Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography
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Representative Plays by American Dramatists - Montrose Jonas Moses
The Project Gutenberg EBook of Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography, by Montrose J. Moses
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography
Author: Montrose J. Moses
Release Date: April 15, 2004 [EBook #12038]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN PLAYS 3 ***
Produced by David Starner and the Online Distributed Proofreading Team
Representative Plays by American Dramatists
Edited, with an Introduction to Each Play
By MONTROSE J. MOSES
1856-1911
Illustrated with Portraits, and
Original Playbills
1921
To BRANDER MATTHEWS
Friend of the American Theatre
To whom all Critics of the Theatre are beholden.
Table of Contents
Introduction.
Bibliographies.
Rip Van Winkle: A Legend of the Catskills. A
Comparative Arrangement with the Kerr Version.
By Charles Burke. 1850
Francesca da Rimini. By George Henry Boker. 1855
Love in '76. An Incident of the Revolution. By Oliver Bell Bunce. 1857
Paul Kauvar; or, Anarchy. By Steele Mackaye. 1887
Shenandoah. By Bronson Howard. 1888
In Mizzoura. By Augustus Thomas. 1893
The Moth and the Flame. By Clyde Fitch. 1898
The New York Idea. By Langdon Mitchett. 1906
The Easiest Way. By Eugene Walter. 1909
The Return of Peter Grimm. By David Belasco. 1911
The Authors and Their Plays.
INTRODUCTION
The present volume of Representative Plays by American Dramatists
includes many hitherto unpublished manuscripts. These are for the first time made available in authoritative form to the student of the American theatre. The Editor has tried consistently to adhere to his original basis of selection: to offer only those texts not generally in circulation and not used elsewhere in other anthologies. Exactions of copyright have sometimes compelled him to depart from this rule. He has been somewhat embarrassed, editorially, by the ungenerous haste with which a few others have followed closely in his path, even to the point of reproducing plays which were known to be scheduled for this collection. For that reason there have been omitted Mr. William Gillette's Secret Service,
available to readers in so many forms, and Mr. Percy Mackaye's The Scarecrow.
No anthology of the present historical scope, however, can disregard George Henry Boker's Francesca da Rimini
or Bronson Howard's Shenandoah.
In the instance of Mr. Langdon Mitchell's The New York Idea,
it is possible to supersede all previous issues of this refreshing comedy by offering a text which, as to stage directions, has been completely revised by the author. Mr. Mitchell wishes to have this regarded as the correct version, and has himself prepared the copy
of same. Because of the easy accessibility of Dion Boucicault's The Octoroon; or, Life in Louisiana,
it was thought best to omit this Irish-American playwright, whose