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Two Plays
Two Plays
Two Plays
Ebook27 pages18 minutes

Two Plays

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Italo Svevo (1861-1928), born Aron Ettore Schmitz in Trieste, then in the Austro-Hungarian Empire, is most well known for his novel _La coscienza di Zeno_. His work for the theater is much less well known and has not, until now, been made widely available in English (translations of some of his plays have appeared only sporadically and are now hard to find). Included here are _An Unpublished Play_ and _Before the Ball_.

"Reading Svevo," says Peruvian Julio Ramón Ribeyro in his diary, "I have had the impression of reading my own work, not what I'm writing now, but what I would have written if I had been born in Trieste seventy years ago."

LanguageEnglish
PublisherFario
Release dateAug 29, 2011
ISBN9781466034921
Two Plays
Author

Italo Svevo

Italian writer, born in Trieste, then in the Austro-Hungarian Empire, in 1861, and most well known for the novel _La coscienza di Zeno_.

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    Book preview

    Two Plays - Italo Svevo

    TWO PLAYS

    Italo Svevo

    Translated from Italian by John Penuel

    Original titles: Una commedia inedita and Prima del ballo

    English translation copyright 2011 by John Penuel

    Published at Smashwords by John Penuel

    Cover image: piazza della Borsa, Trieste

    Table of Contents

    An Unpublished Play

    Scene One

    Scene Two

    Scene Three

    Scene Four

    Scene Five

    Before the Ball

    An Unpublished Play

    A scherzo drammatico in one act

    Dramatis Personae

    Signor Penini

    Elena, his wife

    Adolfo

    Rosa

    The action takes place in a lavishly decorated room with a door at the far end. To the left of the spectator is the door leading to Elena’s room, and farther towards the back is the door leading to her sewing room.

    SCENE ONE

    Signor Penini and Elena

    ELENA (emerges from the door to right; highly agitated). No! No! No! (Takes a seat.)

    PENINI (follows her calmly, cigar in hand). But why not?

    ELENA. Oh! Because I don’t like Venice.

    PENINI. You don’t like it? But I thought it was your ideal. On our honeymoon, you would have stayed there the time we allotted for the whole trip. You had me running after the guide the whole time, looking at things I wasn’t interested in: paintings, naked cherubs, churches that, for all intents and purposes, all looked the same. You got carried away; I put up with that torture out of love for you. I liked piazza San

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