The Dragon Tamers and Other Tales: Magical Creatures, A Weiser Books Collection
By Edith Nesbit, Varla Ventura and Clint Marsh
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About this ebook
Varla Ventura, fan favorite on Huffington Post’s Weird News, frequent guest on Coast to Coast, and bestselling author of The Book of the Bizarre and Beyond Bizarre, introduces a new Weiser Books Collection of forgotten crypto-classics. Magical Creatures is a hair-raising herd of affordable digital editions, curated with Varla’s affectionate and unerring eye for the fantastic.
The mythical beast of extraordinary proportions, the dragon has snarled and slithered its way across the centuries where it remains both feared and loved. Join Clint Marsh and Varla Ventura as they explore a few of the stories that should thrill and chill dragon lovers and dragon slayers alike.
Edith Nesbit
Edith Nesbit (1858-1924) was an English writer of children’s literature. Born in Kennington, Nesbit was raised by her mother following the death of her father—a prominent chemist—when she was only four years old. Due to her sister Mary’s struggle with tuberculosis, the family travelled throughout England, France, Spain, and Germany for years. After Mary passed, Edith and her mother returned to England for good, eventually settling in London where, at eighteen, Edith met her future husband, a bank clerk named Hubert Bland. The two—who became prominent socialists and were founding members of the Fabian Society—had a famously difficult marriage, and both had numerous affairs. Nesbit began her career as a poet, eventually turning to children’s literature and publishing around forty novels, story collections, and picture books. A contemporary of such figures of Lewis Carroll and Kenneth Grahame, Nesbit was notable as a writer who pioneered the children’s adventure story in fiction. Among her most popular works are The Railway Children (1906) and The Story of the Amulet (1906), the former of which was adapted into a 1970 film, and the latter of which served as a profound influence on C.S. Lewis’ Narnia series. A friend and mentor to George Bernard Shaw and H.G. Wells, Nesbit’s work has inspired and entertained generations of children and adults, including such authors as J.K. Rowling, Noël Coward, and P.L. Travers.
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The Dragon Tamers and Other Tales - Edith Nesbit
The Dragon Tamers
Edith Nesbit
There was once an old, old castle—it was so old that its walls and towers and turrets and gateways and arches had crumbled to ruins, and of all its old splendor there were only two little rooms left; and it was here that John the blacksmith had set up his forge. He was too poor to live in a proper house, and no one asked any rent for the rooms in the ruin, because all the lords of the castle were dead and gone this many a year. So there John blew his bellows and hammered his iron and did all the work which came his way. This was not much, because most of the trade went to the mayor of the town, who was also a blacksmith in quite a large way of business, and had his huge forge facing the square of the town, and had twelve apprentices, all hammering like a nest of woodpeckers, and twelve journeymen to order the apprentices about, and a patent forge and a self-acting hammer and electric bellows, and all things handsome about him. So of course the townspeople, whenever they wanted a horse shod or a shaft mended, went to the mayor. John the blacksmith struggled on as best he could, with a few odd jobs from travelers and strangers who did not know what a superior forge the mayor's was. The two rooms were warm and weather-tight, but not very large; so the blacksmith got into the way of keeping his old iron, his odds and ends, his fagots, and his twopence worth of coal in the great dungeon down under the castle. It was a very fine dungeon indeed, with a handsome vaulted roof and big iron rings whose staples were built into the wall, very strong and convenient for tying captives to, and at one end was a broken flight of wide steps leading down no one knew where. Even the lords of the castle in the good old times had never known where those steps led to, but every now and then they would kick a prisoner down the steps in their lighthearted, hopeful way, and sure enough, the prisoners never came back. The blacksmith had never dared to go beyond the seventh step, and no more have I—so I know no more than he did what was at the bottom of those