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Looking Backward: 2000-1887
Looking Backward: 2000-1887
Looking Backward: 2000-1887
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Looking Backward: 2000-1887

Rating: 3.5 out of 5 stars

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LanguageEnglish
Release dateJan 1, 1888
Author

Edward Bellamy

Edward Bellamy (1850-1898) was an American journalist, novelist, and political activist. Born in Chicopee, Massachusetts, he was the son of Baptist minister Rufus King Bellamy and his wife Maria. Educated at public school, he attended Union College for just one year before abandoning his studies to travel throughout Europe. Upon returning, he briefly considered a career in law before settling on journalism. Before his life was upended by tuberculosis at the age of 25, Bellamy worked at the New York Post and Springfield Union. After his diagnosis, he sought to recuperate in the Hawaiian Islands, returning to the United States in 1878. Thereafter, he pursued a career in fiction, publishing such psychological novels as Six to One (1878) and Dr. Heidenhoff’s Process (1880). His first major work was Looking Backward, 2000-1887 (1888), a utopian science fiction novel which became an immediate bestseller in the United States and Great Britain. Its popularity spurred the founding of Nationalist Clubs around the country, wherein readers of Bellamy’s work gathered to discuss the author’s revolutionary vision of a new American society. In 1891, Bellamy founded The New Nation, a political magazine dedicated to the emerging People’s Party. A left-wing agrarian populist, Bellamy advocated for animal rights, wilderness preservation, and equality for women. His novel Equality (1897), a sequel to Looking Backward, expands upon the theories set out in his most popular work and was praised by such political thinkers as John Dewey and Peter Kropotkin. At the height of his career, Bellamy succumbed to tuberculosis in his hometown of Chicopee Falls.

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Rating: 3.3090659175824175 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    In Looking Backward: 2000-1887, Edward Bellamy tells the story of Julian West, who goes to sleep in a hermetic chamber and finds himself waking “exactly one hundred and thirteen years, three months, and eleven days” after he retired for the night, now in the year 2000 (pg. 31). In the future, Dr. Leete explains to him how the United States and the world became a socialist utopia, with people working jobs that bring them satisfaction and knowing that they are bettering society. Further, without money, people receive what goods they want free of charge. These same goods are instantaneously delivered without the chaos and pressures of commercialism.Bellamy discusses the transformation of the future in generalized terms, focused as he is on the larger ideas of human improvement and the betterment of society, but this works to his advantage as advances in technology would normally lead to the novel feeling too dated. Some of his few examples include a predecessor to debit cards and the use of electronic music. Interestingly, though he does not give much detail about fashion, West’s reaction to modern clothing reflects the general stability in men’s wear since the mid-1800s: “It did not appear that any very startling revolution in men’s attire had been among the great changes my host had spoken of, for, barring a few details, my new habiliments did not puzzle me at all” (pg. 40).The popularity of Looking Backward – second only to Uncle Tom’s Cabin and Ben-Hur in its own time – led to the creation of Bellamy Clubs which arose to discuss and promote Bellamy’s socialist utopian ideas and fostered several utopian communities. In many ways, the ideas Bellamy describes closely align with those Gene Roddenberry discussed in his Star Trek franchise. As a work of science fiction focused on time travel, Bellamy’s book predates H.G. Wells’s The Time Machine by seven years, though it lacks a time machine and instead relies on the protagonist sleeping through the passage of time, like Louis-Sébastien Mercier’s L’An 2440, rêve s’il en fût jamais from 1770, Washington Irving’s Rip Van Winkle from 1819, and Wells’s other time travel story, When the Sleeper Awakes from 1899. Though Irving and Wells remain familiar to modern audiences, Bellamy’s work speaks to ideas that seem all the more relevant in the early twenty-first century amid the actions of oligarchs and the effects of late-stage capitalism.
  • Rating: 4 out of 5 stars
    4/5
    The crazy thing about this book is when it was written. The main character travels far into time and 'looks backward' into the past. The future has changed dramatically, but so much of what the author writes is applicable to 2018, which is a bit creepy to think about but also interesting. In the age of populism and Trump, this is recommended reading!
  • Rating: 4 out of 5 stars
    4/5
    To think we really aren't any closer.

    This is a book to make you think. Wording is a bit dated and some may become bored with that but I found it interesting.
  • Rating: 1 out of 5 stars
    1/5
    Socialist/comunist BS
  • Rating: 4 out of 5 stars
    4/5
    A classic well worth the read, and maybe worth going back to some day.
  • Rating: 3 out of 5 stars
    3/5
    Interesting early time travel story.
  • Rating: 3 out of 5 stars
    3/5
    A utopian political tract, more interesting for its glimpse into 19th-century radical political idealism than its literary qualities.

    Although largely forgotten today, 'Looking Backward' was apparently a runaway bestseller at the time of its publication, spawning dozens of social clubs devoted to improving society in ways inspired by Bellamy.

    The ideas are a combination of idealistic and disconcerting.

    Some of the ideas are noble and truly something to aspire to - for example, the idea that every person in a society has a right to share in the wealth of that society, and to live with dignity, without want. However, there's also a uniformity and social authoritarianism that many modern people may find repellent.

    When Bellamy imagines a mega-store, he sees a temple-like place of fountains, marble, and a virtually unlimited selection of quality merchandise. When I think of a mega-store, I think WalMart.
    Bellamy's vision depends on the belief that human beings are, at heart, naturally peaceful and cooperative, and that if people are given a good education, the opportunity to do what they're best at, and all the necessities of a comfortable life, crime and conflict will naturally disappear. Sadly, I disagree. I'm more of the opinion that people will always find an excuse for conflict, and that if everyone is on equal footing, each person will still find a way to try to rise higher than another. If private commerce is banned, black markets will arise.

    Although Bellamy specifies that his utopia arises naturally from capitalism, without violent revolution, and that the bureaucratic and administrative tasks of the nation are overseen by a team who have no personal power or self-interest in the matter (no dictators in sight), there are still disturbing similarities to Nazi propaganda here. (Bellamy's vision, here, is undeniably one of a form of National Socialism - without the hatred, intolerance and bigotry that political movement came to be associated with.)

    By chance, shortly after reading this book, I read a book review of a volume that sought to explain the rise of the Third Reich. I don't think the author's theories were correct. I think that reading this book, with its vision of a peaceful, united nation with a patriotic, healthy, fully participating and content citizenry, is far more explanatory of how radical ideas can capture the imagination of a people.

    Still, it's refreshing, in this era of dystopias and apocalypse, to read something from an era when people widely dreamed that the future might be better, not worse, than the present day.
  • Rating: 4 out of 5 stars
    4/5
    One of science fiction's best functions is as criticism of contemporary society, and this book does that extremely well, both implicitly in the first 200 pages or so, and explicitly in the last forty pages or so. Of course we have to ask is it a proper theoretical treatise on society? No. Is it a particularly good novel? No, as well. Is it an interesting attempt to blend the two things? Yes. More importantly, though, is it an important attempt to update the dialogue as a literary form from it's early Greek genre-constraints? Absolutely.
  • Rating: 4 out of 5 stars
    4/5
    A book I've intended to read for a long time, ever since learning that Edward Bellamy briefly attended Union College (my alma mater) in the late 1860s. Bellamy's book, which attained great popularity (and also significant ridicule) at the time of its publication, is a utopian manifesto wrapped lightly in the threads of a thinly-plotted Victorian romance novel. Bellamy goes to sleep in 1887 and wakes up in 2000 to a Boston much changed, and a bulk of the book is spent in dialogue with his interlocutor about how society has been reformed in the intervening century. Heavy-handed? Yes. A bit clunky? Yes. But also thoroughly interesting to see what a utopia might have looked like to a resident of the 1880s (covered sidewalks, radio broadcasts, centralized production eliminating the need for strikes, &c.).Worth a read as an example of historical utopianism, if nothing else.
  • Rating: 4 out of 5 stars
    4/5
    In college, I took a class on Political Literature--a class designed to expose political and historical thoughts and feelings through literature. This would have been an excellent addition to such a class's curriculum, as I feel it is more political commentary disguised as fiction than it is fiction about politics.

    Looking Backward is the story of a man who goes to sleep in 1887 Boston, and wakes up in 2000 Boston. (It is fiction, remember so this kind of jump can happen.) He awakens and learns of the incredible advancements society has made. Indeed every person is cared for, every person works, there are no poor, there are no crimes. The president serves 1 five year term (after being voted in my the army), and Congress meets but once every few years--and really doesn't make any new laws. Every man and woman is taken care of, given the same amount of 'credit' (money is a bad term, but it is essentially the same thing--a card that gets the same amount put onto it every month, and it isn't allowed to accumulate) regardless of how much they work or what they do. The genders are equal. People seem happy.

    While it sounds like socialism, Bellamy is clear on this point: it is not. In fact it is capitalism. Extreme capitalism not in the way of Freidman and his associates, but capitalism in that everyone in the nation (and all nations by this point are run this way because it just makes more sense) works for one company--the nation. The county produces everything, and everyone gets an equal share. If there are certain types of work that are harder than others, those occupations work less hours.

    An interesting look into how the evolution of capitalism does not have to mean only a few at the top succeeding, but in fact, the evolution and support of us all.
  • Rating: 5 out of 5 stars
    5/5
    Often Mentioned, Little Read Now

    You don't have to wonder what the author would make of the year 2000 he had so much hope for. While the technological whiz-bang, cleaner environment (by comparison), plentiful food (for many more but not all), and public education (though of varying and spotty quality) would have been familiar, by a degree, to what he'd foreseen, those advancements of most importance to him would certainly rank as major disappointments. Efficient business operations and capital deployment, concentration of wealth, judicious and fair governance, full employment, equitable pay, an intelligent and very polite populace, absence of crime, plenty of leisure time, and sundry other items, while better than in the latter 19th century, remain wanting. But, then, Bellamy imagined a utopia, an alliance of men and women, that by the very nature of humans seems nearly (as hope always exists) impossible. Or, as the editor of the Boston Transcript of his day opined might occur 75 centuries from his time. Which, you would suppose, is to say, "Never."

    If you've never read Looking Backward, you'll want to for a couple of reasons. It has proven to be an influential book, practically spawning an entire publishing industry of both satire and serious commentary and fiction. Politically, it also exerted influence, with readers forming Nationalist Clubs and adding foundation to the People's Party, better known as the Populist Party. And it must touch some part of our national soul for it has never been out of print, managing to find new readers in successive generations of thinkers, or perhaps dreamers.

    But be forewarned before picking up a copy. Bellamy wrote Looking Backward as a fantasy novel. However, reading tastes of the 19th and 21st centuries are vastly different. By today's standards, the writing strikes one as cumbersome, dense, and turgid. The plot, if you can call it that, is paper thin, and the suspenseful element is so obvious a YA reader would groan. So, none of this is why you would read the book. You read it for the political and economic philosophy laid out systematically by the author. As you read, questions arise and you raise objections, and as if Bellamy were beside you, lo and behold he answers them. In his rendering, Bellamy makes the 19th century system, which is still pretty much what we have today, seem quite awful, and the solution, a highly organized socialistic state, admittedly just a notch or two away from a fascist regime, appealing in a bland sort of way.

    In short, guaranteed to water the eyes of the already doe-eyed as it inflames the ire of Ayn Rand warriors. Perhaps this is why it remains in print: it moves people. So, give it a look and you can say you've read, if it ever comes up in conversation.
  • Rating: 5 out of 5 stars
    5/5
    What I find most interesting about Looking Backward is how contemporary readers of the work are willing to dismiss is it as nothing more than a failed attempt to accurately predict the future, as if Edward Bellamy was nothing more than another hokey Criswell predicting homosexual cities in giant undersea aqua-domes. Whenever Bellamy is mentioned these days in reference to Looking Backward, there's a good chance it is done so out of contempt, or to even imply that he wasn't worth mentioning in the first place. In The Fickle Muse by media critic and popular culture guru Paul A. Cantor, for example, he states that "Edward Bellamy, in his otherwise eminently forgettable 188 utopian novel Looking Backward, correctly forecast the invention of the radio, which he cleverly called 'the musical telephone.' By the end of the paragraph, it becomes apparent that his main reason for bringing this up at all is to set up an amusing jab at Howard Stern. "Eminently forgettable" is a remarkable way to describe a book that was not only one of the three top selling novels of its time (right behind Uncle Tom's Cabin and Ben Hur) but managed to spawn its own political movement. We might not be quoting Looking Backward in Facebook memes, but that shouldn't obscure the impact that the novel made at the time of its release. As psychologist philosopher Erich Fromm pointed out in his forward to an edition of the book, "Three outstanding personalities, Charles Beard, John Dewey, and Edward Weeks, independently making a list of the twenty-five most influential books published since 1885, all put Bellamy's work in the second place, Karl Marx's Das Kapital being in the first."Utopian novels seem to be less palatable to contemporary readers. There's something about classic works being hopeful about the future that leaves a bad taste the collective mouth of today's literary audience. They tend to be more comfortable with bleak Dystopian future worlds full of regret and doom. Perhaps it's more comforting to give up hope. You won't hear anybody claiming that George Orwell got it all wrong because we don't live in a world as oppressive as in 1984, or that Aldous Huxley was delusional because we don't take Soma holidays or play Obstacle Golf like in Brave New World, yet it isn't hard to find yourself tripping over articles like Daniel Hope's "The Accuracy of Edward Bellamy" going out of their way to refer to Bellamy's vision of an idyllic future society as "juvenile enthusiasm" full of "wrong-headedness and wildly unfounded optimism."There has to be psychological reason why current readers find Bellamy's heavenly socialist new world order any less credible than Centrifugal Bumble Puppy or the Ministry of Love. In Looking Backward, upper-class fiancé Julian West goes to bed in his fortified underground sleeping chamber (with the helpful application of some new-age mesmerism) in 1988 only to wake up in the year 2000. Aided and supported by the doctor who discovered him and his attractive young daughter (who looks an awful lot like his future bride from 1988), Julian - and through him, the reader - is given a tour of the utopian future city of Chicago, now almost completely devoid of crime, poverty, or hunger. Even boredom has been stamped out. We're talking the perfect society. Thomas More's quaint little island has got nothing on this place.The Chicago of Bellamy's future is part of a larger system in which labor organization has been taken over by the government, profits are shared through subsidized - well, everything, really - and all wealth created by labor is diverted back into society. In short, everything your conservative uncle warns you about during Thanksgiving dinner. Without a doubt, Bellamy's stab at utopian wonderland is extreme enough that there is something to please and anger most anybody: he gets rid of the lawyers, demolishes capitalism, allows women in the workplace (okay, so maybe he got some things right), fully funds the arts and public recreation, and did I mention that he gets rid of the lawyers?Yes, many of the novel's "predictions" seem far-fetched or implausible, and even downright frightening if you lean to the right of the political spectrum. But what is easy to forget is that utopian novels are usually meant to be filled with over the top idealism, as their extreme versions of unobtainable perfection (the word Utopia itself translating to "no-place") act as satire and/or commentary on current affairs. Despite Bellamy's repeated defense of his description of the next century's rapid cultural evolution, it is much more effective to look at the novel's time travel device as an effective way of highlighting our society's perpetual near-nearsightedness when it comes to changing the current sociopolitical system. In fact, the very name of the book references this theme, although it might be easier to look at it from afar first, as Julian does.When the novel starts out, our young well-to-do hero can only see the flaws in society and the struggles they produce as they affect him directly: his main focus on recent labor disputes over wages is that they are holding up the construction of his newlywed home, and therefore stalling his wedding. Suffering from insomnia (perhaps a symbolic jab at modern man's inability to "dream" of a life other than the one he inhabits), Julian is put to sleep by a mesmerist only to awaken a century later. When the magnanimous Dr. Leete introduces him to the future version of his home city of Chicago, he does so by taking him to the rooftop of his home so he can gaze down upon the cityscape from above. Like the title itself, this moment foreshadows the intent of the novel, which is to attempt to jar the reader from a myopic worldview by introducing him to his own world from a new perspective.It isn't just that Julian gets to see what has become of the world in his absence, but that his tour through an idyllic future forces him to look upon his own time of 1988 as a historical landmark rather than the unavoidable real world. People always have an easier time recognizing change and progress when witnessing it through the filter of time, are more willing to accept radical advances in society and politics after the fact than to comfortably accept that such a thing might happen in their own lifetime. Bellamy, perhaps unintentionally, illustrates this point when he responds to a review of Looking Backward which criticized the brief time-span that the book allows for such massive global change by pointing to historic examples of rapid bursts of societal and cultural advancements. History is so often used as context that the future seems almost inaccessible without the past to claim as context. The book's narrator says as much to the reader directly, as Julian finds himself remarking at one point: "One can look back a thousand years easier than forward fifty." Society struggles when it comes to looking forward and seeing any substantial change.So, Bellamy attempts to usurp this bias for the past by turning the present into the past, and doing so by painting a future that, he claims, is a possible achievement. Yes, it is wishful thinking at its most optimistic, but the contrast it offers is just as informative - perhaps even more so - than the contrast that Dystopian tomes afford us against the worst-case scenario. It might not seem totally feasible that a future would exist in which all citizens share equally in the bounty of their labors, but by taking us through the detailed mechanisms of how this future America manages just that, we are forced to examine the inequalities and shortcomings of the current era and contemplate whether it is more unreasonable to dismiss the offered solutions, or accepting the flaws of the present as unavoidable.Sometimes solutions aren't meant to be practical answers as much as they are to expose us to the problem. Jonathan Swift's suggestion that poor people could ease their economic hardships by eating their children when the couldn't afford food is not, according to most, a reasonable solution, but it not only highlights the problem at hand, but the callous attitude towards that problem by certain segments of society. Of course, Looking Backward doesn't fall as neatly into the category of satire as Swift's essay "A Modest Proposal" or Voltaire's Candide, but the literary device of using the extreme and extraordinary to highlight the commonplace is just as effective. It might seem ludicrous to reduce the number of laws to four or five and eliminate lawyers and juries altogether, but this only goes to illustrate the absurdity of a legal system so complex that people must devote their entire lives to studying the law to even begin to understand it. You don't hear anybody knocking Kafka for making the same point in The Trial. But that was a Dystopian novel, so that's a bit easier to accept.Looking Back doesn't necessarily have all the answers, and it might be just as hit-or-miss with its predictions as Back to the Future II - Although you have to give it to Bellamy, he not only predicted credit cards, he called them credit cards! - but the Utopian paradise of the year 2000 that never was still manages to cast a shadow on many societal problems that still exist over a hundred years before Julian's lengthy nap, and maybe that's more significant than Bellamy's failure to predict how little we've managed to change.
  • Rating: 3 out of 5 stars
    3/5
    A Book About the Gilded Age*If a good book should engage a reader in a debate about its themes, Looking Backward is a good book. Edward Bellamy sends his protagonist, Julian West, forward in time to the year 2000 to witness the social transformation America has undergone in the 113 years since Julian's unusual hypnotic session propels him into the future. The novel is full of criticisms of Julian's original time, The Gilded Age, detailed through the contrasting organization of business and society in the future.If a good book has a basis in the reality of human nature, Looking Backward fails to qualify. The America of the future is a utopia of social equality where there is no need for money, or armies. Where the citizens of the country have voluntarily migrated to this new arrangement where the government owns all means of production and distribution, even decides what should be imported from foreign countries. Where all citizens, even children, receive an equal share of the national wealth annually to spend as they see fit (although they are so satisfied with their condition that they are incapable of spending it all). In other words, America has been overrun by non-humans who fervently believe the needs of the many outweigh the needs of the one (regards, Mr. Spock) and act in accordance.Looking Backward is an interesting read which I recommend with caveats. I laughed at Bellamy's thoughts on freedom and equality, because the patriarchy of his day is still in effect in the future. The equivalent of noblesse oblige has been transferred from the wealthy and their obligations to the less-fortunate to men and their treatment of women. If you take offense at patronizing attitudes about the delicacy of women you might skip this book. Even if you can accept travel across time, the novel also contains a fantastic coincidence, which I won't spoil, which overwhelms even the most ludicrous of Bellamy's visions of an enlightened future. If you read and enjoy 18th and 19th century fiction, this twist will be in keeping with those of greater works such as Les Miserables and Jane Eyre. If you need a plot grounded in the semblance of the possible, this book isn't for you. But overall it's an enjoyable book, if for no other reason than to see what Marx might have done as a novelist.* - I've had to set my themed reading list aside for now, as I'm taking a couple literature classes this summer through a state program that provides free tuition for Texas residents over 55. This novel is assigned for my 19th Century American Literature class focused on the Gilded Age.
  • Rating: 4 out of 5 stars
    4/5
    The economic system described, an alternative to capitalism, is interesting. The characters, and the plot they're involved in, are thoroughly 2-dimensional, but that's par for the course with a book of this type.
  • Rating: 2 out of 5 stars
    2/5
    There was a time once when this was revolutionary. I was impressed by what it correctly foresaw, but disappointed about how much that this utopia was still influenced by the antiquated ideas about gender and the past. As for socialism itself, the whole idea seems to have trappings of utopianism.
  • Rating: 2 out of 5 stars
    2/5
    With the exception of "telephone music" as a precursor to modern day radio, Bellamy's work is less science fiction and more a well written manifesto for Marxism. Unfortunately, Bellamy was more concerned with an unrealistic utopian socialism and criticism of capitalism than historical fact. Two centuries prior, Bradford's "Of Plymouth Plantation" detailed how the colonists attempt at collective farming aka communism discouraged production- in fact, only when the colonists resorted to private land ownership did the settlement produce positive results. The subsequent history of the 20th century has further proven Bellamy's ideas a failure.
  • Rating: 2 out of 5 stars
    2/5
    Man, what a crappy socialist utopia. Americans would figure out how to make a socialist utopia as saccharine and colorless and authoritarian as possible, wouldn't we?So, I read this out of historical interest, because it was a landmark work in American leftism, sold millions of copies in the 1890's, etc. I kinda wanted to know what got early American leftists excited. Evidently, it was very-thinly-novelized half-informed hectoring about proto-Marxist political economy. He sketched just barely enough of his utopian future to force the medicine down. For a supposed seminal work of scifi futurism, there's just no imagination at all... he even goes so far as to kinda just give up and make his year 2000 Boston look almost exactly like his 1887 Boston, just with less squalor and more monumental architecture. There are a few futurist stabs at what the society and technology of tomorrow would look like, but they're all ancillary and don't seem to have much at all to do with his political and economic vision. I don't know how anyone could have possibly read this for entertainment.And what he does sketch out is not very appealing. He had a big hardon for organizing things on a military footing, and his utopia is awfully authoritarian. The results he posits seem pretty ok, but the means of getting to them are either implausible or would likely preclude those results. And everything is annoyingly, Socratically just-so. And then to top it all off he has the temerity to throw in a totally cloying, shallow, and implausible romance, topped off with a gratuitous double-twist ending, just to mess with us.Ok, ok, I shouldn't be so hard on him. This guy was essentially an amateur, trying to find the best way he could to expound his political ideas to a large audience. And obviously, it worked. I just can't believe this had such broad appeal. Americans must have been absolutely starving for good socialist agitprop back in the Populist Era. I had hoped it would be interesting on its own terms, but it's really only worth reading as a curiosity of historical and political interest, and barely at that.
  • Rating: 4 out of 5 stars
    4/5
    An interesting 19th century novel depicting a utopian America in the year 2000 where society has abolished all distinctions of rich and poor and there are no politicians, bankers, armed forces, lawyers or any kind of prejudice or injustice. At one level, the depiction is almost laughably unrealistic, but in another shows the type of idealism that held sway in some quarters in the late 19th century (the author says in a postscript that he expects society to have moved in this direction in the lifetime of the children of the 1880s, if not that of the adults). The story is told through the medium of an 1880s gentlemen who is hypnotised to help him sleep, but oversleeps and wakes up 113 years later. There is a twist and a counter-twist at the end that keeps the reader guessing. Interesting at a philosophical level, if not in terms of realism.
  • Rating: 4 out of 5 stars
    4/5
    Edward Bellamy’s “Looking Backward: 2000-1887” is a novel in which he presents and describes his Utopia. It is well worth reading, and may be enjoyed by both those who are pleased and horrified by his vision.Written in 1887 and set in Boston, the plot involves a sleeper (Julian West) who awakens in 2000 from a nap of over a century. He is introduced to his new world by the family of Dr. Leete, who discovered and revived him. There is also a love story with a twist between the Leete daughter and West, but the majority of the work concentrates on the socialist-Commune society. Many aspects of this could be discussed, but space permits me only a few. First, the story-line used lets us very neatly see the highlights of Bellamy’s vision without any dirty details of how it came to being. So what is his Utopia?Bellamy was very much a Yankee, and was familiar with the works of Karl Marx. Some of Marx is co-opted into his result, but the whole is rather more French, and served with a Yankee flavoring. The living arrangements seem largely based on the French commune Utopian plans of the mid-nineteenth century, while some of the features of government and society evoke issues being debated today in our courts and congress, So how did Bellamy have them come out?Egalitarianism won over American equality, government won over any other form of organization. He even quotes the French goals of Liberty, Equality, and Fraternity. The expected working life was age 20-45. There was only one form of organization, that of the U.S. Army. The government owned all the houses (you rented), factories, farms, and distribution centers. Everyone got the same size paycheck, from birth to death. There were unions, but they looked more like European guilds. Since all were equal, they had no problems with crime or greed; there were no brokers, lawyers, or salesmen; and the standard wage (equal for all) was about the equivalent of $150,000 a year. Everyone had a rank, from private to general, but got the same pay. Sounds great, doesn’t it?But, except for the pneumatic tube delivery system, everyone in Boston got everywhere by walking. All the neighborhoods were largely the same. Since everyone went to basic college (age 17-20), they were all educated, similar in outlook, and lacked any impulse to cheat the system and any greed for more than normal consumption. If that sounds good to you, and you can believe it, this is your kind of Utopia. If you, like me, cannot believe it, then some of its features sound like hell. Either way it’s a great read, and gives much to think about. You should be aware that this was a very popular book about the time that the first wave of ‘Progressivism’ began to hit the US.
  • Rating: 2 out of 5 stars
    2/5
    Early socialist propaganda disguised as a utopian dialogue. It's as exciting as it sounds! I'm glad that I read this, though I didn't actually enjoy the process of reading it. Bellamy provides a well detailed look at the ideas of 19th century (military ) socialism. From a historical perspective it's a kind of cool to see where the communists got their ideas. From a reading-a-book-for-fun perspective this book is a steaming, dense pile of dog shit. This is your great-great grandfather's socialism, not your crazy uncle's. Suggesting this to friends will not help them see the value of a single payer health care system. It might help them to understand what you are saying when you bitch about how all profit is theft. They may still not agree with you, but it might help. Also they will hate you for making them read through the Victorian love story bits. I'd just read a few web reviews and call it a day. Power to the people!!!
  • Rating: 4 out of 5 stars
    4/5
    A socialist utopia, which tells of a world in which I'd very much like to live, where everybody is all happy-happy-joy-joy. The transition from harsh capitalism to the new order is not so believable, but the description of the socialist system and of the flaws of scattered capital is very attractive, and it made me think, why indeed it couldn't be like that. If only people could be less selfish and greedy...This book still has a lot to give, because Bellamy's prophecies have not fulfilled themselves. I think that today we are further from any possible dramatic transition than in the 1800's, because there is much less extreme poverty, people "kind of get along", and this doesn't excite revolutions.Bellamy states that in a humane socialist nation, the true potential of humans, as given by God, is finally realized. It's an interesting question, whether people are born good or bad, but settling the issue by invoking a deity is not a very satisfying answer.The dialogue is attractively old-fashioned, and apparently even this radical writer couldn't foresee the evolution of the sexes.
  • Rating: 3 out of 5 stars
    3/5
    Not so much a novel as long descriptions of the author's idea of a future utopia. Some really creative ideas. Others a bit scary. A few, like the chimneys and the awnings were just hilarious. Worth for it the glimpse at the past more than the future.
  • Rating: 5 out of 5 stars
    5/5
    Of all the books I have ever read, this has probably had the most profound impression. Naive and unworkable perhaps - but if only we could dream like this these days.
  • Rating: 4 out of 5 stars
    4/5
    Falling into a hypnotic sleep in the year 1887, the protagonist of LB, Julian West, awakes to find himself in the year 2000. Boston has turned into a socialist utopia, and the people guide Julian through their future land, showing him how all things are improved by their lifestyle, ranging from social hierarchies to technological advancements. He finds true love and has to come to terms with whether or not his is actually dreaming this splendid future.A sort of allegory for Bellamy's social beliefs, LB provides an interesting glimpse of a potential future, idealistic as it seems. If you could handle "controversial" political works such as The Jungle or Native Son, or if you're a big fan of utopian works such as More's Utopia or Plato's Republic, you might just enjoy this book.
  • Rating: 3 out of 5 stars
    3/5
    I read this as part of a course on social movements. Most course readings are dry and dull, but this kept me interested. Thank you to Jack McKivigan for forcing me to read this classical rendering of utopian societies.
  • Rating: 3 out of 5 stars
    3/5
    As it says in the blurb and intro, it's really not a novel, just a novelized presentation of a utopian future. It is fun to read, but Bellamy skips over all the real problems - even accepting what he says about how everyone was ready for the change all at once, what changes first? How jobs are managed? How the President is elected? Who is and isn't part of the 'industrial army'? How people feel about work and pay? He very much took the easy way out by 'looking backward'... Not to mention how poorly he handled women - there's the 'industrial army' which is all the men except the professional men (doctors, etc). Then there are three separate 'armies' - professional men (never any suggestion of professional women), imbeciles (including blind, deaf, retarded, crippled...), and women. Uhuh. Suuuure. Well, it's interesting to read though rather stupid when you start analyzing it - an interesting glimpse into one man's mind at the end of the 19th century.
  • Rating: 2 out of 5 stars
    2/5
    a 19th c. man wakes up to a future in which every thing is absolutely equitable. ah, such utopian dreams!

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Looking Backward - Edward Bellamy

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Title: Looking Backward

2000-1887

Author: Edward Bellamy

Release Date: May 12, 2008 [EBook #25439]

Language: English

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THE

Looking Backward

2000—1887

By

EDWARD BELLAMY

BOSTON AND NEW YORK

HOUGHTON MIFFLIN COMPANY

The Riverside Press Cambridge

copyright, 1887, by ticknor and company

copyright, 1889, by edward bellamy

copyright, 1898, 1915, and 1917, by emma a. bellamy

all rights reserved


INTRODUCTION

BY HEYWOOD BROUN

A good many of my radical friends express a certain kindly condescension when they speak of Edward Bellamy's Looking Backward.

Of course you know, they say, that it really isn't first-rate economics.

And yet in further conversation I have known a very large number of these same somewhat scornful Socialists to admit, You know, the first thing that got me started to thinking about Socialism was Bellamy's 'Looking Backward.'

From the beginning it has been a highly provocative book. It is now. Many of the questions both of mood and technique are even more pertinent in the year 1931 than they were in 1887. A critic of the Boston Transcript said, when the novel first appeared, that the new State imagined by Bellamy was all very well, but that the author lost much of his effectiveness by putting his Utopia a scant fifty years ahead, and that he might much better have made it seventy-five centuries.

It is true that the fifty years assigned for changing the world utterly are almost gone by now. Not everything which was predicted in Looking Backward has come to pass. But the laugh is not against Bellamy, but against his critic. Some of the things which must have seemed most improbable of all to the Transcript man of 1887 are now actually in being.

In one respect Edward Bellamy set down a picture of modern American life which is almost a hundred per cent realized. It startled me to read the passage in which Edith shows the musical schedule to Julian West, and tells him to choose which selection he wishes to have brought through the air into the music room. It is true that Bellamy imagined this broadcasting to be done over telephone wires, as is indeed the case to-day in some phases of national hook-ups. But consider this quotation:

He [Dr. Leete] showed how, by turning a screw, the volume of the music could be made to fill the room, or die away to an echo so faint and far that one could scarcely be sure whether he heard or imagined it.

That might almost have been lifted bodily from an article in some newspaper radio column.

But Bellamy did see with clear vision things and factors much more important than the possibility of hearing a sermon without going to church. Much which is now established in Soviet Russia bears at least a likeness to the industrial army visioned in this prophetic book. However, Communism can scarcely claim Bellamy as its own, for he emphasizes repeatedly the non-violent features of the revolution which he imagined. Indeed, at one point he argues that the left-wingers of his own day impeded change by the very excesses of their technical philosophy.

There is in his book no acceptance of a transitional stage of class dictatorship. He sees the change coming through a general recognition of the failings of the capitalist system. Indeed, he sees a point in economic development where capitalism may not even be good enough for the capitalist.

To the strict Marxian Socialist this is profound and ridiculous heresy. To me it does not seem fantastic. And things have happened in the world already which were not dreamt of in Karl Marx's philosophy.

The point I wish to stress is the prevalent notion that all radical movements in America stem from the writings of foreign authors. Now, Bellamy, of course, was familiar with the pioneer work of Marx. And that part of it which he liked he took over. Nevertheless, he developed a contribution which was entirely his own. It is irrelevant to say that, after all, the two men differed largely in their view of the technique by which the new world was to be accomplished. A difference in technique, as Trotzky knows to his sorrow, may be as profound as a difference in principle.

Bellamy was essentially a New-Englander. His background was that of Boston and its remote suburbs. And when he preaches the necessity of the coöperative commonwealth, he does it with a Yankee twang. In fact, he is as essentially native American as Norman Thomas, the present leader of the Socialist Party in this country.

I cannot confess any vast interest in the love story which serves as a thread for Bellamy's vision of a reconstructed society. But it can be said that it is so palpably a thread of sugar crystal that it need not get in the way of any reader.

I am among those who first became interested in Socialism through reading Looking Backward when I was a freshman in college. It came in the first half-year of a course which was designed to prove that all radical panaceas were fundamentally unsound in their conception. The professor played fair. He gave us the arguments for the radical cause in the fall and winter, and proceeded to demolish them in spring and early summer.

But what one learns in the winter sticks more than words uttered in the warmth of drowsy May and June. Possibly I took more cuts toward the end of the lecture course. All I can remember is the arguments in favor of the radical plans. Their fallacies I have forgotten.

I differ from Bellamy's condescending converts because I feel that he is close to an entirely practical and possible scheme of life. Since much of the fantastic quality of his vision has been rubbed down into reality within half a century, I think there is at least a fair chance that another fifty years will confirm Edward Bellamy's position as one of the most authentic prophets of our age.


THE AUTHOR OF LOOKING BACKWARD

"We ask

To put forth just our strength, our human strength,

All starting fairly, all equipped alike."

"But when full roused, each giant limb awake,

Each sinew strung, the great heart pulsing fast,

He shall start up and stand on his own earth,

Then shall his long, triumphant march begin,

Thence shall his being date."

Browning.

The great poet's lines express Edward Bellamy's aim in writing his famous book. That aim would realize in our country's daily being the Great Declaration that gave us national existence; would, in equality of opportunity, give man his own earth to stand on, and thereby—the race for the first time enabled to enter unhampered upon the use of its God-given possibilities—achieve a progress unexampled and marvelous.

It is now twelve years since the writing of 'Looking Backward' changed one of the most brilliant of the younger American authors into an impassioned social reformer whose work was destined to have momentous effect upon the movement of his age. His quality had hitherto been manifest in romances like 'Doctor Heidenhof's Process' and 'Miss Ludington's Sister,' and in many short stories exquisite in their imaginative texture and largely distinguished by a strikingly original development of psychical themes. Tales like 'The Blindman's World' and 'To Whom This May Come' will long linger in the memory of magazine readers of the past twenty years.

'Doctor Heidenhof' was at once recognized as a psychological study of uncommon power. Its writer, said an English review, is the lineal intellectual descendant of Hawthorne. Nor was there in America any lack of appreciation of that originality and that distinction of style which mark Edward Bellamy's early work. In all this there was a strong dominant note prophetic of the author's future activity. That note was a steadfast faith in the intrinsic goodness of human nature, a sense of the meaning of love in its true and universal sense. 'Looking Backward,' though ostensibly a romance, is universally recognized as a great economic treatise in a framework of fiction. Without this guise it could not have obtained the foothold that it did; there is just enough of the skillful novelist's touch in its composition to give plausibility to the book and exert a powerful influence upon the popular imagination. The ingenious device by which a man of the nineteenth century is transferred to the end of the twentieth, and the vivid dramatic quality of the dream at the end of the book, are instances of the art of the trained novelist which make the work unique of its kind. Neither could the book have been a success had not the world been ripe for its reception. The materials were ready and waiting; the spark struck fire in the midst of them. Little more than a decade has followed its publication, and the world is filled with the agitation that it helped kindle. It has given direction to economic thought and shape to political action.

Edward Bellamy was born in 1850,—almost exactly in the middle of the century whose closing years he was destined so notably to affect. His home has always been in his native village of Chicopee Falls, Massachusetts, now a portion of the city of Chicopee, one of the group of municipalities of which Springfield is the nucleus. He lived on Church Street in a house long the home of his father, a beloved Baptist clergyman of the town. His clerical ancestry is perhaps responsible for his essentially religious nature. His maternal grandfather was the Rev. Benjamin Putnam, one of the early pastors of Springfield, and among his paternal ancestors was Dr. Joseph Bellamy of Bethlehem, Connecticut, a distinguished theologian of revolutionary days, a friend of Jonathan Edwards, and the preceptor of Aaron Burr. He, however, outgrew with his boyhood all trammels of sect. But this inherited trait marked his social views with a strongly anti-materialistic and spiritual cast; an ethical purpose dominated his ideas, and he held that a merely material prosperity would not be worth the working for as a social ideal. An equality in material well-being, however, he regarded as the soil essential for the true spiritual development of the race.

Young Bellamy entered Union College at Schenectady, but was not graduated. After a year in Germany he studied law and entered the bar, but never practiced. A literary career appealed to him more strongly, and journalism seemed the more available gateway thereto. His first newspaper experience was on the staff of the New York 'Evening Post,' and from that journal he went to the Springfield 'Union.' Besides his European trip, a journey to Hawaii by way of Panama and a return across the continent gave a considerable geographical range to his knowledge of the world at large.

It is notable that his first public utterance, made before a local lyceum when a youth in his teens, was devoted to sentiments of social reform that foreshadowed his future work. When 'Looking Backward' was the sensation of the year, a newspaper charge brought against Mr. Bellamy was that he was posing for notoriety. To those who know the retiring, modest, and almost diffident personality of the author, nothing could have been more absurd. All opportunities to make money upon the magnificent advertising given by a phenomenal literary success were disregarded. There were offers of lecture engagements that would have brought quick fortune, requests from magazine editors for articles and stories on any terms that he might name, proffered inducements from publishers to write a new book and to take advantage of the occasion to make a volume of his short stories with the assurance of a magnificent sale,—to all this he was strikingly indifferent. Two or three public addresses, a few articles in the reviews, and for a while the editorship of 'The New Nation,' a weekly periodical which he established in Boston,—this was the sum of his public activity until he should have made himself ready for a second sustained effort. To all sordid incentives he was as indifferent as if he had been a child of his new order, a century later. The hosts of personal friends whom his work made for him knew him as a winsome personality; and really to know him was to love him. His nature was keenly sympathetic; his conversation ready and charming, quickly responsive to suggestion, illuminated by gentle humor and occasionally a flash of playful satire. He disliked controversy, with its waste of energy in profitless discussion, and jestingly averred that if there were any reformers living in his neighborhood he should move away.

The cardinal features of 'Looking Backward,' that distinguish it from the generality of Utopian literature, lie in its definite scheme of industrial organization on a national basis, and the equal share allotted to all persons in the products of industry, or the public income, on the same ground that men share equally in the free gifts of nature, like air to breathe and water to drink; it being absolutely impossible to determine any equitable ratio between individual industrial effort and individual share in industrial product on a graded basis. The book, however, was little more than an outline of the system, and, after an interval devoted to continuous thought and study, many points called for elaboration. Mr. Bellamy gave his last years and his ripest efforts to an exposition of the economical and ethical basis of the new order which he held that the natural course of social evolution would establish.

'Equality' is the title of his last book. It is a more elaborate work than 'Looking Backward,' and in fact is a comprehensive economic treatise upon the subject that gives it its name. It is a sequel to its famous predecessor, and its keynote is given in the remark that the immortal preamble of the American Declaration of Independence (characterized as the true constitution of the United States), logically contained the entire statement of universal economic equality guaranteed by the nation collectively to its members individually. The corner-stone of our state is economic equality, and is not that the obvious, necessary, and only adequate pledge of these three rights,—life, liberty, and happiness? What is life without its material basis, and what is an equal right to life but a right to an equal material basis for it? What is liberty? How can men be free who must ask the right to labor and to live from their fellow-men and seek their bread from the hands of others? How else can any government guarantee liberty to men save by providing them a means of labor and of life coupled with independence; and how could that be done unless the government conducted the economic system upon which employment and maintenance depend? Finally, what is implied in the equal right of all to the pursuit of happiness? What form of happiness, so far as it depends at all upon material facts, is not bound up with economic conditions; and how shall an equal opportunity for the pursuit of happiness be guaranteed to all save by a guarantee of economic equality?

The book is so full of ideas, so replete with suggestive aspects, so rich in quotable parts, as to form an arsenal of argument for apostles of the new democracy. As with 'Looking Backward,' the humane and thoughtful reader will lay down 'Equality' and regard the world about him with a feeling akin to that with which the child of the tenement returns from his country week to the foul smells, the discordant noises, the incessant strife of the wonted environment.

But the writing of 'Equality' was a task too great for the physical strength and vitality of its author. His health, never robust, gave way completely, and the book was finished by an indomitable and inflexible dominion of the powerful mind over the failing body which was nothing short of heroic. Consumption, that common New England inheritance, developed suddenly, and in September of 1897 Mr. Bellamy went with his family to Denver, willing to seek the cure which he scarcely hoped to find.

The welcome accorded to him in the West, where his work had met with widespread and profound attention, was one of his latest and greatest pleasures. Letters came from mining camps, from farms and villages, the writers all longing to do something for him to show their love.

The singular modesty already spoken of as characterizing Mr. Bellamy, and an entire unwillingness to accept any personal and public recognition, had perhaps kept him from a realization of the fact that his fame was international. But the author of a book which in ten years had sold nearly a million of copies in England and America, and which had been translated into German, French, Russian, Italian, Arabic, Bulgarian, and several other languages and dialects, found himself not among strangers, although two thousand miles from the home of his lifetime.

He greatly appreciated and gratefully acknowledged his welcome to Colorado, which he left in April, 1898, when he realized that his life was rapidly drawing to a close.

He died on Sunday morning, May 22, after a month in the old home which he had eagerly desired to see again, leaving a widow and two young children.

At the simple service held there, with his kindred and the friends of a lifetime about him, the following passages from 'Looking Backward' and 'Equality' were read as a fitting expression, in his own words, of that hope for the bettering and uplifting of Humanity, which was the real passion of his noble life.

"Said not the serpent in the old story, 'If you eat of the fruit of the tree of knowledge you shall be as gods?' The promise was true in words, but apparently there was some mistake about the tree. Perhaps it was the tree of selfish knowledge, or else the fruit was not ripe. The story is obscure. Christ later said the same thing when he told men that they might be the sons of God. But he made no mistake as to the tree he showed them, and the fruit was ripe. It was the fruit of love, for universal love is at once the seed and fruit, cause and effect, of the highest and completest knowledge. Through boundless love man becomes a god, for thereby is he made conscious of his oneness with God, and all things are put under his feet. 'If we love one another, God dwelleth in us and his love is perfected in us.' 'He that loveth his brother dwelleth in the light.' 'If any man say, I love God, and hateth his brother, he is a liar.' 'He that loveth not his brother abideth in death.' 'God is love, and he that dwelleth in love dwelleth in God.' 'Every one that loveth knoweth God.' 'He that loveth not knoweth not God.'

"Here is the very distillation of Christ's teaching as to the conditions of entering on the divine life. In this we find the sufficient explanation why the revelation which came to Christ so long ago and to other illumined souls could not possibly be received by mankind in general so long as an inhuman social order made a wall between man and God, and why, the moment that wall was cast down, the revelation flooded the earth like a sunburst.

"'If we love one another, God dwelleth in us,' and mark how the words were made good in the way by which at last the race found God! It was not, remember, by directly, purposely, or consciously seeking God. The great enthusiasm of humanity which overthrew the older and brought in the fraternal society was not primarily or consciously a Godward aspiration at all. It was essentially a humane movement. It was a melting and flowing forth of men's hearts toward one another; a rush of contrite, repentant tenderness; an impassioned impulse of mutual love and self-devotion to the common weal. But 'if we love one another, God dwelleth in us,' and so man found it. It appears that there came a moment, the most transcendent moment in the history of the race of man, when with the fraternal glow of this world of new-found embracing brothers there seems to have mingled the ineffable thrill of a divine participation, as if the hand of God were clasped over the joined hands of men. And so it has continued to this day and shall for evermore.

"Your seers and poets in exalted moments had seen that death was but a step in life, but this seemed to most of you to have been a hard saying. Nowadays, as life advances toward its close, instead of being shadowed by gloom, it is marked by an access of impassioned expectancy which would cause the young to envy the old, but for the knowledge that in a little while the same door will be opened to them. In your day the undertone of life seems to have been one of unutterable sadness, which, like the moaning of the sea to those who live near the ocean, made itself audible whenever for a moment the noise and bustle of petty engrossments ceased. Now this undertone is so exultant that we are still to hear it.

Do you ask what we look for when unnumbered generations shall have passed away? I answer, the way stretches far before us, but the end is lost in light. For twofold is the return of man to God, 'who is our home,' the return of the individual by the way of death, and the return of the race by the fulfillment of its evolution, when the divine secret hidden in the germ shall be perfectly unfolded. With a tear for the dark past, turn we then to the dazzling future, and, veiling our eyes, press forward. The long and weary winter of the race is ended. Its summer has begun. Humanity has burst the chrysalis. The heavens are before it.

There are those who have made strenuous objections to the ideals of Edward Bellamy on the ground that they are based on nothing better than purely material well-being. In the presence of the foregoing utterance can they maintain that attitude?

Sylvester Baxter.


AUTHOR'S PREFACE

Historical Section Shawmut College, Boston,

December 26, 2000.

Living as we do in the closing year of the twentieth century, enjoying the blessings of a social order at once so simple and logical that it seems but the triumph of common sense, it is no doubt difficult for those whose studies have not been largely historical to realize that the present organization of society is, in its completeness, less than a century old. No historical fact is, however, better established than that till nearly the end of the nineteenth century it was the general belief that the ancient industrial system, with all its shocking social consequences, was destined to last, with possibly a little patching, to the end of time. How strange and wellnigh incredible does it seem that so prodigious a moral and material transformation as has taken place since then could have been accomplished in so brief an interval? The readiness with which men accustom themselves, as matters of course, to improvements in their condition, which, when anticipated, seemed to leave nothing more to be desired, could not be more strikingly illustrated. What reflection could be better calculated to moderate the enthusiasm of reformers who count for their reward on the lively gratitude of future ages!

The object of this volume is to assist persons who, while desiring to gain a more definite idea of the social contrasts between the nineteenth and twentieth centuries, are daunted by the formal aspect of the histories which treat the subject. Warned by a teacher's experience that learning is accounted a weariness to the flesh, the author has sought to alleviate the instructive quality of the book by casting it in the form of a romantic narrative, which he would be glad to fancy not wholly devoid of interest on its own account.

The reader, to whom modern social institutions and their underlying principles are matters of course, may at times find Dr. Leete's explanations of them rather trite,—but it must be remembered that to Dr. Leete's guest they were not matters of course, and that this book is written for the express purpose of inducing the reader to forget for the nonce that they are so to him. One word more. The almost universal theme of the writers and orators who have celebrated this

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