for newspapers and military publications. He has also spoken to a number of churches around the world as a part-time youth minister, full-time assistant minister, and regular ol' church member. He is a husband, father, and friend who enjoys working and living in the Washington, DC metropolitan area (except during rush hour).
Read more from Mike Allen
Unseaming Rating: 3 out of 5 stars3/5Growing Up Church of Christ Rating: 5 out of 5 stars5/5Aftermath of an Industrial Accident Rating: 0 out of 5 stars0 ratingsThe Spider Tapestries: Seven Strange Stories Rating: 0 out of 5 stars0 ratingsClockwork Phoenix 4 Rating: 4 out of 5 stars4/5Mike Allen Jazz Anthology: 90 Original Compositions and Recollections Rating: 5 out of 5 stars5/5A Sinister Quartet Rating: 0 out of 5 stars0 ratingsClockwork Phoenix 2: More Tales of Beauty and Strangeness Rating: 4 out of 5 stars4/5The Sky-Riders Rating: 0 out of 5 stars0 ratingsClockwork Phoenix: Tales of Beauty and Strangeness Rating: 4 out of 5 stars4/5Clockwork Phoenix 3: New Tales of Beauty and Strangeness Rating: 4 out of 5 stars4/5
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Book preview
Hungry Constellations - Mike Allen
HUNGRY CONSTELLATIONS
draco_smallMIKE ALLEN
Introduction by Amal El-Mohtar
Selections by Dominik Parisien
Mythic Delirium Books
mythicdelirium.com
HUNGRY CONSTELLATIONS
Copyright © 2014 by Mike Allen.
All Rights Reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Cover © 2014 by Paula Arwen Friedlander, arwendesigns.net
Title page illustration: The Dragon’s Head and Tail
from Liber Astronomiae by Guido Bonatti, 1550
Published by Mythic Delirium Books
mythicdelirium.com
in collaboration with Antimatter Press
antimatterpress.com
Our gratitude goes out to the following who because of their generosity are from now on designated as supporters of Mythic Delirium Books: Saira Ali, Cora Anderson, Anonymous, Patricia M. Cryan, Steve Dempsey, Oz Drummond, Patrick Dugan, Matthew Farrer, C. R. Fowler, Mary J. Lewis, Paul T. Muse, Jr., Shyam Nunley, Finny Pendragon, Kenneth Schneyer, and Delia Sherman.
Table of Contents
Introduction by Amal El-Mohtar
Selections from Strange Wisdoms of the Dead
The Strip Search
The Strange Wisdom of the Dead
finale
Death of the Father
The Terrible Beauty of a Severed Neck
Jars
that strange man with the green petunias
Space War
Mother
Bizarremost Bazaar
The Psychic Above Burritoville
The Eyewish Station
The Night Watchman Dreams His Rounds at the REM Sleep Factory
The Dream Eaters
Phase Shift
Godspore
Defacing the Moon
Aranea (with Sonya Taaffe)
desolvation
Momentum
Pulse
Eating the Time Shark
Selections from The Journey to Kailash
Tithonus on the Shore of Ocean
Retracing the Moon
The Asteroid Painter
Sackful of Satellites
Charon Finds a Woman on the Gridshore
The Journey to Kailash
Midnight Rendezvous, Boston
Midnight Rendezvous, Eden
Sisyphus Walks
lis pendens
Petals
The Captive Pleads with the Memory Carver
Strange Cargo
Bacchanal
The Thirteenth Hell
The Disturbing Muses
O’Keeffe’s Bones
Tanguy’s Pebble
Picasso’s Rapture
new and uncollected poems
La Donna del Lago
Carrington’s Ferry
Machine Guns Loaded with Pomegranate Seeds
Ascending
Sisyphus Crawls
The King of Cats, the Queen of Wolves (with Sonya Taaffe and Nicole Kornher-Stace)
The Parcae
To Sail the Leaden Sky
The Problem with Science Fiction Poetry
Kandinsky’s Galaxy
Deluge
TimeFlood (with Ian Watson)
Seed the Earth, Burn the Sky
Surviving Wonderland
The Duelists
The Vigil
The Black Watch
Unland, Unlife (with Anita Allen)
Reynard the Revenant
skíouroi moirōn
Hungry Constellations
Prologue: Possibilities
The Fox Smiled, Famished
The Serpent Is Tempted
The Spider Sends Gifts
The Crow Migrates from the Outer Dark
Interlude: Truth
The Hunter Takes Aim
The Prince Tightens His Embrace
The Dragon Shields Her Young
Epilogue: Lies
The Monster in the Margins: An Afterword
Acknowledgments
Introduction
Amal El-Mohtar
At the time of this writing, Mike and I have been friends—and each other’s editors—for eight years. During that time we’ve had several conversations about how to introduce collections of other people’s work: Mike—as demonstrated through the first three Clockwork Phoenix anthologies—favours a ringmaster style, introduction via performance and immersion, while I, staid and boring, tend to prefer thoughtful analysis and musings on process. I find myself thinking of those conversations now, as I attempt to do justice to a compilation of poems that spans the same length of time as our friendship—especially because, in many ways, introducing Mike Allen is as superfluous an enterprise as introducing that ringmaster to the audience of his circus.
Perhaps what is required here is not so much an introduction as a warning; not so much an opening act as a shadowy figure lurking by the entrance to the Big Top, beckoning you over for a word before you go in.
Let me tell you about Mike Allen’s poetry. This is a man who delights in breaking bodies: butchering, splitting, flaying, dismembering, then seeding landscapes with viscera until they too become bodies—bodies invaded, bodies stuffed, bodies contaminated. This is a man who carves words into and out of bodies, be they skin or sapphire, corpses or constellations. But somehow Allen skirts gore and clinical detachment both: there is a precision and an economy to his horror that’s reminiscent of clockwork, architecture, astronomy. Imagine a clock with bone-gears, a skin-tree growing liver-fruit, a ship knifing a face into the moon, and you’ll have something of a sense of what lies before you.
This book, for all that it’s ephemeral, is also a body—lying innocently in your hands while penetrating you, inhabiting you, and taking you for a ride.
This is a collection in three acts: the first two are potent distillations of previous collections, while the third is a collection in its own right, consisting of Allen’s most recent and—in my view—ambitious work. They’re all gorgeously, alchemically curated by Dominik Parisien, in so deep and layered a way that I would almost count him more collaborator than editor. Every section has its own internal logic and movement, and each stands on its own as a piece of a story one could tell about Mike Allen’s poetry—a myth of origin, a myth of development, a myth of transcendence. But this is no Hero’s Journey; you’re not among heroes here. Subterranean in conception and galactic in execution, this is a book of monsters.
So step inside the tent; the ringmaster will be along shortly. It won’t be what you expect, but don’t use up all your alarm at once.
You’ll begin among the dead; you’ll take a long walk off a short pier; you’ll land among the stars.
You’d do well to have forgotten how to breathe by then.
Selections from
Strange Wisdoms of the Dead
The Strip Search
The Gate said Abandon All Hope.
I thought I’d tossed all my hope away,
but when I stepped through the Gate, it still pinged.
One of the guards slithered out of its seat,
snarling as it drew forth a wand.
C’mere, it hissed,
it seems you’re still holding out hope.
Its crusted hide was a Venus landscape up close.
It brushed that cold black wand all over my skin,
put it in places I don’t want to talk about.
Snaggle fangs huffed in my face:
Sir, step over here, please.
Then the strip search began.
My flesh rolled up & tossed aside for mushy sifting.
Bones X-rayed, stacked in narrow rows, marrow
sucked out, tested, spit back in.
They made me open mind, heart, soul, shook them out
like sacks of flour, panned the contents
for every nugget of twinkling hope, glistening courage;
applying lethal aerosol
to any motion that could be ascribed to love or will
or malingering dreams—
sparing only a few squirming morsels
for later snacking.
Once they were done
they