No Right to Remain Silent: The Tragedy of Virginia Tech
By Lucinda Roy
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About this ebook
Former Virginia Tech English department chair and distinguished professor Lucinda Roy saw the tragedy unfold on the TV screen in her home and had a terrible realization. Cho was the student she had struggled to get to know–the loner who found speech torturous. After he had been formally asked to leave a poetry class in which he had shared incendiary work that seemed directed at his classmates and teacher, Roy began the difficult task of working one-on-one with him in a poetry tutorial. During those months, a year and a half before the massacre, Roy came to realize that Cho was more than just a disgruntled young adult experimenting with poetic license; he was, in her opinion, seriously depressed and in urgent need of intervention.
But when Roy approached campus counseling as well as others in the university about Cho, she was repeatedly told that they could not intervene unless a student sought counseling voluntarily. Eventually, Roy’s efforts to persuade Cho to seek help worked. Unbelievably, on the three occasions he contacted the counseling center staff, he did not receive a comprehensive evaluation by them–a startling discovery Roy learned about after Cho’s death. More revelations were to follow. After responding to questions from the media and handing over information to law enforcement as instructed by Virginia Tech, Roy was shunned by the administration. Papers documenting Cho’s interactions with campus counseling were lost. The university was suddenly on the defensive.
Was the university, in fact, partially responsible for the tragedy because of the bureaucratic red tape involved in obtaining assistance for students with mental illness, or was it just, like many colleges, woefully underfunded and therefore underequipped to respond to such cases? Who was Seung-Hui Cho? Was he fully protected under the constitutional right to freedom of speech, or did his writing and behavior present serious potential threats that should have resulted in immediate intervention? How can we balance students’ individual freedom with the need to protect the community? These are the questions that have haunted Roy since that terrible day.
No Right to Remain Silent is one teacher’s cri de coeur–her dire warning that given the same situation today, two years later, the ending would be no less terrifying and no less tragic.
Lucinda Roy
Novelist, poet, and memoirist Lucinda Roy is the author of the speculative novel The Freedom Race and three collections of poetry, including Fabric: Poems. Her early novels are Lady Moses, a Barnes and Noble Discover Great New Writers Selection, and The Hotel Alleluia. She also authored the memoir No Right to Remain Silent: What We’ve Learned from the Tragedy at Virginia Tech. Among her awards are the Eighth Mountain Prize for Poetry, and the Baxter Hathaway Prize for her long slave narrative poem “Needlework,” and a state-wide faculty recognition award. She was awarded an Honorary Doctorate by the University of Richmond. An Alumni Distinguished Professor at Virginia Tech, she teaches fiction, poetry, and creative nonfiction in the graduate and undergraduate Creative Writing Program. Professor Roy has been a guest on numerous TV and radio shows, including The CBS Evening News, The Today Show, Good Morning America, CBS’s Sunday Morning, Oprah, and NPR. Her work has appeared in the Chronicle of Higher Education, North American Review, the New York Times, the Guardian, USA Today, American Poetry Review, and many other publications. She delivers keynotes and presentations around the country on creative writing, diversity, campus safety, and higher education.
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Reviews for No Right to Remain Silent
14 ratings2 reviews
- Rating: 3 out of 5 stars3/5She veers off to unrelated things, so I often found myself skimming over them because I was interested in reading about VTech, not so much about her.
- Rating: 3 out of 5 stars3/5No Right to Remain Silent proves to be very informative. But with fleeting details about the actually event, it seems almost to centered around comparison. In the book, the tragedy is often compared to the acts of Dylan Klebold and Eric Harris of Columbine and Kip Kinkel of Thurston.