Aurealis #58
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About this ebook
Aurealis #58, edited by Dirk Strasser, opens with Steve Simpson's 'Apartment on Copernicus Street', an alien invasion story that's authentic, powerful, full of surprises, and more than a little chilling. And hold onto your horses for a tough and raunchy Wild West fantasy, with Chris Large's 'The Red House'. Whoa, boy! Kate Forsyth interviews rising stars in Australian SF, Lisa L Hannett and Angela Slatter. And if you're still hanging on for the ride, the usual reviews & news round off this issue.
Dirk Strasser (Editor)
Dirk Strasser has written over 30 books for major publishers in Australia and has been editing magazines and anthologies since 1990. He won a Ditmar for Best Professional Achievement and has been short-listed for the Aurealis and Ditmar Awards a number of times. His fantasy novels – including Zenith and Equinox – were originally published by Pan Macmillan in Australia and Heyne Verlag in Germany. His children’s horror/fantasy novel, Graffiti, was published by Scholastic. His short fiction has been translated into a number of languages, and his most recent publications are “The Jesus Particle” in Cosmos magazine, “Stories of the Sand” in Realms of Fantasy and “The Vigilant” in Fantasy magazine. He founded the Aurealis Awards and has co-published Aurealis magazine for over 20 years.
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Aurealis #58 - Dirk Strasser (Editor)
AUREALIS #58
Australian Fantasy & Science Fiction
Edited by Dirk Strasser and Carissa Thorp
Published by Chimaera Publications at Smashwords
Copyright of this compilation Chimaera Publications 2013
Copyright on each story remains with the contributor.
EPUB version ISBN 978-1-922031-12-9
ISSN 2200-307X (electronic)
CHIMAERA PUBLICATIONS
Smashwords Edition License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of the authors, editors and artists.
Hard copy back-issues of Aurealis can be obtained from the Aurealis website:
www.aurealis.com.au
Contents
From the Cloud – Dirk Strasser
The Apartment on Copernicus Street – Steve Simpson
The Red House – Chris Large
From the Archives: The SF Hall of Fame – Gaston La Rue
Interview with Lisa L Hannett and Angela Slatter – Kate Forsyth
Reviews
Carissa's Weblog – Carissa Thorp
Next Issue
Credits
From the Cloud
Dirk Strasser
We don't get many really good alien-invasion stories sent to us at Aurealis. Which is why the opening story in this issue, 'Apartment on Copernicus Street' by Steve Simpson, was such a pleasure to find in our submissions. We found the story authentic, powerful and full of surprises… and more than a little chilling.
Serious alien invasion stories are hard to do. It's difficult to avoid clichés. They've been done definitively in the past, and when modern writers have a go, they often opt for either a humorous slant or heavy satire, rather than full-blooded alien attacks.
I can still remember the chill of the opening paragraph of H G Wells The War of the Worlds when I first read it many years ago:
'No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water… yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.'
Intellects vast and cool and unsympathetic. That's how a lot of aliens in fiction and in the movies have been portrayed ever since. How different it's been in contemporary science. When real-life scientists speak of extra-terrestrial life, usually they speak of bacteria-like organisms. They weren't the sort of aliens I've been interested in since I was a kid. I can still remember all those years ago reading in a science book that we hadn't discovered any planets. All the scientists in the world hadn't been able to find one. Not a single planet had been sighted by our telescopes. How could this be? I'd read hundreds of stories of aliens from distant planets. The universe had to be teeming with planets, it just had to be—even if we hadn't actually found any yet.
I was devastated. If we hadn't verified the existence of a single planet, how far were we from finding a habitable planet? How far were we from finding an alien intellect? As far as our greatest minds knew, the universe was probably alien-free. Contemporary science had let me down, and I went back to science fiction.
All of this has changed in recent years. Kepler, the space telescope launched by NASA in 2009, has indicated evidence of a myriad of habitable planets. Being staffed by scientists in the real world (as opposed to fictionalised worlds where things usually need to move quickly), the space agency is still cautiously checking the data and it will be some time before any official announcements are made, but as one astronomer put it, the smart money is on there being at least hundreds of millions of habitable planets in our galaxy alone.
Could we conceive of a more fundamental change to the biggest questions we ask ourselves than than the one heralded by the discovery of intellects other than our own in the universe? Let's just hope not too many of these are vast, cool, unsympathetic and regarding us with envious eyes.
All the best from the cloud.
Back to Contents
The Apartment on Copernicus Street
Steve Simpson
Aldona lowered the crane's electromagnet gently until it kissed the roof of the Passat and held it tight. The car was just a husk now. She'd removed the engine and dismantled the drive train, stripped out everything that