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Three Lives and Tender Buttons
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Three Lives and Tender Buttons
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Three Lives and Tender Buttons
Ebook345 pages6 hours

Three Lives and Tender Buttons

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Three Lives

Three short stories comprise Gertrude Stein’s first significant work, each a psychological portrait of a different woman. “The Good Anna” is a kindly but domineering German servant. “The Gentle Lena” apathetically endures her miserable life until she dies in childbirth. “Melanctha” is a young Black woman learning about sexuality and love. Different as they may be, all three women are bound by poverty—and all three face the restrictions of class, race, and sex with resignation.

Tender Buttons

Stein spoke of maintaining a “continuous present,” comprised of “moments of consciousness,” independent of time and memory. Nowhere is this more clear than in her prose poems Tender Buttons. Their repetitive sentences, juxtaposition of sounds, and simple language connote this continuous presence. To live in this state is “to begin again and again,” to “use everything.” Each of the three sections, “Objects,” “Food,” and “Rooms,” employs both this repetition and disjointed words to build images. Prose poetry at its most abstract expression, Tender Buttons “is to writing…what cubism is to art.” (W.G. Rogers)

LanguageEnglish
PublisherPenguin Group
Release dateFeb 4, 2003
ISBN9781101498316
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Three Lives and Tender Buttons
Author

Gertrude Stein

Gertrude Stein (1874-1946) was an American novelist and poet. Born in Allegheny, Pennsylvania, Stein was raised in an upper-middle-class Jewish family alongside four siblings. After a brief move to Vienna and Paris, the Steins settled in Oakland, California in 1878, where Stein would spend her formative years. In 1892, following the loss of her mother and father, Stein moved with her sister to live with family in Baltimore, where she was exposed to salon culture. From 1893 to 1897 she attended Radcliffe College, studying psychology under William James. Conducting experiments on the phenomenon of normal motor automatism, Stein produced early examples of steam of consciousness or automatic writing, a hallmark of the Modernist style later practiced by Virginia Woolf, James Joyce, and William Faulkner. In 1897, she enrolled at Johns Hopkins School of Medicine on the recommendation of James, but ultimately left before completing her degree. She moved to Paris with her brother Leo, an artist, in 1903. In the French capital, the Steins gained a reputation as art collectors, purchasing works by Picasso, Matisse, Gauguin, Cézanne, and Renoir. At 27 rue de Fleurus, Stein hosted an influential salon for such artists and intellectuals as Ernest Hemingway, Ezra Pound, and F. Scott Fitzgerald, who recognized her as a leading Modernist and central figure of the so-called Lost Generation. Her influential works include Three Lives (1909), Tender Buttons (1912), and The Autobiography of Alice B. Toklas (1933), all of which exemplify her control over vastly different styles of poetry and prose. Capable of producing experimental, hermetic works that draw attention to the constructed nature of language, Stein also excelled with straightforward narratives, essays, and biographical descriptions. From 1907 until her death, Stein and her life partner Alice B. Toklas gained a reputation as leaders in the international avant-garde, and remain essential to our understanding of the development of twentieth century art and culture.

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