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Outlaws
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Outlaws
Unavailable
Outlaws
Ebook494 pages8 hours

Outlaws

Rating: 3.5 out of 5 stars

3.5/5

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Currently unavailable

Currently unavailable

About this ebook

Gripping and entertaining, George V. Higgins delivers a compelling and uncomfortably realistic account of the way society and the law really function.
 
It’s been a decade since the turbulent 60s and policeman John Richards still has to deal with a handful of leftover student radicals who continue to terrorize the Boston streets. In an effort to convict them once and for all, he liaises with ambitious lawyer Terry Gleason. Matters culminate one crisp Sunday morning when the students decide to rob the Friary, a pub in downtown Boston well-established as a site of drug-trafficking. Seven civilians are left dead in what comes to be called the Friary massacre. The trial proves nightmarish and unpredictable, not unlike the decade it took Richards and Gleason to apprehend the culprits in the first place.
 
In a heart-stopping rendition of cops and robbers, Outlaws proves that in the Boston demimonde nothing is as it seems.
LanguageEnglish
Release dateOct 3, 2012
ISBN9780345804662
Unavailable
Outlaws
Author

George V. Higgins

George V. Higgins (1939-1999) was a lawyer, journalist, teacher, and the author of 29 books, including Bomber's Law, Trust , and Kennedy for the Defense. His seminal crime novel The Friends of Eddie Coyle was the basis for the 1973 Robert Mitchum film of the same name.

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Reviews for Outlaws

Rating: 3.307692338461538 out of 5 stars
3.5/5

13 ratings1 review

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  • Rating: 2 out of 5 stars
    2/5
    This was not an enjoyable read. It started out as if it would be, however, two-thirds of the way through it became a chore, and I looked for reasons to put it down - and had to search for more reasons to pick it up again. The hunt for the gang of robbers was interesting, the courtroom hi-jinks a little less so, but the last third of "the establishment is just as bad as the radicals", and the accompanying psychiatric review of some of the characters was plain boring. The use of the "ensemble" as a cover for derring-do was not believable, and the undoing of one of the main protagonists, Gleason, where he is was shown not only be less than a man of clay feet, but, unbelievably, of a man with sh*t for feet dissipated all the interest one might have in this character. I actually bought "Outlaws" because my alma mater is mentioned in the book, a poor reason for having read it cover to cover.