Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

A Midsummer Night's Dream
A Midsummer Night's Dream
A Midsummer Night's Dream
Ebook109 pages1 hour

A Midsummer Night's Dream

Rating: 4 out of 5 stars

4/5

()

Read preview
LanguageEnglish
Release dateJan 1, 1840
Author

William Shakespeare

William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.

Read more from William Shakespeare

Related to A Midsummer Night's Dream

Related ebooks

Related articles

Reviews for A Midsummer Night's Dream

Rating: 3.9871074618330353 out of 5 stars
4/5

3,917 ratings71 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5
    My favorite Shakespearean comedy, a miracle.
  • Rating: 4 out of 5 stars
    4/5
    " The course of true love never did run smooth."This is one of Shakespeare's most performed comedies and as such probably one of his best known. Consequently I'm not going to going to say anything about the plot. I personally studied this whilst at school as part of an English Literature course and despite my callow years I remember enjoying. However, I haven't read it since.Now, far too many decades later, I read Bernard Cornwell's novel 'Fools and Mortals' which centres around a speculative and fictional première of the play. Having really enjoyed reading that book decided to revisit the original. Once again I found it a highly enjoyable read which made me smile and a piece of true genius.
  • Rating: 3 out of 5 stars
    3/5
    I've been meaning to catch up on various Shakespeare plays that "everyone" has read, and after finishing a book and having no immediate plans for what to read next, A Midsummer Night's Dream was conveniently waiting for me on my Kindle.In short, I didn't really like reading it much. I can see how it would probably work much better on stage, but read as a book it didn't really do much for me.If I ever get the opportunity to see it on stage I probably will, and I'll be prepared to be pleasantly surprised at how well it can work as a play.That said, I do enjoy poems, and I found the lyrical nature of the dialogue, the rhythm and the rhyme, to be quite fun. But as a story I just didn't really appreciate it as much as I had expected.
  • Rating: 5 out of 5 stars
    5/5
    Read it in high school. Loved it, it was funny
  • Rating: 4 out of 5 stars
    4/5
    A reasonably mild edition of a great play, but one that will be eminently suitable for highschool students and actors.
  • Rating: 5 out of 5 stars
    5/5
    Perfect comedy.
  • Rating: 4 out of 5 stars
    4/5
    Lyrical and mesmerizing! I got a dramatized audio copy of this book. It really brings this story to life!

    A very different love story for the ages. Couplings, love triangles, love quads, and love chases. It is all here. Thank you fantasy forest for all this wonderful chaos. Some parts a whimsical, others near tragic, some comedy. You never know what the next scene will hold.

    When just listening to this, it can take a bit to follow the story at first. I had no idea who anyone was and names are not mentioned enough to quickly catch on. The only indication to the setting is the sounds you here. It really is just like listening to a play. They even have a full cast for the audio so each character is voiced by someone new. While it makes it far more enjoyable it just made things take a little longer.

    I finally got to learn where several famous quotes and expressions came from. Hearing certain lines brought a smile to my face. Now I just need to read the print version of this book so I can be sure I didn't miss anything. I now have a mental soundtrack to go with it.
  • Rating: 3 out of 5 stars
    3/5
    Kinda boring.
  • Rating: 5 out of 5 stars
    5/5
    Great romantic comedy.
  • Rating: 5 out of 5 stars
    5/5
    Nothing is funnier than the reversal of social degrees, is it?

    C'mon, the mighty Titania falls in love with a working class sod who has the head of an ass! AND his name is Bottom!

    Shakespeare, you cheeky bastard.
  • Rating: 5 out of 5 stars
    5/5
    Every read of this classic reveals another tongue in cheek pun. This humorous comedy of errors deals with love, romance, fairies in an enchanted forest, a traveling actors' troupe that passes itself as professional, but offers comic relief, mistaken identity, and of course parents at the crux who will not let true love have its way. Just a simple, straightforward Shakespearean tale. Enjoy!
  • Rating: 4 out of 5 stars
    4/5
    While I am not a huge Shakespeare fan I did find this particular play to be pretty darn good. I enjoyed the fact that there was this mix of fantasy with ideas that we can all relate to with unrequited love. It was fascinating to see how Shakespeare made fun of his own play "Romeo and Juliet" within the story as well. There is such a great woven story here that anyone that enjoys reading plays should read this. This was another book that I had to read for my Theatre course.
  • Rating: 4 out of 5 stars
    4/5
    "If we shadows have offended,/Thing but this--and all is mended--/That you have but slumber'd here/While these visions did appear./And this weak and idle theme,/No more yielding but a dream,/Gentles, do not reprehend;/If you pardon, we will mend./And, as I'm an honest Puck,/If we have unearned luck/Now to' scape the serpent's tongue,/We will make amends ere long;/Else the Puck a liar call:/So, good night unto you all./Give me your hands, if we be friends,?/And Robin shall restore Amends"

    By ending the play with this quote, Shakespeare seems to leave it for us to decide whether the events that occurred in the woods, or if they were dreams. Perhaps this play is what inspired Louis Carroll and Frank L. Baum to do the same in their famous stories.

    Everything that happens in the woods is somewhat confusing--for the characters at least. We know more-or-less what is going on, being party to Puck and Oberon's doings, but, as will sometimes happen in a dream, the characters are buffeted by abrupt changes to themselves, and those they care about. One moment Demetrius is cruel to Helena, the next he loves her. At one time Lysander loves Hermia, then claims to despise her, then back again. No wonder the characters were confused. These kind of character changes only happen in dreams, or if a person is crazy.

    Every character in the play is victim to Oberon's whims, including Puck, and every character is the subject of Puck's gaffe or impishness. Oberon wants Titania's changeling. A child to whom she is attached because she was friends with his mother, and so Oberon devises a cruel game to trick Titania into giving the child to him. Along the way he decides to help Helena, but tells Puck only to find a man in Athenian clothing to enchant into love with Helena, so Puck finds Lysander, who then upsets Helena by claiming to love her, and breaks Hermia's heart. Demetrius and Lysander could have hurt one another--therefore further breaking their lady's hearts--in the turmoil that followed.

    Bottom is the subject of Titania's manipulated love and Puck's parody on the two of them. Through that the rest of Bottom's troupe is also victim, being frightened, and having their practice interrupted (maybe their play wouldn't have been so painful to read if they had been able to practice more).

    A Midsummer Night's Dream has got to be the most popular Shakespearean play there is. It's one of the one's that I became familiar with through Jim Weiss (though this is my first time reading the actual play) and it has been brought into books and movies, it has been adapted into movies. It has become a ballet via Felix Mendelssohn (part of which is a violinist's nightmare,) an opera by Benjamin Britten, and has shorter pieces written for it by Henry Purcell and Ralph Vaughn-Williams.

    (Please note that this review was written as a discussion post in an online Shakespeare class.)
  • Rating: 5 out of 5 stars
    5/5
    Finally, a Shakespeare book I can get behind. Fun, light and crisp; this tale is a hit.
  • Rating: 5 out of 5 stars
    5/5
    A great story of romance with enough trickery to make it fantastical. He loves her but she loves him, and nothing is ever clear when you're in the middle of it all!

    This is an easy-to-read for anyone who is new to Shakespeare, play formats, or both. I highly recommend this for a fun look into romance and the drama that naturally ensues. It seems that we all have our own Fae dictating the rules of our hearts, sometimes.
  • Rating: 4 out of 5 stars
    4/5
    I wish I could have been more fair with my grade for this book. The concept of condensing and rewording Shakespeare's plays into a format that a much younger audience could understand is certainly valuable. This series serves the laudable purpose of introducing the Bard to an elementary age audience, the benefit of which is an even earlier exposure to good literature. I will say that this would be a middle school audience would be too old for this book as they would be ready for the real thing, or at least an unabridged translation. I would also add that the book, understandably so, didn't deal very much in nuance, or interpretations. I know that the main action in the story centers upon the young lovers in the forest, and Titania and her being bewitched to fall for Bottom by Oberon's machinations, however, there are glaring thematic omissions. The biggest of these missteps would have to be the (author's? editors?) decision not to focus upon the forest itself, specifically the fact that this isn't an ordinary forest, but rather a magical realm of fae beings. Instead of presenting the woods as being a separate world (Shakespeare's intent) its presentation was rather mundane. Furthermore, there is something to be said about promoting Puck. In this version, Puck is presented as mixing up the lovers due to carelessness rather than out of the agency of mischief. Still, the book was solid and I would recommend it to elementary classes.
  • Rating: 4 out of 5 stars
    4/5
    While I am not a huge Shakespeare fan I did find this particular play to be pretty darn good. I enjoyed the fact that there was this mix of fantasy with ideas that we can all relate to with unrequited love. It was fascinating to see how Shakespeare made fun of his own play "Romeo and Juliet" within the story as well. There is such a great woven story here that anyone that enjoys reading plays should read this. This was another book that I had to read for my Theatre course.
  • Rating: 5 out of 5 stars
    5/5
    I was a stagehand for this. Incredibly fun.
  • Rating: 3 out of 5 stars
    3/5
    In "A Midnight's Summer Dream", there are four lovers, Lysander and Hermia, and Demetrius and Helena. Hermia wishes to marry Lysander but Demetrius is also in love with her. Hermia's father, Egeus, wants her to marry Demetrius. If she refuses, she could receive the full extent of the law and be executed. Nevertheless, Hermia and Lysander plan to flee Athens the next night and marry in the house of Lysander's aunt. They tell Helena, who was once engaged to Demetrius, who still loves him even though he dumped her for Hermia. Helene wanting to regain Demetrius's love, tells him about Lysander and Hermia escaping. Demetrius follows Lysander and Hermia while Helena follows Demetrius. Fairy king, Oberon, notices how cruelly Demetrius acts towards Helena. Oberon orders Puck, a fairy messenger, to spread the juice of a magic flower on Demetrius's eye lids so that the first person he sees, he will love. Puck mistakes Lysander for Demetrius and when Lysander wakes up he immediately falls in love with Helena, who was the first person he saw. Later that night, Puck tries to fix his mistake, but it ends up that they both now love Helena. The next night Puck succeeds in making Lysander love Hermia, and Demetrius love Helena. Theseus, a duke, and Hippolyta, the queen of the Amazons, find them sleeping and take them to Athens to be married. Overall, this book was lacking. I thought this because it was dull. I found it dull because you would know what happened next. it didn't have any cliffhangers. I thought it was slow to get to the climax... if there was one. Shakespeare wrote using strong literal and metaphorical language, which makes it confusing. It was not my cup of tea.
  • Rating: 3 out of 5 stars
    3/5
    While I liked the overall plot, I found this to be one of the plays in which Shakespeare's language is hard for me. I have seen some of the film versions (most notably the 1935 movie with Olivia de Havilland & Jimmy Cagney and the BBC Production with Helen Mirren as Titania) & seeing the action does help (especially in the 'humorous' parts!).One thing that I noticed in reading this was how unpleasant I found Oberon to be.
  • Rating: 4 out of 5 stars
    4/5
    Still one of my favorites, but I am reminded that some plays can be read and some are better watched. This is one that is better on the stage, but that doesn't mean that it shouldn't be experienced in some way or another. I got a little twisted up a couple times because some of the names are similar & I wasn't paying complete attention to who was supposed to be reading.
  • Rating: 5 out of 5 stars
    5/5
    It's Shakespeare. Wonderful story but I prefer his tragedies.
  • Rating: 5 out of 5 stars
    5/5
    "The course of true love never did run smooth"; but oh my friends and neighbours, when was love ever "true"? This is the jolly cynic's Romeo and Juliet, with English country faire elements displaced to Theseus's Athens (itself a place that hardly did exist) and the mythological, metaphysical backdrop, the ridiculous-but-still-great-and-terrible Olympians, disinvited from the party in favour of the fairies, magnificent and dreadful but still ridiculous (it sounds like the same thing as the gods but it's actually the opposite): Oberon, equal parts virile intensity and cat-chasing-his-tail; Titania, majestic and intoxicating and yet you also just want to pat her on the head; Puck, with all the mystique of a trickster spirit and all the bathos of a cigar-smoking baby. Lord, what fools these immortals be!They elevate the humans as the humans drag them into the mundane, to the benefit of the action in both cases. Just a quartet of pretty young goofballs bouncing through the sacred groves on a wave of hormonal exuberance, as the rules get mixed up and upside-downed and love-potion-number-nined till it's all reduced to the lowest common denominator. Bucolic rumpus--pratfalls and sex. They seem too quick and alive for the law to catch up with them, and indeed Theseus and Hippolyta do present a fairly mellow or enlightened face on disciplining authority, as the king reassures us that EVEN IF things fall over the precipice and go all two-households-both-alike-in-dignity on us, Hermia can choose forcible cloisterment over death--but is this really such a comfort? We see Demetrius and Lysander play fistfights for laughs and never think about how close either of them is to braining himself on a rock, the other being strung up. Skulking around somewhere in the background is always the deeply unfunny Egeus, the patriarch with filicide in his fist.The estimable Bottom and his bunch of goony players (special shout out to Wall--I see you, Wall!) bring it all home by staging the tragic romance of Pyramus and Thisbe farcically for a bunch of complacent chuckleheads who don't know that they're in a play themselves, and that comedy and tragedy are a mere knife-edge apart. And ever if we manage to keep it light and nobody falls on a dagger, love fades and everyone you know will one day still certainly die. The comic dignity of the man with the donkey's head sums up the message quite nicely: The play's an ass, and it is a matter of life and death that we keep it that way. Laugh at that! No, I mean it!
  • Rating: 4 out of 5 stars
    4/5
    Hermia's father brings her before Theseus to be judged, as Hermia refuses to marry her father's choice, Demetrius. Instead she loves Lysander, who loves her back. With the threat of death if Hermia doesn't follow her father's wishes, the couple run into the woods, but are pursued by Demetrius and the girl who loves him, Helena. Also in the woods are the King and Queen of the Fairies and their followers. When the King attempts to smooth love's way for the mortals, he makes things much worse.Not one of my favorites from Shakespeare, but I can see where it would be a great choice for the stage. Romance in the forest and fairies would be difficult to resist
  • Rating: 2 out of 5 stars
    2/5
    Far too contrived for my reading enjoyment. I'm certain that it is charming when performed on stage, but the premise wore thin upon reading. I really had no feel for the characters and cared little for their fate.
  • Rating: 4 out of 5 stars
    4/5
    Fast and fun. I liked the characters and comedy alike.
  • Rating: 4 out of 5 stars
    4/5
    One of my favorite Shakespeare tales that give me a new laugh every time. I've re-read it and love the characters of Helena and Hermia more every time.
  • Rating: 5 out of 5 stars
    5/5
    I have read this book twice and I really like it, it even might be my favorite among Shakespear books, for some reason the song "Strange And Beautiful (I'll Put A Spell On You)" Lyrics by Aqualung always reminds me of this book:

    I've been watching your world from afar
    I've been trying to be where you are
    And I've been secretly falling apart... Unseen
    To me, you're strange and you're beautiful
    You'd be so perfect with me
    But you just can't see
    You turn every head but you don't see me

    I'll put a spell on you
    You'll fall asleep
    When I put a spell on you
    And when I wake you I'll be the first thing you see
    And you'll realize that you love me

    Sometimes the last thing you want comes in first
    Sometimes the first thing you want never comes
    But I know that waiting is all you can do
    Sometimes

    I'll put a spell on you
    You'll fall asleep
    When I put a spell on you
    And when I wake you I'll be the first thing you see
    And you'll realise that you love me

    I'll put a spell on you
    You'll fall asleep
    Cause I put a spell on you
    And when I wake you I'll be the first thing you see
    And you'll realize that you love me
  • Rating: 5 out of 5 stars
    5/5
    I love sharing Shakespeare with my 5 year old. This is a very good children's version of one of my favorites. She loved it and was scolding Puck for being such a bad boy!
  • Rating: 4 out of 5 stars
    4/5
    "If we shadows have offended,/Thing but this--and all is mended--/That you have but slumber'd here/While these visions did appear./And this weak and idle theme,/No more yielding but a dream,/Gentles, do not reprehend;/If you pardon, we will mend./And, as I'm an honest Puck,/If we have unearned luck/Now to' scape the serpent's tongue,/We will make amends ere long;/Else the Puck a liar call:/So, good night unto you all./Give me your hands, if we be friends,?/And Robin shall restore Amends"

    By ending the play with this quote, Shakespeare seems to leave it for us to decide whether the events that occurred in the woods, or if they were dreams. Perhaps this play is what inspired Louis Carroll and Frank L. Baum to do the same in their famous stories.

    Everything that happens in the woods is somewhat confusing--for the characters at least. We know more-or-less what is going on, being party to Puck and Oberon's doings, but, as will sometimes happen in a dream, the characters are buffeted by abrupt changes to themselves, and those they care about. One moment Demetrius is cruel to Helena, the next he loves her. At one time Lysander loves Hermia, then claims to despise her, then back again. No wonder the characters were confused. These kind of character changes only happen in dreams, or if a person is crazy.

    Every character in the play is victim to Oberon's whims, including Puck, and every character is the subject of Puck's gaffe or impishness. Oberon wants Titania's changeling. A child to whom she is attached because she was friends with his mother, and so Oberon devises a cruel game to trick Titania into giving the child to him. Along the way he decides to help Helena, but tells Puck only to find a man in Athenian clothing to enchant into love with Helena, so Puck finds Lysander, who then upsets Helena by claiming to love her, and breaks Hermia's heart. Demetrius and Lysander could have hurt one another--therefore further breaking their lady's hearts--in the turmoil that followed.

    Bottom is the subject of Titania's manipulated love and Puck's parody on the two of them. Through that the rest of Bottom's troupe is also victim, being frightened, and having their practice interrupted (maybe their play wouldn't have been so painful to read if they had been able to practice more).

    A Midsummer Night's Dream has got to be the most popular Shakespearean play there is. It's one of the one's that I became familiar with through Jim Weiss (though this is my first time reading the actual play) and it has been brought into books and movies, it has been adapted into movies. It has become a ballet via Felix Mendelssohn (part of which is a violinist's nightmare,) an opera by Benjamin Britten, and has shorter pieces written for it by Henry Purcell and Ralph Vaughn-Williams.

    (Please note that this review was written as a discussion post in an online Shakespeare class.)

Book preview

A Midsummer Night's Dream - William Shakespeare

This Etext file is presented by Project Gutenberg, in

cooperation with World Library, Inc., from their Library of the Future and Shakespeare CDROMS. Project Gutenberg often releases Etexts that are NOT placed in the Public Domain!!

*This Etext has certain copyright implications you should read!*

<

SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS

PROVIDED BY PROJECT GUTENBERG WITH PERMISSION. ELECTRONIC AND

MACHINE READABLE COPIES MAY BE DISTRIBUTED SO LONG AS SUCH COPIES

(1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT

DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL

DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD

TIME OR FOR MEMBERSHIP.>>

*Project Gutenberg is proud to cooperate with The World Library* in the presentation of The Complete Works of William Shakespeare for your reading for education and entertainment. HOWEVER, THIS IS NEITHER SHAREWARE NOR PUBLIC DOMAIN. . .AND UNDER THE LIBRARY OF THE FUTURE CONDITIONS OF THIS PRESENTATION. . .NO CHARGES MAY BE MADE FOR *ANY* ACCESS TO THIS MATERIAL. YOU ARE ENCOURAGED!! TO GIVE IT AWAY TO ANYONE YOU LIKE, BUT NO CHARGES ARE ALLOWED!!

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*These Etexts Prepared By Hundreds of Volunteers and Donations*

Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations.

The Complete Works of William Shakespeare

A Midsummer Night's Dream

June, 1999 [Etext #1778]

[Date last updated: Aug 5, 2005]

The Library of the Future Complete Works of William Shakespeare

Library of the Future is a TradeMark (TM) of World Library Inc.

******This file should be named 1ws1711.txt or 1ws1711.zip*****

Corrected EDITIONS of our etexts get a new NUMBER, 1ws1712.txt

VERSIONS based on separate sources get new NUMBER, 2ws1710.txt

The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar, then we produce 2 million dollars per hour this year we, will have to do four text files per month: thus upping our productivity from one million. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is 10% of the expected number of computer users by the end of the year 2001.

We need your donations more than ever!

All donations should be made to Project Gutenberg/CMU, and are tax deductible to the extent allowable by law (CMU is Carnegie Mellon University).

Please mail to:

Project Gutenberg

P. O. Box 2782

Champaign, IL 61825

You can visit our web site at promo.net for complete information about Project Gutenberg.

When all other else fails try our Executive Director: dircompg@pobox.com or hart@pobox.com

******

**Information prepared by the Project Gutenberg legal advisor**

***** SMALL PRINT! for COMPLETE SHAKESPEARE *****

THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY WITH PERMISSION.

Since unlike many other Project Gutenberg-tm etexts, this etext is copyright protected, and since the materials and methods you use will effect the Project's reputation, your right to copy and distribute it is limited by the copyright and other laws, and by the conditions of this Small Print! statement.

1. LICENSE

A) YOU MAY (AND ARE ENCOURAGED) TO DISTRIBUTE ELECTRONIC AND MACHINE READABLE COPIES OF THIS ETEXT, SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.

B) This license is subject to the conditions that you honor the refund and replacement provisions of this small print! statement; and that you distribute exact copies of this etext, including this Small Print statement. Such copies can be compressed or any proprietary form (including any form resulting from word processing or hypertext software), so long as *EITHER*:

(1) The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR

(2) The etext is readily convertible by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR

(3) You provide or agree to provide on request at no additional cost, fee or expense, a copy of the etext in plain ASCII.

2. LIMITED WARRANTY; DISCLAIMER OF DAMAGES

This etext may contain a Defect in the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other infringement, a defective or damaged disk, computer virus, or codes that damage or cannot be read by your equipment. But for the Right of Replacement or Refund

Enjoying the preview?
Page 1 of 1