Hogarth
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Hogarth - C. Lewis (Charles Lewis) Hind
The Project Gutenberg EBook of Hogarth, by C. Lewis Hind
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Hogarth
Author: C. Lewis Hind
Release Date: January 12, 2013 [EBook #41824]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK HOGARTH ***
Produced by sp1nd, Matthew Wheaton and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)
MASTERPIECES
IN COLOUR
EDITED BY—T. LEMAN HARE
HOGARTH
(1697—1764)
PLATE I.—THE SHRIMP GIRL.
(In the National Gallery, London)
This brilliant, impressionist sketch, done long before the era of impressionism, is something of a marvel. The Shrimp Girl
cries out from Hogarth’s works, a tour de force, done without premeditation, in some happy hour when the unerring hand unerringly followed the quick eye.
HOGARTH
BY C. LEWIS HIND
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
IN SEMPITERNUM.
LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
The plates are printed by
Bemrose & Sons, Ltd.
, Derby and London
The text at the
Ballantyne Press
, Edinburgh
CONTENTS
LIST OF ILLUSTRATIONS
I
AN AUCTION AND A CONVERSATION
The auction was proceeding leisurely and without excitement. It was an off day.
I was present because these pictures of the Early British School included a Conversation Piece
ascribed to Hogarth, and a medley of prints after him, worn impressions, the vigour gone, merely the skeletons of his bustling designs remaining. They fetched trivial prices: they were not the real thing. And there was little demand for the portraits by half-forgotten limners of the period, portraits of dull gentlemen in eighteenth-century costume, examples of wooden Thomas Hudson, famous as the master of Sir Joshua Reynolds, and of such mediocrities as Knapton and Shackleton. Yet they evoked a sort of personal historical interest, recreating, as portrait after portrait passed before our eyes, the level highway of art of those days before Hogarth delivered it from the foreign thraldom.
Tranquilly I contemplated the procession of lifeless portraits, noting with amusement the