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Edward Fane's Rosebud (From "Twice Told Tales")
Edward Fane's Rosebud (From "Twice Told Tales")
Edward Fane's Rosebud (From "Twice Told Tales")
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Edward Fane's Rosebud (From "Twice Told Tales")

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Release dateNov 26, 2013
Edward Fane's Rosebud (From "Twice Told Tales")
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Nathaniel Hawthorne

Born in 1804, Nathaniel Hawthorne is known for his historical tales and novels about American colonial society. After publishing The Scarlet Letter in 1850, its status as an instant bestseller allowed him to earn a living as a novelist. Full of dark romanticism, psychological complexity, symbolism, and cautionary tales, his work is still popular today. He has earned a place in history as one of the most distinguished American writers of the nineteenth century.

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    Edward Fane's Rosebud (From "Twice Told Tales") - Nathaniel Hawthorne

    The Project Gutenberg EBook of Edward Fane's Rosebud (From Twice Told Tales), by Nathaniel Hawthorne

    This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

    Title: Edward Fane's Rosebud (From Twice Told Tales)

    Author: Nathaniel Hawthorne

    Posting Date: December 2, 2010 [EBook #9219] Release Date: November, 2005 First Posted: August 23, 2003 Last Updated: February 5, 2007

    Language: English

    *** START OF THIS PROJECT GUTENBERG EBOOK EDWARD FANE'S ROSEBUD ***

    Produced by David Widger. HTML version by Al Haines.

    TWICE TOLD TALES

    EDWARD FANE'S ROSEBUD

    By Nathaniel Hawthorne

    There is hardly a more difficult exercise of fancy, than, while gazing at a figure of melancholy age, to re-create its youth, and, without entirely obliterating the identity of form and features, to restore those graces which time has snatched away. Some old people, especially women, so age-worn and woeful are they, seem never to have been young and gay. It is easier to conceive that such gloomy phantoms were sent into the world as withered and decrepit as we behold them now, with sympathies only for pain and grief, to watch at death-beds, and weep at funerals. Even the sable garments of their widowhood appear essential to their existence; all their attributes combine to render them darksome shadows, creeping strangely amid the sunshine of human life. Yet it is no unprofitable task, to take one of these doleful creatures, and set fancy resolutely at work to brighten the dim eye, and darken the silvery locks, and paint the ashen cheek with rose-color, and repair the shrunken and

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