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    The Weavers: a tale of England and Egypt of fifty years ago - Volume 1
    The Weavers: a tale of England and Egypt of fifty years ago - Volume 1
    The Weavers: a tale of England and Egypt of fifty years ago - Volume 1
    Ebook70 pages54 minutes

    The Weavers: a tale of England and Egypt of fifty years ago - Volume 1

    By Gilbert Parker

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    The Weavers: a tale of England and Egypt of fifty years ago - Volume 1
    Author

    Gilbert Parker

    Gilbert Parker (1862–1932), also credited as Sir Horatio Gilbert George Parker, 1st Baronet, was a Canadian novelist and British politician. His initial career was in education, working in various schools as a teacher and lecturer. He then traveled abroad to Australia where he became an editor at the Sydney Morning Herald. He expanded his writing to include long-form works such as romance fiction. Some of his most notable titles include Pierre and his People (1892), The Seats of the Mighty and The Battle of the Strong.

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      Book preview

      The Weavers - Gilbert Parker

      The Project Gutenberg EBook The Weavers, by Gilbert Parker, v1 #88 in our series by Gilbert Parker

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      **Welcome To The World of Free Plain Vanilla Electronic Texts**

      **EBooks Readable By Both Humans and By Computers, Since 1971**

      *****These EBooks Were Prepared By Thousands of Volunteers*****

      Title: The Weavers, Volume 1.

      Author: Gilbert Parker

      Release Date: August, 2004 [EBook #6261] [Yes, we are more than one year ahead of schedule] [This file was first posted on November 14, 2002]

      Edition: 10

      Language: English

      *** START OF THE PROJECT GUTENBERG EBOOK THE WEAVERS, BY PARKER, V1 ***

      This eBook was produced by David Widger

      THE WEAVERS

      By Gilbert Parker

      CONTENTS

      BOOK I I. AS THE SPIRIT MOVED II. THE GATES OF THE WORLD III. BANISHED IV. THE CALL

      BOOK II

      V. THE WIDER WAY VI. HAST THOU NEVER BILLED A MANY VII. THE COMPACT VIII. FOR HIS SOUL'S SAKE AND THE LAND'S SAKE IX. THE LETTER, THE NIGHT, AND THE WOMAN X. THE FOUR WHO KNEW XI. AGAINST THE HOUR OF MIDNIGHT XII. THE JEHAD AND THE LIONS XIII. ACHMET THE ROPEMAKER STRIKES XIV. BEYOND THE PALE

      BOOK III XV. SOOLSBY'S HAND UPON THE CURTAIN XVI. THE DEBT AND THE ACCOUNTING XVII. THE WOMAN OF THE CROSS-ROADS XVIII. TIME, THE IDOL-BREAKER XIX. SHARPER THAN A SWORD XX. EACH AFTER HIS OWN ORDER XXI. THERE IS NOTHING HIDDEN WHICH SHALL NOT BE REVEALED XXII. AS IN A GLASS DARKLY XXIII. THE TENTS OF CUSHAN XXIV. THE QUESTIONER XXV. THE VOICE THROUGH THE DOOR XXVI. I OWE YOU NOTHING XXVII. THE AWAKENING

      BOOK IV XXVIII. NAHOUM TURNS THE SCREW XXIX. THE RECOIL XXX. LACEY MOVES XXXI. THE STRUGGLE IN THE DESERT XXXII. FORTY STRIPES SAVE ONE XXXIII. THE DARK INDENTURE XXXIV. NAHOUM DROPS THE MASK

      BOOK V XXXV. THE FLIGHT OF THE WOUNDED XXXVI. IS IT ALWAYS SO-IN LIFE? XXXVII. THE FLYING SHUTTLE XXXVIII. JASPER KIMBER SPEAKS XXXIX. FAITH JOURNEYS TO LONDON

      BOOK VI XL. HYLDA SEEKS NAHOUM XLI. IN THE LAND OF SHINAR XLII. THE LOOM OF DESTINY

      INTRODUCTION

      When I turn over the hundreds of pages of this book, I have a feeling that I am looking upon something for which I have no particular responsibility, though it has a strange contour of familiarity. It is as though one looks upon a scene in which one had lived and moved, with the friendly yet half-distant feeling that it once was one's own possession but is so no longer. I should think the feeling to be much like that of the old man whose sons, gone to distant places, have created their own plantations of life and have themselves become the masters of possessions. Also I suppose that when I read the story through again from the first page to the last, I shall recreate the feeling in which I lived when I wrote it, and it will become a part of my own identity again. That distance between himself and his work, however, which immediately begins to grow as soon as a book leaves the author's hands for those of the public, is a thing which, I suppose, must come to one who produces a work of the imagination. It is no doubt due to the fact that every piece of art which has individuality and real likeness to the scenes and character it is intended to depict is done in a kind of trance. The author, in effect, self-hypnotises himself, has created an atmosphere which is separate and apart from that of his daily surroundings, and by virtue of his imagination becomes absorbed in that atmosphere. When the book is finished and it goes forth, when the imagination is relaxed and the concentration of mind is withdrawn, the atmosphere disappears, and then. One experiences what I feel when I take up 'The Weavers' and, in a sense,

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