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The Prince and the Pauper
The Prince and the Pauper
The Prince and the Pauper
Ebook459 pages4 hours

The Prince and the Pauper

Rating: 3.5 out of 5 stars

3.5/5

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LanguageEnglish
Release dateFeb 1, 1881
Author

Mark Twain

Frederick Anderson, Lin Salamo, and Bernard L. Stein are members of the Mark Twain Project of The Bancroft Library at the University of California, Berkeley.

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Rating: 3.6719278781284004 out of 5 stars
3.5/5

919 ratings34 reviews

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  • Rating: 4 out of 5 stars
    4/5
    The well-known story set in 1547, when Crown Prince Edward and the (fictional) neglected, impoverished Tom Canty switch places for fun, as they look surprisingly alike, and find themselves stuck in a role entirely different from anything previously experienced.Written for children but some of the incidents are quite shocking so I'd consider it more suitable for teens (and adults) interested in historical fiction of this era. The author evidently researched well, and the detail feels authentic, though I'm no historian. Some of the descriptions are long-winded, but if one accepts the unlikely premise of the story, it's a believable book, well-written and dramatic. I downloaded mine free from Project Gutenberg, but there are many editions in print and electronic form, as well as various TV/film adaptations of this book.
  • Rating: 3 out of 5 stars
    3/5
    I think the majority of readers know the story,the Prince and Pauper who exchange places because of their uncanny resemblance, but I was surprised at the political undertones that were skillfully woven throughout. Twain has shown the cruelty of the time as well as the naivete of the nobility to the hardship inflicted by unjust laws.I usually have a hard time with Classics, but I liked this one.
  • Rating: 4 out of 5 stars
    4/5
    I'm not sure why I love Mark Twain so much, but even this simple, obvious comedy of mistaken identities was a delight. His style is dated, his characters are more often than not cardboard (or archetypes, depending on the benevolence of the reader), his social commentary comes much more often with the mallet than with the scalpel. And still - this was an adventurous romp through the land and society of 16th century England, never in doubt who was the good guys and the villains, and yes, of course I fell in love with Miles Hendon.And I'm not sure, but... this thing was published first in 1881, and of course audience expectations have changed since then, but reading scenes like Tom experiencing for the first time the morning rituals as prince, with the endless ordeals until his clothing finally reaches him, I imagine Mr. Twain sitting at his desk, adding another comma and another element to an already endless list and cackling maniacally while he knows exactly that he's gonna drive his readership insane.And I can't help myself, but I LOVE this attitude in an author.
  • Rating: 2 out of 5 stars
    2/5
    SO different from the Disney version its amusing. But it was an interesting read. I wonder whose perspective of history is more accurate, Twains because he was closer in time, or ours because we have more research and available information...
  • Rating: 4 out of 5 stars
    4/5
    I remember enjoying this book as a child (although I can't remember what age) and since my son is interested in Mark Twain, we listened to the audiobook on a recent road trip. It was a little bit more complicated than I remembered, and frankly we both had trouble following parts of the story, but perhaps that is a challenge of audiobooks compared with print. The basic story is well-known in which the poor and abused Tom Canty meets Prince Edward and discovering they resemble one another, swap clothing. Through a comedy of errors, they are separated and end up with Tom unwillingly becoming king and the prince having to live life at the very bottom of society. All works out in the end, and Twain is probably too kind on Edward VI's actual legacy as king, but the book delves into some of the gritty realities of impoverished masses and the court intrigues of the elites.
  • Rating: 3 out of 5 stars
    3/5
    A novel in which a prince and a pauper change places. This must have been novel at the time, though the language and writing falls within the archaic domains. Nevertheless, it is a tale that will keep you reading and it poses its fair share of excitement and adventure.3 stars.
  • Rating: 5 out of 5 stars
    5/5
    I found this an exquisitely funny book and it has lived in my memory ever since I read it in 8th grade.
  • Rating: 4 out of 5 stars
    4/5
    Audiobook - Edward VI, Prince of Wales, meets a poor boy named Tom Canty who looks just like him. They trade clothes for fun, which results in the true prince being kicked out of the castle and Tom being confused for the prince. Edward roams around the city being abused by Tom's father, captured and forced to steal by a band of thieves, and getting arrested twice. He learns the true plight of his poorest subjects, which allows him to eventually become a kind and fair king. Tom learns, um, how to behave at a fancy dinner party?The general plot - a poor person and a rich person look alike and trade lives - is timeless and well-known. The details of the plot are just decent historical fiction. It's an interesting look into 1540s England, but not much more. It would have been nice if Tom had learned some kind of lesson in the end, too, like valuing his mother and sister or something. But nope. The narrator, Steve West, was very good, especially considering the dialogue is all Tudor-era-appropriate.
  • Rating: 4 out of 5 stars
    4/5
    You can't get what you want unless you see it through someone else's eyes first.
  • Rating: 5 out of 5 stars
    5/5
    The Prince and the Pauper is one of those books that part of me always thought I had read because I had seen so many movie adaptations of the book. Some were intended as direct adaptations and others took some significant leeway but they all sort of had a similar vibe. I've always enjoyed Twain but in recent years I've re-realized that I haven't read as many of his novels as I feel I should have. So with that background, I sat down with Prince and the Pauper.In case there are any people unfamiliar with the story, the basic idea is that we are in ~1600s London and there is a young prince who happens to meet a pauper who has an uncanny twin-like resemblance to the prince. Through some unintended circumstances, the prince ends up kicked out of his own castle while the pauper is set up as the prince in his place. Each boy tries to acclimate to his new surroundings and deal with the extreme change in social class. Further complications arise when the King dies and it is announced that the prince is to be crowned King of England.The first thing that struck me with this book was the style. Twain has always been one who is noted for his rhetoric and his use of dialect and style in such a way as to portray the era and culture he is trying to represent. As such, he writes this book with a somewhat stilted and formal narration filled with "thy"s and "thou"s and "wherefore"s. I had no problem with the language, I just wasn't expecting it. Whether or not it actually added to the tone and nature of the book, I'm not quite sure. I don't think it painted the scene quite as much as do the dialog of Huck Finn and Tom Sawyer but I was still impressed with his use of vocabulary and style to help convey a certain time period.I also naturally discovered quick differences between the book and the various movie versions. In most of the movie adaptations I've seen, the Prince and Pauper decide to switch places as a sort of game and they are both excited at the idea of swapping roles. In the book, the prince notices their similar appearance and suggests they exchange clothes to see just how similar they might look. The concept of actually exchanging roles never really entered into the discussion and each boy is in fact quite frightened and upset when the exchange occurs.Not being an avid historian, I can't fully speak to Twain's portrayal either of royalty or poverty of the era, but I did feel both a disgust and a compassion upon the poverty stricken of 16th century London. The squalor they were forced to live in was truly unspeakable. What struck me as interesting was the way Twain presented the reality of the situation. Even though the lifestyle was miserable and unhappy, the people had a sense of acceptance and made the best they could out of bad situations. As the prince tried to fit in and adapt to his new circumstances, each time he complained or worried about the filth and poverty he was chided by those around him and they seemed to be accepting and perhaps even unconsciously ignorant of their plight. It's an interesting social idea and seems to push the idea that those who haven't ever known better never really aspire to better or those who see no opportunity for social mobility are content to stay where they are, no matter how awful. I personally think that mindset may be somewhat true but I think more likely is that those living in poverty were frankly just too exhausted and overwhelmed with trying to survive that they seldom had energy to think about was to escape their situation, let alone to devise a method to climb the social ladder.I found myself comparing the life of Twain's prince/pauper in lower class London with Dickens's lower class characters in Oliver Twist or some of his other works. In some ways, I felt like the attitudes of Twain's characters felt a little more realistic but in other instances I felt like Dickens had a better handle on the minds, motivations and actions of the English poor. As I thought about it, I decided that Twain's characters had more "modern" thought processes while Dickens's characters were more likely evocative of a real life citizen of lower class London.The life of the pauper-turned-prince in the palace is interesting but is often treated with much less detail and consideration than our prince-turned-pauper. We see snippets of life in the castle as the pauper tries to understand his new role and become accustomed to being waited on by attendants on all sides. After a variety of worrisome advisement from counselors and even the king, the young pauper finally takes the role upon himself and does his best to pretend at being the prince. Fortunately he has a few trusted advisors. While they don't believe that he is actually a pauper (everyone thinks he's gone mad), they do work to help him carry out his duties with gentle nudges and whispered reminders of proper behavior and etiquette. Once the king dies, the prince is expected to oversee various declarations and judgements and Twain takes this opportunity to provide some "Solomon-like" deliberations in court to showcase the young pauper's compassion as well as his quick thinking and wit.Meanwhile, the prince-turned-pauper finds himself fighting for survival in lower class London and finally making friends with a man who also doesn't believe the change in roles (he also thinks the boy must be crazy) but he pretends to believe and acts to help the prince in a variety of ways. The prince never tries to adapt himself to the world of the lower class. He continually tries to convince everyone of his royal lineage and rights. Naturally this doesn't help his situation get any better and in most cases it results in ridicule or harassment of some type.The high level plot is comical and often used throughout drama and literature. Offhand I can't think how many Shakespearean plays have to do with mistaken or switched identity either with twins or disguise or some other form of subterfuge. Twain uses this oft used trope to bring a lot of light hearted comedy to an investigation of the inequality of social classes and the unbalanced nature of cultural distinctions. The story was very entertaining and had plenty of Twain's quick wit and snarky humor. Beyond the simple humor and the fun, cute story, there is a lot of great material to think about both from social standpoints and from the aspect of literary scholarship. I think it would be entertaining some day to compare Twain's London with Dickens's London or to evaluate Twain's social concerns from this book with any of the various social problems of modern society.I had a lot of fun reading this book and definitely recommend it. The reading, tone and nature of the writing could be very accessible and entertaining to young readers. Some of the language may be harder for elementary school kids but they would likely enjoy having it read to them. Older readers will enjoy the quick wit, nuanced humor and insightful perspectives on social inequality. Overall this is a great book that is definitely overshadowed by Twain's larger works and as such is likely often overlooked. While it may not be quite as rich as Twain's more impactful books, it definitely stands on its own as a solid classic.4.5 out of 5 stars
  • Rating: 4 out of 5 stars
    4/5
    After a chance meeting, Edward, Prince of Wales (son of Henry VIII) and poor Tom Canty, curious about what it would feel like to wear the other's clothes, swap clothes. They are both astonished when they look in a mirror and realize their extraordinary likeness. Tom looks like the prince in the prince's clothes, and Edward looks like Tom in Tom's rags. While still wearing Tom's clothes, Prince Edward ends up outside the palace grounds. No one believes him when he says he is the Prince of Wales. No one believes Tom when he says he is not the prince. Their inability to recognize faces and surroundings that should be familiar is blamed on a fit of madness. Then Henry VIII dies, and both boys despair of ever going back to their rightful places.Although I've been familiar with the basic plot for as long as I can remember, this is the first time I've read the story. I had formed an impression that the prince was a fictional character, so I was surprised when he turned out to be Edward VI. (I have no doubt that Tom Canty is fictional, though!) If I had known how much I would enjoy the story, I wouldn't have put it off for so long. Even though the outcome is never in doubt, each boy's adventures in the other's world kept me a captivated listener. The only negative feature worth noting is the overly flowery language, which doesn't seem anywhere close to authentic. While this is a classic of children's literature, the language will probably cause many 21st century young readers to lose interest before the plot takes hold of them.
  • Rating: 2 out of 5 stars
    2/5
    I think I just did not like the style, or maybe it is because I knew the concept of the story, but I had a very hard time pay attention to this one even though I liked the narrator's voice and he did an great job narrating. I tried reading it when I was younger, and could not get into it then, either.
  • Rating: 5 out of 5 stars
    5/5
    This classic story of mixed identity between the boy King Edward VI and pauper Tom Canty is a heartwarming and easy read. Mark Twain's first historical novel, it follows the tradition of of 19th century historical novels in telling as much about the assumptions of the time it was written (1881) as about the time it is set (1547), e.g. in terms of Royal mercy and concern for the poor. The language is a joy to read and this Kindle edition contains all the many illustrations.
  • Rating: 4 out of 5 stars
    4/5
    Only Mark Twain could have turned this hackneyed old concept into a very readable, enjoyable novel. This Reader’s Digest edition had factual historical notes and a good afterword at the end of the book. First class.
  • Rating: 4 out of 5 stars
    4/5
    Book on CD narrated by Steve West.Two boys born on the same day in very different circumstances meet and discover they each envy the other’s experiences. But only when they exchange clothes do they realize how identical they are in looks. So much so that Edward, Prince of Wales, is ejected from the palace as a beggar, while the pauper Tom Canty is accepted as the prince, despite their protests to the contrary.This is a wonderful classic that explores the difference in class in 16th century England, and the ways that appearance effects how one is treated. Both boys learn much from their experience as “the other.” Tom learns that a life of luxury is not all it’s cracked up to be; he chafes against the restrictions on his movements, the requirements for certain study, the constant presence of servants and guardians. Edward learns first-hand of the harsh life of his poorest subjects: their reliance on begging, the unfairness of the legal system, the lack of opportunities to improve their lot. Tom uses his new-found position to change some of the laws of the land. Edward learns the value of compassion and kindness. It’s a wonderful lesson in “walking in the other person’s shoes.”One thing that was a little difficult, though was Twain’s use of 16th-century English: “Dost not know thy father, child?” is one fairly easy example, but much of the dialect used makes it that much more difficult for a reader to appreciate the story. Still, it’s worth the effort to persevere. And I would recommend listening to the audio.There are many editions of this classic available. The hardcover text edition I used to supplement my listening was the Oxford Mark Twain with an introduction by Judith Martin and an afterword by Everett Emerson. It includes nearly 200 illustrations by Beverly R David and Ray Sapirstein. It’s really a physically beautiful book.The audio edition I listened to was narrated by Steve West. He did a fine job. He has good pacing, and enough skill as a voice artist to differentiate the various characters.
  • Rating: 4 out of 5 stars
    4/5
    This is my first book by Mark Twain. It's a fictionised story using some real characters like King Henry VIII and his son King Edward VI.Tom Canty, a begger boy, is very keen on seeing the prince Edward who is the same age that he is. One day when he is roaming in the vicinity of the King's palace, he sees the prince. He is invited into the private chambers of the prince and seeing their remarkable resemblance they decide to play a jest. They exchange clothes and try to act each other's part. Things take a wrong turn and the real prince is thrown out on the streets and Tom is considered as the prince. What follows is a merry adventure for both of them.The conversations in the book are in old English which take a bit of time getting used to but overall it's a fun read. 
  • Rating: 4 out of 5 stars
    4/5
    Mark Twain’s The prince and the pauper is the story of two boys, Prince Edward and Tom Canty, who meet by chance and decide to exchange clothes with unexpected results. It is also the story of Miles Hendon, knight errant, who stumbles upon a ragged boy and takes an interest. We are drawn into the high courts of Tudor England as well as the slums and prisons and learn quite a bit about the harsh life in those times. Most criminals were sentenced to death, even for thievery of something as simple as a crust of bread. Both boys were appalled and did what they could to make things better for the aristocracy, the middle classes and the poor.I read this book many years ago along with A Connecticut Yankee in King Arthur’s Court and did not realize the social implications of either. Twain was making a point that life in England was not the rosy picture that many authors painted; he researched his subject and used material written in the 16th century to support his story. (There were some artistic liberties, but then this is a novel.)The dialog was in “Elizabethan” English, which can be hard to understand for some. However, there are some editions that have modernized the language. My copy of the book included endnotes to explain some of the material in the book; reading these gave me a better sense of the story. (However, I could have done without the description of death by boiling in oil!) There was also an afterward by Kenneth Lynn which put the book into perspective in Twain’s literary output, a list of Twain’s major works with original date of publication, and a bibliography of literary criticism current to 1963. Since it is a short novel, The prince and the pauper can be enjoyed by all levels of readers.
  • Rating: 3 out of 5 stars
    3/5
    For Christmas, I ordered an mp3 player (Library of Classics) that was pre-loaded with 100 works of classic literature in an audio format. Each work is in the public domain and is read by amateurs, so the quality of the presentation is hit or miss. The premise of The Prince and The Pauper is ages old; two people from wildly divergent ways of life switch places, with predictable consequences. This is a very simple and short story, the protagonists being Edward VI, first Prince of Wales and then King of England, and a penniless ragamuffin. The Prince thinks the carefree lifestyle of the ragamuffin sounds attractive and the pair change clothes and identities.If you can get past the utterly absurd premise that the two boys were so exactly alike that their mothers and closest friends were unable to detect the switch, there are a few amusing scenarios, but the story soon becomes tiresome and maddeningly repetitive. Instead of using fictional characters,Twain uses the historical Edward VI as his Prince, implying that the time spent among the lower classes of his kingdom served to make him a more caring and empathetic monarch. Of course, this holds little historical water, as Edward died at the age of fifteen and was never more than a puppet for the power hungry factions that surrounded the throne. I’m sure there are any number of metaphors and morals to be gleaned from the story, but as simple entertainment, it falls short.
  • Rating: 4 out of 5 stars
    4/5
    I loved the details in this book a lot. I could really see the dirty details of London in that era, from the description.
  • Rating: 3 out of 5 stars
    3/5
    The basic story line offered so much potential for compelling social commentary. However, Twain's effort really accomplished little more than a mildly entertaining novel. While an enjoyable read, particularly for its description of 16th century English society, I was disappointed at the lack of sophistication.
  • Rating: 4 out of 5 stars
    4/5
    Most people are familiar with the basic situation of this classic story, but there is much more to Twain's original version than to its many adaptations. Of course, the crucial fact of these two boys being born in such different circumstances at the same time and identical in appearance and meeting as they do is pretty fabulous, but then, it is intended as a fable. At root, this is a story about the arbitrariness of hereditary nobility in general and monarchy in particular, and in true Twain fashion there are many biting and hilarious scenes. However, Twain fails to be true to his own theme in his resolution, which basically amounts to "...and despite what you would expect from everything that's happened so far, they all lived happily ever after." It would have been much more powerful and memorable had they failed to prove their true identities and the pauper had remained king, and the king a pauper...but I suppose a lot of readers wouldn't have liked that ending (which would have been the point!). But in any case, Twain's story is well worth reading just as it is.
  • Rating: 5 out of 5 stars
    5/5
    The prince and the Pauper is a well-known story, a classic written by Mark Twain, a superb 19th century writer. This book starts off in London during the rule of Henry VII. On the streets of London resides the Canty family. With a dead beat, drunken, and heavily abusive dad, and no money to fuel his drinking habits, he resorts to violence and beats his only son, and our main character, Tom Canty. When tom was born he was born with the same features and everything, as the prince, Edward, they were even born on the same day and hour. These two young individuals meet each other in a course of different events and decide that they want to have a perspective of the others life, and that it would be easy because of their visual similarities. They later find that this was not as good of an idea as they though it would be. As they face the hardships of each other’s lives. And what is more of a problem; they can’t get a hold of each other to switch back. In a turn of fate they do however, and all things are reversed back and even improved as Edward becomes King, and tom becomes his right hand man.The Prince and the Pauper is a wonderful classic novel, and many have enjoyed it. It’s meant for anyone and has a good meaning intended to the readers. Mark twain is a wonderful author, and writes books such as this that will keep your face glued to the pages. I’d even suggest reading it more than once just because it is that much of an enjoyable read.
  • Rating: 5 out of 5 stars
    5/5
    After the young Prince Edward VI of England and a peasant boy switch places, the "little king" tries to escape from a world in which he must beg for food, sleep with rodents, face ridicule, and avoid assassination. Meanwhile, the peasant, who is now the prince, dreads exposure and possible execution; members of the Court believe he has gone mad. As a result of the swap, both boys learn that social class, like so much of life, is determined by chance and random circumstance. Originally published in 1881, The Prince and the Pauper is one of Mark Twain's earliest social satires. With his caustic wit and biting irony, Twain satirizes the power of the monarchy, unjust laws and barbaric punishments, superstitions, and religious intolerance. Although usually viewed as a child's story, The Prince and the Pauper offers adults critical insight into a people and time period not really all that different from our own.
  • Rating: 3 out of 5 stars
    3/5
    Although the kids had a hard time following the story (just like with Shakespeare, must be the Old English) this was a really good book. We just paused periodically to make sure that everyone was up to speed. This was not at all what I expected from Mark Twain although it did bear his hallmark humor. It was like a Tom and Huck scheme gone wrong with thees and thous. It was a much more in depth story than what you might suppose if all you had been exposed to is the animated versions. I was pleased and entertained.
  • Rating: 5 out of 5 stars
    5/5
    I could have sword I had read this years ago, but it felt fresh to me when I read it on DailyLit this time. Twain is such a genius! I loved this little story with so much depth and humor. I was also surprised to see how much historical research went into it. This is recommended to everyone.
  • Rating: 3 out of 5 stars
    3/5
    The Prince and the Pauper reminded me very much of Adventures of Tom Sawyer or Huck Finn. There were last second rescue, unbelievable circumstance, local dialects (or an estimation of them at least) abusive fathers, faithful companions...the list goes on. Unfortunately, I don't think Twain did as good a job tapping into old England as he did to the Mississippi river area.
  • Rating: 4 out of 5 stars
    4/5
    Tom Canty, a young pauper in England, dreams of living a better life. One day he finds himself inside the king’s palace and in the presence of the prince. The two boys are the exact same age and discover that they look identical. They are amused and swap clothes to entertain themselves. Chaos, of course, ensues and the prince is thrown out of his own palace, while Tom Canty is unwillingly thrust into the role of prince in the confusion. I was expecting a short parable or fable about two boys, in very different situations, who end up swapping lives for a day. I’ll admit most of this assumption was based on watching the Mickey Mouse version of the Prince and the Pauper when I was young. I also didn’t realize that Twain used an actual prince, Henry VIII’s only son, Edward VI, as the title prince in his story. The book is more of a lesson in merciful leadership than a fanciful tale. The heart of the story lies in the true prince learning the importance of governing with a balance of strength and wisdom, not just blind power.
  • Rating: 3 out of 5 stars
    3/5
    "The Prince and the Pauper" is a simple read and has a fairly predictable ending; I don't think it will knock anyone's socks off, but it is well written and a bit of a classic. Twain's original concept of switching roles and fortunes is also one that has been often copied (e.g. the movie "Trading Places" with Eddie Murphy and Dan Ackroyd :-).There is an interesting undercurrent in the book, for while Twain mocks royalty overtly in scenes such as one with the attendants passing the king's clothes one by one down to him through a long line like a fire brigade, he also does this more subtly. In putting royalty in the context of the 16th century and its way of life - which included many examples of needless violence and cruel torture, ignorant superstition, and fundamental unfairness - Twain shows it as outmoded as all of those things. It is arbitrary and corruptible, he is pointing out, and hereditary power for the few while many suffer is wrong. It is a novel set in London and Dickensian in style, but it has an American message at its core.Quotes:"...when the office of Taster had its perils, and was not a grandeur to be desired. Why they did not use a dog or a plumber seems strange; but all the ways of royalty are strange.""None believe in me - neither wilt thou. But no matter - within the compass of a month thou shalt be free; and more, the laws that have dishonoured thee, and shamed the English name, shall be swept from the statute books. The world is made wrong; kings should go to school to their own laws, at times, and so learn mercy.""...they stepped upon London Bridge, in the midst of a writhing, struggling jam of howling and hurrahing people, whose beer-jolly faces stood out strongly in the glare from manifold torches - and at that instant the decaying head of some former duke or other grandee tumbled down between them, striking Hendon on the elbow and then bounding off among the hurrying confusion of feet. So evanescent and unstable are men's works, in this world! - the late good king is but three weeks dead and three days in his grave, and already the adornments which he took such pains to select from prominent people for his noble bridge are falling.""Once when his royal "sister", the grimly holy lady Mary, set herself to reason with him against the wisdom of his course in pardoning so many people who would otherwise be jailed or hanged or burned, and reminded him that their august late father's prisons had sometimes contained as high as sixty thousand convicts at one time, and that during his admirable reign he had delivered seventy-two thousand thieves and robbers over to death by the executioner*, the boy was filled with generous indignation, and commanded her to go to her closet and beseech God to take away the stone that was in her breast and give her a human heart."* Hume's England
  • Rating: 3 out of 5 stars
    3/5
    In this book, Prince Edward and a beggar, Tom Canty, switch places accidentally. They have many different adventures based on what kind of people they were with. It's in England, during the reign of King Henry VIII. Most of the characters were fictionally made. Overall, it was an okay book; but unless you don't enjoy the medieval way the characters talk, then i suggest you don't read this book.
  • Rating: 1 out of 5 stars
    1/5
    I did not like this book because it was very hard to understand (at least the version i read). I think that Mark Twain over did the old english a little bit.

Book preview

The Prince and the Pauper - Mark Twain

THE PRINCE AND THE PAUPER

The Project Gutenberg EBook of The Prince and The Pauper, Complete

by Mark Twain (Samuel Clemens)

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever.  You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.net

Title: The Prince and The Pauper, Complete

Author: Mark Twain (Samuel Clemens)

Release Date: August 20, 2006 [EBook #1837]

Last Updated: October 22, 2012

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK PRINCE AND THE PAUPER ***

Produced by David Widger. The earliest PG edition was prepared by

Les Bowler

LINK TO THE ORIGINAL HTML FILE: This Ebook Has Been Reformatted For Better Appearance In Mobile Viewers Such As Kindles And Others. The Original Format, Which The Editor Believes Has A More Attractive Appearance For Laptops And Other Computers, May Be Viewed By Clicking On This Box.

THE PRINCE AND THE PAUPER

by Mark Twain

The Great Seal

I will set down a tale as it was told to me by one who had it of his father, which latter had it of HIS father, this last having in like manner had it of HIS father—and so on, back and still back, three hundred years and more, the fathers transmitting it to the sons and so preserving it.  It may be history, it may be only a legend, a tradition. It may have happened, it may not have happened:  but it COULD have happened.  It may be that the wise and the learned believed it in the old days; it may be that only the unlearned and the simple loved it and credited it.

CONTENTS

ILLUSTRATIONS

THE GREAT SEAL (frontispiece)

THE BIRTH OF THE PRINCE AND THE PAUPER

SPLENDID PAGEANTS AND GREAT BONFIRES

TOM'S EARLY LIFE

OFFAL COURT

WITH ANY MISERABLE CRUST

HE OFTEN READ THE PRIEST'S BOOKS

SAW POOR ANNE ASKEW BURNED

BROUGHT THEIR PERPLEXITIES TO TOM

LONGING FOR THE PORK-PIES

TOM'S MEETING WITH THE PRINCE

AT TEMPLE BAR

LET HIM IN

"HOW OLD BE THESE

DOFF THY RAGS, AND DON THESE SPLENDORS  

I SALUTE YOUR GRACIOUS HIGHNESS!

THE PRINCE'S TROUBLES BEGIN

SET UPON BY DOGS

A DRUNKEN RUFFIAN COLLARED HIM

TOM AS A PATRICIAN

NEXT HE DREW THE SWORD

RESOLVED TO FLY

THE BOY WAS ON HIS KNEES

NOBLES WALKED UPON EACH SIDE OF HIM

HE DROPPED UPON HIS KNEES

HE TURNED WITH JOYFUL FACE

THE PHYSICIAN BOWED LOW

THE KING FELL BACK UPON HIS COUCH

IS THIS MAN TO LIVE FOREVER?

TOM RECEIVES INSTRUCTIONS

PRITHEE, INSIST NOT

THE LORD ST. JOHN MADE REVERENCE

HERTFORD AND THE PRINCESSES

SHE MADE REVERENCE

OFFERED IT TO HIM ON A GOLDEN SALVER

THEY MUSED A WHILE

PEACE MY LORD, THOU UTTEREST TREASON!

HE BEGAN TO PACE THE FLOOR

TOM'S FIRST ROYAL DINNER

FASTENED A NAPKIN ABOUT HIS NECK

TOM ATE WITH HIS FINGERS

HE GRAVELY TOOK A DRAUGHT

TOM PUT ON THE GREAVES

THE QUESTION OF THE SEAL

EASED HIM BACK UPON HIS PILLOWS

THE RIVER PAGEANT

HALBERDIERS APPEARED IN THE GATEWAY

TOM CANTY STEPPED INTO VIEW

THE PRINCE IN THE TOILS

A DIM FORM SANK TO THE GROUND

WHO ART THOU?

INTO GOOD WIFE CANTY'S ARMS

BENT HEEDFULLY AND WARILY OVER HIM

THE PRINCE SPRANG UP

HURRIED HIM ALONG THE DARK WAY

HE WASTE NO TIME

AT GUILDHALL

A RICH CANOPY OF STATE

BEGAN TO LAY ABOUT HIM

LONG LIVE THE KING!

THE PRINCE AND HIS DELIVERER

OUR FRIENDS THREADED THEIR WAY

OBJECT LESSONS IN ENGLISH HISTORY

JOHN CANTY MOVED OFF

SMOOTHING BACK THE TANGLED CURLS

PRITHEE, POUR THE WATER

"GO ON—TELL ME THY STORY

THOU HAST BEEN SHAMEFULLY ABUSED

HE DROPPED ON ONE KNEE

RISE, SIR MILES HENDON, BARONET

THE DISAPPEARANCE OF THE PRINCE

HE DROPPED ASLEEP

THESE BE VERY GOOD AND SOUND

EXPLAIN, THOU LIMB OF SATAN

HENDON FOLLOWED AFTER HIM

LE ROI EST MORT-VIVE LE ROI

WILT DEIGN TO DELIVER THY COMMANDS?

LORD OF THE BEDCHAMBER

A SECRETARY OF STATE

STOOD AT GRACEFUL EASE

'TIS I THAT TAKE THEM

BUT TAX YOUR MEMORY

TOM AS KING

TOM HAD WANDERED TO A WINDOW

TOM SCANNED THE PRISONERS

LET THE PRISONER GO FREE!

WHAT IS IT THAT THESE HAVE DONE?

NODDED THEIR RECOGNITION

THE STATE DINNER

A GENTLEMAN BEARING A ROD

THE CHANCELLOR BETWEEN TWO

I THANK YOU MY GOOD PEOPLE

IN THE MIDST OF HIS PAGEANT

FOO-FOO THE FIRST

RUFFIAN FOLLOWED THEIR STEPS

HE SEIZED A BILLET OF WOOD

HE WAS SOON ABSORBED IN THINKING

A GRIM AND UNSIGHTLY PICTURE

THEY ROARED OUT A ROLLICKING DITTY

WHILST THE FLAMES LICKED UPWARDS

THEY WERE WHIPPED AT THE CART'S TAIL

THOU SHALT NOT

KNOCKING HOBBS DOWN

THRONE HIM

THE PRINCE WITH THE TRAMPS

TROOP OF VAGABONDS SET FORWARD

"THEY THREW BONES AND VEGETABLES

WRITHE AND WALLOW IN THE DIRT

KING FLED IN THE OPPOSITE DIRECTION

HE STUMBLED ALONG

WHAT SEEMED TO BE A WARM ROPE

CUDDLED UP TO THE CALF

THE PRINCE WITH THE PEASANTS

TOOK A GOOD SATISFYING STARE

MOTHER RECEIVED THE KING KINDLY

BROUGHT THE KING OUT OF HIS DREAMS

GAVE HIM A BUTCHER KNIFE TO GRIND

THE PRINCE AND THE HERMIT

HE TURNED AND DESCRIED TWO FIGURES

THE KING ENTERED AND PAUSED

I WILL TELL YOU A SECRET

CHATTING PLEASANTLY ALL THE TIME

DREW HIS THUMB ALONG THE EDGE

THE NEXT MOMENT THEY WERE BOUND

HENDON TO THE RESCUE

SUNK UPON HIS KNEES

GOD MADE EVERY CREATURE BUT YOU!

THE FETTERED LITTLE KING

A VICTIM OF TREACHERY

HUGO STOOD NO CHANCE

BOUND THE POULTICE TIGHT AND FAST

"TARRY HERE TILL I COME AGAIN

KING SPRANG TO HIS DELIVERER'S SIDE

THE PRINCE A PRISONER

GENTLY, GOOD FRIEND

SHE SPRANG TO HER FEET

THE ESCAPE

THE PIG MAY COST THY NECK, MAN

BEAR ME UP, BEAR ME UP, SWEET SIR!

HENDON HALL

JOGGING EASTWARD ON SORRY STEEDS

THERE IS THE VILLAGE, MY PRINCE!

'EMBRACE ME, HUGH,' HE CRIED

HUGH PUT UP HIS HAND IN DISSENT

A BEAUTIFUL LADY, RICHLY CLOTHED

HUGH WAS PINNED TO THE WALL

DISOWNED

OBEY, AND HAVE NO FEAR

AM I MILES HENDON?

IN PRISON

CHAINED IN A LARGE ROOM

THE OLD MAN LOOKED HENDON OVER

INFORMATION DELIVERED IN A LOW VOICE

THE KING! HE CRIED. WHAT KING?

TWO WOMEN CHAINED TO POSTS

TORN AWAY BY THE OFFICERS

THE KING WAS FURIOUS

THE SACRIFICE

HE CONFRONTED THE OFFICER IN CHARGE

WHILE THE LASH WAS APPLIED

SIR HUGH SPURRED AWAY

TO LONDON

MOUNTED AND RODE OFF WITH THE KING

MIDST OF A JAM OF HOWLING PEOPLE

TOM'S PROGRESS

TO KISS HIS HAND AT PARTING

COMMANDED HER TO GO TO HER CLOSET

THE RECOGNITION PROCESSION

THE START FOR THE TOWER

WELCOME, O KING!

A LARGESS! A LARGESS!

SHE WAS AT HIS SIDE

IT IS AN ILL TIME FOR DREAMING

SHE WAS MY MOTHER

CORONATION DAY

GATHERS UP THE LADY'S LONG TRAIN

TOM CANTY APPEARED

AND FELL ON HIS KNEES BEFORE HIM

THE GREAT SEAL—FETCH IT HITHER

SIRE, THE SEAL IS NOT THERE

BETHINK THEE, MY KING

LONG LIVE THE TRUE KING!

TO CRACK NUTS WITH

EDWARD AS KING

HE STRETCHED HIMSELF ON THE GROUND

ARRESTED AS A SUSPICIOUS CHARACTER

IT IS HIS RIGHT

STRIP THIS ROBBER

TOM ROSE AND KISSED THE KING'S HAND

JUSTICE AND RETRIBUTION

NOTES

Chapter I. The birth of the Prince and the Pauper.

In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him.  On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him too.  England had so longed for him, and hoped for him, and prayed God for him, that, now that he was really come, the people went nearly mad for joy.  Mere acquaintances hugged and kissed each other and cried. Everybody took a holiday, and high and low, rich and poor, feasted and danced and sang, and got very mellow; and they kept this up for days and nights together.  By day, London was a sight to see, with gay banners waving from every balcony and housetop, and splendid pageants marching along.  By night, it was again a sight to see, with its great bonfires at every corner, and its troops of revellers making merry around them.  There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him—and not caring, either.  But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.

Chapter II. Tom's early life.

Let us skip a number of years.

London was fifteen hundred years old, and was a great town—for that day. It had a hundred thousand inhabitants—some think double as many.  The streets were very narrow, and crooked, and dirty, especially in the part where Tom Canty lived, which was not far from London Bridge.  The houses were of wood, with the second story projecting over the first, and the third sticking its elbows out beyond the second.  The higher the houses grew, the broader they grew.  They were skeletons of strong criss-cross beams, with solid material between, coated with plaster.  The beams were painted red or blue or black, according to the owner's taste, and this gave the houses a very picturesque look.  The windows were small, glazed with little diamond-shaped panes, and they opened outward, on hinges, like doors.

The house which Tom's father lived in was up a foul little pocket called Offal Court, out of Pudding Lane.  It was small, decayed, and rickety, but it was packed full of wretchedly poor families. Canty's tribe occupied a room on the third floor.  The mother and father had a sort of bedstead in the corner; but Tom, his grandmother, and his two sisters, Bet and Nan, were not restricted—they had all the floor to themselves, and might sleep where they chose.  There were the remains of a blanket or two, and some bundles of ancient and dirty straw, but these could not rightly be called beds, for they were not organised; they were kicked into a general pile, mornings, and selections made from the mass at night, for service.

Bet and Nan were fifteen years old—twins.  They were good-hearted girls, unclean, clothed in rags, and profoundly ignorant.  Their mother was like them.  But the father and the grandmother were a couple of fiends.  They got drunk whenever they could; then they fought each other or anybody else who came in the way; they cursed and swore always, drunk or sober; John Canty was a thief, and his mother a beggar.  They made beggars of the children, but failed to make thieves of them.  Among, but not of, the dreadful rabble that inhabited the house, was a good old priest whom the King had turned out of house and home with a pension of a few farthings, and he used to get the children aside and teach them right ways secretly. Father Andrew also taught Tom a little Latin, and how to read and write; and would have done the same with the girls, but they were afraid of the jeers of their friends, who could not have endured such a queer accomplishment in them.

All Offal Court was just such another hive as Canty's house. Drunkenness, riot and brawling were the order, there, every night and nearly all night long.  Broken heads were as common as hunger in that place.  Yet little Tom was not unhappy.  He had a hard time of it, but did not know it.  It was the sort of time that all the Offal Court boys had, therefore he supposed it was the correct and comfortable thing.  When he came home empty-handed at night, he knew his father would curse him and thrash him first, and that when he was done the awful grandmother would do it all over again and improve on it; and that away in the night his starving mother would slip to him stealthily with any miserable scrap or crust she had been able to save for him by going hungry herself, notwithstanding she was often caught in that sort of treason and soundly beaten for it by her husband.

No, Tom's life went along well enough, especially in summer.  He only begged just enough to save himself, for the laws against mendicancy were stringent, and the penalties heavy; so he put in a good deal of his time listening to good Father Andrew's charming old tales and legends about giants and fairies, dwarfs and genii, and enchanted castles, and gorgeous kings and princes.  His head grew to be full of these wonderful things, and many a night as he lay in the dark on his scant and offensive straw, tired, hungry, and smarting from a thrashing, he unleashed his imagination and soon forgot his aches and pains in delicious picturings to himself of the charmed life of a petted prince in a regal palace.  One desire came in time to haunt him day and night:  it was to see a real prince, with his own eyes.  He spoke of it once to some of his Offal Court comrades; but they jeered him and scoffed him so unmercifully that he was glad to keep his dream to himself after that.

He often read the priest's old books and got him to explain and enlarge upon them.  His dreamings and readings worked certain changes in him, by- and-by.  His dream-people were so fine that he grew to lament his shabby clothing and his dirt, and to wish to be clean and better clad.  He went on playing in the mud just the same, and enjoying it, too; but, instead of splashing around in the Thames solely for the fun of it, he began to find an added value in it because of the washings and cleansings it afforded.

Tom could always find something going on around the Maypole in Cheapside, and at the fairs; and now and then he and the rest of London had a chance to see a military parade when some famous unfortunate was carried prisoner to the Tower, by land or boat. One summer's day he saw poor Anne Askew and three men burned at the stake in Smithfield, and heard an ex-Bishop preach a sermon to them which did not interest him.  Yes, Tom's life was varied and pleasant enough, on the whole.

By-and-by Tom's reading and dreaming about princely life wrought such a strong effect upon him that he began to act the prince, unconsciously. His speech and manners became curiously ceremonious and courtly, to the vast admiration and amusement of his intimates.  But Tom's influence among these young people began to grow now, day by day; and in time he came to be looked up to, by them, with a sort of wondering awe, as a superior being.  He seemed to know so much! and he could do and say such marvellous things! and withal, he was so deep and wise!  Tom's remarks, and Tom's performances, were reported by the boys to their elders; and these, also, presently began to discuss Tom Canty, and to regard him as a most gifted and extraordinary creature.  Full-grown people brought their perplexities to Tom for solution, and were often astonished at the wit and wisdom of his decisions.  In fact he was become a hero to all who knew him except his own family—these, only, saw nothing in him.

Privately, after a while, Tom organised a royal court!  He was the prince; his special comrades were guards, chamberlains, equerries, lords and ladies in waiting, and the royal family.  Daily the mock prince was received with elaborate ceremonials borrowed by Tom from his romantic readings; daily the great affairs of the mimic kingdom were discussed in the royal council, and daily his mimic highness issued decrees to his imaginary armies, navies, and viceroyalties.

After which, he would go forth in his rags and beg a few farthings, eat his poor crust, take his customary cuffs and abuse, and then stretch himself upon his handful of foul straw, and resume his empty grandeurs in his dreams.

And still his desire to look just once upon a real prince, in the flesh, grew upon him, day by day, and week by week, until at last it absorbed all other desires, and became the one passion of his life.

One January day, on his usual begging tour, he tramped despondently up and down the region round about Mincing Lane and Little East Cheap, hour after hour, bare-footed and cold, looking in at cook-shop windows and longing for the dreadful pork-pies and other deadly inventions displayed there—for to him these were dainties fit for the angels; that is, judging by the smell, they were—for it had never been his good luck to own and eat one. There was a cold drizzle of rain; the atmosphere was murky; it was a melancholy day.  At night Tom reached home so wet and tired and hungry that it was not possible for his father and grandmother to observe his forlorn condition and not be moved—after their fashion; wherefore they gave him a brisk cuffing at once and sent him to bed.  For a long time his pain and hunger, and the swearing and fighting going on in the building, kept him awake; but at last his thoughts drifted away to far, romantic lands, and he fell asleep in the company of jewelled and gilded princelings who live in vast palaces, and had servants salaaming before them or flying to execute their orders.  And then, as usual, he dreamed that he was a princeling himself.

All night long the glories of his royal estate shone upon him; he moved among great lords and ladies, in a blaze of light, breathing perfumes, drinking in delicious music, and answering the reverent obeisances of the glittering throng as it parted to make way for him, with here a smile, and there a nod of his princely head.

And when he awoke in the morning and looked upon the wretchedness about him, his dream had had its usual effect—it had intensified the sordidness of his surroundings a thousandfold.  Then came bitterness, and heart-break, and tears.


Chapter III. Tom's meeting with the Prince.

Tom got up hungry, and sauntered hungry away, but with his thoughts busy with the shadowy splendours of his night's dreams. He wandered here and there in the city, hardly noticing where he was going, or what was happening around him.  People jostled him, and some gave him rough speech; but it was all lost on the musing boy.  By-and-by he found himself at Temple Bar, the farthest from home he had ever travelled in that direction.  He stopped and considered a moment, then fell into his imaginings again, and passed on outside the walls of London.  The Strand had ceased to be a country-road then, and regarded itself as a street, but by a strained construction; for, though there was a tolerably compact row of houses on one side of it, there were only some scattered great buildings on the other, these being palaces of rich nobles, with ample and beautiful grounds stretching to the river—grounds that are now closely packed with grim acres of brick and stone.

Tom discovered Charing Village presently, and rested himself at the beautiful cross built there by a bereaved king of earlier days; then idled down a quiet, lovely road, past the great cardinal's stately palace, toward a far more mighty and majestic palace beyond—Westminster. Tom stared in glad wonder at the vast pile of masonry, the wide-spreading wings, the frowning bastions and turrets, the huge stone gateway, with its gilded bars and its magnificent array of colossal granite lions, and other the signs and symbols of English royalty.  Was the desire of his soul to be satisfied at last?  Here, indeed, was a king's palace.  Might he not hope to see

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