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    Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau
    Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau
    Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau
    Ebook56 pages45 minutes

    Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau

    By John Morley

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau

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      Critical Miscellanies (Vol. 3 of 3) Essay 6 - John Morley

      Project Gutenberg's Critical Miscellanies (Vol. 3 of 3), by John Morley

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: Critical Miscellanies (Vol. 3 of 3)

      Essay 6: Harriet Martineau

      Author: John Morley

      Release Date: June 14, 2008 [EBook #25793]

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK CRITICAL MISCELLANIES ***

      Produced by Paul Murray, Kit Ellis and the Online

      Distributed Proofreading Team at http://www.pgdp.net

      CRITICAL

      MISCELLANIES

      BY

      JOHN MORLEY

      VOL. III.

      ESSAY 6: HARRIET MARTINEAU

      London

      MACMILLAN AND CO., Limited

      NEW YORK: THE MACMILLAN COMPANY

      1904

      HARRIET MARTINEAU.

      HARRIET MARTINEAU.

      In 1850 Charlotte Brontë paid a visit to Harriet Martineau at Ambleside, and she wrote to her friends various emphatic accounts of her hostess. 'Without adopting her theories,' Miss Brontë said, 'I yet find a worth and greatness in herself, and a consistency, benevolence, perseverance in her practice, such as wins the sincerest esteem and affection. She is not a person to be judged by her writings alone, but rather by her own deeds and life, than which nothing can be more exemplary or noble.'

      The division which Miss Brontë thus makes between opinions and character, and again between literary production and character, is at the root of any just criticism of the two volumes of autobiography which have just been given to the public. Of the third volume, The Memorials, by Mrs. Chapman, it is impossible to say anything serious. Mrs. Chapman fought an admirable fight in the dark times of American history for the abolition of slavery, but unhappily she is without literary gifts; and this third volume is one more illustration of the folly of entrusting the composition of biography to persons who have only the wholly irrelevant claim of intimate friendship, or kinship, or sympathy in public causes. The qualification for a biographer is not in the least that he is a virtuous person, or a second cousin, or a dear friend, or a trusty colleague; but that he knows how to write a book, has tact, style, taste, considerateness, sense of proportion, and a good eye for the beginnings and ends of things. The third volume, then, tells us little about the person to whom they relate. The two volumes of autobiography tell all that we can seek to know, and the reader who judges them in an equitable spirit will be ready to allow that, when all is said that can be said of her hardness, arbitrariness, and insularity, Harriet Martineau is still a singular and worthy figure among the conspicuous personages of a generation that has now almost vanished. Some will wonder how it was that her literary performances acquired so little of permanent value. Others will be pained by the distinct repudiation of all theology, avowed by her with a simple and courageous directness that can scarcely be counted other than honourable to her. But everybody will admit, as Charlotte Brontë did, that though her books are not of the first nor of the second rank, and though her anti-theological opinions are to many so repugnant, yet behind books and opinions was a

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