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Colonel Chabert
Colonel Chabert
Colonel Chabert
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Colonel Chabert

Rating: 4.5 out of 5 stars

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LanguageEnglish
Release dateJan 1, 1964

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Rating: 4.375 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    Chabert, a soldier of humble origins who has risen to become a distinguished colonel in Napoleon's army, is presumed dead after being seriously wounded at the battle of Eylau. He is thrown, unconscious, into a mass grave with other casualties, and survives only as a result of a string of gruesome chances that Balzac relates with some relish. His recovery in Prussia takes a long time, and accidents of war (and a spell in the madhouse when he tries to assert his real identity) prevent him getting back to France for even longer. When he does get back, his beloved emperor has long gone, the monarchy is restored, and of course he is officially dead, his wife has profitably (and fraudulently) settled his affairs, has married an aristocrat and has two children with her new husband. And no-one has the least interest in recognising him as anything other than an annoying and probably mad old vagrant.With the help of a lawyer who's prepared to enter into an early version of a "no win no fee" deal, the colonel manages to get his wife to the negotiating table, but this is Balzac's Paris where everyone is out for what they can get: we know perfectly well what's likely to happen to an honourable old soldier thrown into this cesspit. And it does...An elegant, economical satire on the values of Restoration France and the morality of the legal profession, in which Balzac uses absolutely every detail killingly. Javier Marías is quite right to keep banging on about this book.
  • Rating: 5 out of 5 stars
    5/5
    Absolutely wonderful novella, the story of returning war hero Chabert; presumed dead, his wife has re-married - greatly to her advantage - and has no wish for his return. Nor does she want to give him any of the money she 'inherited' from him. A good hearted old soldier and a ruthless woman of fashion come together in the office of clever lawyer Derville...Part of Balzac's Comedie Humaine, this narrative is unusual in that it is framed - both beginning and end- in the scenario of a lawyer's office. In the first chapter, the joking, discourteous clerks take centre stage, as Chabert seeks an appointment...at the end the lawyer himself debates events with a colleague; as he lists some of the dreadful scenarios he's encountered in his career, we see a list of plot lines of other Balzac novels..."wills burnt, mothers despoiling their children, husbands stealing from their wives..."Superb writing.
  • Rating: 4 out of 5 stars
    4/5
    This was a lot shorter than I thought it was: my edition, slim though it may be, also contains extensive introductory essays and several appendices. In Le colonel Chabert, the titular main character served under Napoleon and is believed dead at the battle of Eylau. As it happens, he survived, but he is in such bad health and finds himself without any credentials that he is reduced to vagrancy. By the time he has convalesced and returned to Paris to try and reclaim his name, several years have passed. His estate has been divided between the state and his widow, who has chosen to remarry a much wealthier man and who is a mother now, too. More generally, the political situation has changed drastically as well: in this post-Napoleonic era, France is once again a Kingdom, and few people of influence are willing to publicly support an Imperial claimant and his legal case for turning back time. It is much more convenient to pretend that the so-called Colonel Chabert is merely an impostor. This is a very interesting situation to spin a story out of, and Balzac makes great use of it. There’s understandable emotional drama and ethical questions all-around, where (almost) every character has valid and above all just and even legal reasons for their behaviour: Chabert has been robbed of his estate, however legally binding the whole thing came about, and he is entitled to restitution; but the new situation has progressed so far that undoing it becomes itself a massive injustice to all involved. No surprise, then, that the main plot is concerned with finding a lawyer and with the legal intricacies of Restauration France. I also liked the care that Balzac took to cite laws and governmental edicts (even though the footnotes point out where he confused dates) and to ground his work in actual fact: this novella is a great illustration of how day-to-day bureaucracy is run, and I don’t often get such a glimpse into a historical society. What I didn’t like, though, was the resolution, which I thought was a bit too facile. I won’t call it a cop-out, but I’m not really impressed, either. Having said that: I enjoyed spending time in this bureaucratic universe, and I liked the way Balzac handled complex moral issues. I think I’ll read more by him.
  • Rating: 5 out of 5 stars
    5/5
    “Colonel Chabert” is one of Honore de Balzac’s volumes from his omnibus work, "The Human Comedy." The Colonel is a comic figure in and old military great coat and a wig who is ridiculed by young legal workers at the beginning of the novel. But, the joke is on the clerks, because Chabert is a war hero of the Napoleonic era given up for dead on a battlefield at Eylau. This translation from the French by Carol Grosman tells the story of the old soldier’s resurrection in contemporary jargon. The novel is relevant today considering the service of soldiers in many wars continuing in our world. What happens to these heroes when wars end, or more accurately, shift to new fronts? Balzac paints the portrait of one old colonel who remains honorable and as a consequence seals his fate. The translation is very readable and the short novel is brief “scene from private life.” The work will stimulate further interest in the monumental work of Balzac who had a relatively short life (1799-1850).
  • Rating: 5 out of 5 stars
    5/5
    Le colonel Chabert by Honoré de Balzac is a neglected masterpiece. The beginning of this short novel is a bit confusing as it starts in media res of clerks in a notary's office having lunch or supper and making fun of an old beggar in the street who apparently wants to see the notary. The old man, dressed in rags, is admitted and able to tell the notary his gruesome story. He relates how as a general he fought alongside Napoleon in the Battle of Eylau, in Prussia, and was slain so badly that, unconscious, with a gash over his skull, he was left for dead at the battlefield. He managed to escape from the mass grave into which he had been dumped and through the melting snow cry for help. Rescued, he was nursed back to health and after nine years returned to France to discover that his wife had remarried and disappeared and his dominions were sold off. The notary explains that his case is a difficult one, as officially colonel Chabert is dead, and to regain his possessions he must prove that he is who he claims to be, and not some impostor. The notary lends the colonel some money, to live on, while he agrees to represent him. A meeting with his (former) wife is arranged. She immediately recognizes him by his voice, but otherwise the colonel has unrecognizeably changed. The notary visits the colonel in his humble abode and explains that his fortune has dwindled, and that he could only hope to receive a fraction therof, if any at all.Le colonel Chabert is a very pitiable story. As Chabert, the war hero, returns after nine years, he finds himself among the nouveau riche of the new society. Several times there is mention that there is a considerable difference in age between colonel Chabert and the other major players in the drama, notably his (ex-) wife,her new husband, the notary and the lawyer. While colonel Chabert still loves his former wife, and isn’t even attempting to regain his full possessions, he is met with coldly calculating cunning, to swindle him and deny him his rights. This cold-hearted society, in which money rules, is very reminiscent of our own times.
  • Rating: 2 out of 5 stars
    2/5
    A somewhat charming novella, but overall not that interesting.
  • Rating: 5 out of 5 stars
    5/5
    “Colonel Chabert” is one of Honore de Balzac’s volumes from his omnibus work, "The Human Comedy." The Colonel is a comic figure in and old military great coat and a wig who is ridiculed by young legal workers at the beginning of the novel. But, the joke is on the clerks, because Chabert is a war hero of the Napoleonic era given up for dead on a battlefield at Eylau. This translation from the French by Carol Grosman tells the story of the old soldier’s resurrection in contemporary jargon. The novel is relevant today considering the service of soldiers in many wars continuing in our world. What happens to these heroes when wars end, or more accurately, shift to new fronts? Balzac paints the portrait of one old colonel who remains honorable and as a consequence seals his fate. The translation is very readable and the short novel is brief “scene from private life.” The work will stimulate further interest in the monumental work of Balzac who had a relatively short life (1799-1850).

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Colonel Chabert - Ellen Marriage

The Project Gutenberg EBook of Colonel Chabert, by Honore de Balzac

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Title: Colonel Chabert

Author: Honore de Balzac

Translator: Ellen Marriage and Clara Bell

Release Date: November, 1999 [Etext #1954]

Posting Date: March 6, 2010

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK COLONEL CHABERT ***

Produced by John Bickers, and Dagny

COLONEL CHABERT

By Honore De Balzac

Translated by Ellen Marriage and Clara Bell

DEDICATION

To Madame la Comtesse Ida de Bocarme nee du Chasteler.

COLONEL CHABERT

HULLO! There is that old Box-coat again!

This exclamation was made by a lawyer's clerk of the class called in French offices a gutter-jumper—a messenger in fact—who at this moment was eating a piece of dry bread with a hearty appetite. He pulled off a morsel of crumb to make into a bullet, and fired it gleefully through the open pane of the window against which he was leaning. The pellet, well aimed, rebounded almost as high as the window, after hitting the hat of a stranger who was crossing the courtyard of a house in the Rue Vivienne, where dwelt Maitre Derville, attorney-at-law.

Come, Simonnin, don't play tricks on people, or I will turn you out of doors. However poor a client may be, he is still a man, hang it all! said the head clerk, pausing in the addition of a bill of costs.

The lawyer's messenger is commonly, as was Simonnin, a lad of thirteen or fourteen, who, in every office, is under the special jurisdiction of the managing clerk, whose errands and billets-doux keep him employed on his way to carry writs to the bailiffs and petitions to the Courts. He is akin to the street boy in his habits, and to the pettifogger by fate. The boy is almost always ruthless, unbroken, unmanageable, a ribald rhymester, impudent, greedy, and idle. And yet, almost all these clerklings have an old mother lodging on some fifth floor with whom they share their pittance of thirty or forty francs a month.

If he is a man, why do you call him old Box-coat? asked Simonnin, with the air of a schoolboy who has caught out his master.

And he went on eating his bread and cheese, leaning his shoulder against the window jamb; for he rested standing like a cab-horse, one of his legs raised and propped against the other, on the toe of his shoe.

What trick can we play that cove? said the third clerk, whose name was Godeschal, in a low voice, pausing in the middle of a discourse he was extemporizing in an appeal engrossed by the fourth clerk, of which copies were being made by two neophytes from the provinces.

Then he went on improvising:

"But, in his noble and beneficent wisdom, his Majesty, Louis the Eighteenth—(write it at full length, heh! Desroches the learned—you, as you engross it!)—when he resumed the reins of Government, understood—(what did that old nincompoop ever understand?)—the high mission to which he had been called by Divine Providence!—(a note of admiration and six stops. They are pious enough at the Courts to let us put six)—and his first thought, as is proved by the date of the order hereinafter designated, was to repair the misfortunes caused by the terrible and sad disasters of the revolutionary times, by restoring to his numerous and faithful adherents—('numerous' is flattering, and ought to please the Bench)—all their unsold estates, whether within our realm, or in conquered or acquired territory, or in the endowments of public institutions, for we are, and proclaim ourselves competent to declare, that this is the spirit and meaning of the famous, truly loyal order given in—Stop, said Godeschal to the three copying clerks, that rascally sentence brings me to the end of my page.—Well, he went on, wetting the back fold of the sheet with his tongue, so as to be able to fold back the page of thick stamped paper, well, if you want to play him a trick, tell him that the master can only see his clients between two and three in the morning; we shall see if he comes, the old ruffian!"

And Godeschal took up the sentence he was dictating—"given in—Are you ready?"

Yes, cried the three writers.

It all went all together, the appeal, the gossip, and the conspiracy.

"Given in—Here, Daddy Boucard, what is the date of the order? We must dot our i's and cross our t's, by Jingo! it helps to fill the pages."

By Jingo! repeated one of the copying clerks before Boucard, the head clerk, could reply.

"What! have you written by Jingo?" cried Godeschal, looking at one of the novices, with an expression at once stern and humorous.

Why, yes, said Desroches, the fourth clerk, leaning across his neighbor's copy, "he has written, 'We must dot our i's' and spelt it by Gingo!"

All the clerks shouted with laughter.

Why! Monsieur Hure, you take 'By Jingo' for a law term, and you say you come from Mortagne! exclaimed Simonnin.

Scratch it cleanly out, said the head clerk. If the judge, whose business it is to tax the bill, were to see such things, he would say you were laughing at the whole boiling. You would hear of it from the chief! Come, no more of this nonsense, Monsieur Hure! A Norman ought not to write out an appeal without thought. It is the 'Shoulder arms!' of the law.

"Given in—in? asked Godeschal.—Tell me when, Boucard."

June 1814, replied the head clerk, without looking up from his work.

A knock at the office door interrupted the circumlocutions of the prolix document. Five clerks with rows of hungry teeth, bright, mocking eyes, and curly heads, lifted their noses towards the door, after crying all together in a singing tone, Come in!

Boucard kept his face buried in a pile of papers—broutilles (odds and ends) in French law jargon—and went on drawing out the bill of costs on which he was busy.

The office was a large room furnished with the traditional stool which is to be seen in all these dens of law-quibbling. The stove-pipe crossed the room diagonally to the chimney of a bricked-up fireplace; on the marble chimney-piece were several chunks of bread, triangles of Brie cheese, pork cutlets, glasses, bottles, and the head clerk's cup of chocolate. The smell of these dainties blended so completely with that of the immoderately overheated stove and the odor peculiar to offices and old papers, that the trail of a fox would not have been perceptible. The floor was covered with mud and snow, brought in by the clerks. Near the window stood the desk with a revolving lid, where the head clerk worked, and against the back of it was the second clerk's table. The second clerk was at this moment in Court. It was between eight and nine in the morning.

The only decoration of the office consisted in huge yellow posters, announcing seizures of real estate, sales, settlements under trust, final or interim judgments,—all the glory of a lawyer's office. Behind the head clerk was an enormous room, of which each division was crammed with bundles of papers with an infinite number of tickets hanging from them at the ends of red tape, which give a peculiar physiognomy to law papers. The lower rows were filled with cardboard boxes, yellow with use, on which might be read the names of the more important clients whose cases were juicily stewing at this present time. The dirty window-panes admitted but little daylight. Indeed, there are very few offices in Paris where it is possible to write without lamplight before ten in the morning in the month of February, for they are all left to very natural neglect; every one comes and no one stays; no one has any personal interest in a scene of mere routine—neither the attorney, nor the counsel, nor the clerks,

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