Bartleby, the Scrivener: A Story of Wall-Street
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Herman Melville was an 18th century American novelist, poet, essayist and short story writer. He is best known for his works Moby Dick and Typee. During his lifetime he was considered a failure, but after his death his worth as a writer was recognized. Bartleby is a novella, which first appeared in Putnam's Magazine. The narrator is an elderly lawyer who helps his clients with mortgages, titles and bonds. The lawyer's office has two employees Nippers and Turkey. Turkey is a drunk and Nippers has indigestion. The office is able to function because Nippers indigestion is at a time when Turkey is sober and Turkey is hung over when Nippers is feeling better. Bartleby is hired in the hopes that his temperament will calm down the office. As the story progresses Melville brings a sense of the human condition as seen through the eyes of a lowly employee.
Herman Melville
Herman Melville (1819-1891) was an American novelist, poet, and short story writer. Following a period of financial trouble, the Melville family moved from New York City to Albany, where Allan, Herman’s father, entered the fur business. When Allan died in 1832, the family struggled to make ends meet, and Herman and his brothers were forced to leave school in order to work. A small inheritance enabled Herman to enroll in school from 1835 to 1837, during which time he studied Latin and Shakespeare. The Panic of 1837 initiated another period of financial struggle for the Melvilles, who were forced to leave Albany. After publishing several essays in 1838, Melville went to sea on a merchant ship in 1839 before enlisting on a whaling voyage in 1840. In July 1842, Melville and a friend jumped ship at the Marquesas Islands, an experience the author would fictionalize in his first novel, Typee (1845). He returned home in 1844 to embark on a career as a writer, finding success as a novelist with the semi-autobiographical novels Typee and Omoo (1847), befriending and earning the admiration of Nathaniel Hawthorne and Oliver Wendell Holmes, and publishing his masterpiece Moby-Dick in 1851. Despite his early success as a novelist and writer of such short stories as “Bartleby, the Scrivener” and “Benito Cereno,” Melville struggled from the 1850s onward, turning to public lecturing and eventually settling into a career as a customs inspector in New York City. Towards the end of his life, Melville’s reputation as a writer had faded immensely, and most of his work remained out of print until critical reappraisal in the early twentieth century recognized him as one of America’s finest writers.
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Bartleby, the Scrivener - Herman Melville
Bartleby, the Scrivener: A Story of Wall-Street
Short Story
Herman Melville
Contents
Begin Reading
About the Author
Copyright
About the Publisher
BARTLEBY, THE SCRIVENER: A STORY OF WALL-STREET
I am a rather elderly man. The nature of my avocations, for the last thirty years, has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom, as yet, nothing, that I know of, has ever been written—I mean, the law-copyists, or scriveners. I have known very many of them, professionally and privately, and, if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners, for a few passages in the life of Bartleby, who was a scrivener, the strangest I ever saw, or heard of. While, of other law-copyists, I might write the complete life, of Bartleby nothing of that sort can be done. I believe that no materials exist, for a full and satisfactory biography of this man. It is an irreparable loss to literature. Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and, in his case, those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report, which will appear in the sequel.
Ere introducing the scrivener, as he first appeared to me, it is fit I make some mention of myself, my employés, my business, my chambers, and general surroundings; because some such description is indispensable to an adequate understanding of the chief character about to be presented. Imprimis: I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. I am one of those unambitious lawyers who never address a jury, or in any way draw down public applause; but, in the cool tranquillity of a snug retreat, do a snug business among rich men’s bonds, and mortgages, and title-deeds. All who know me, consider me an eminently safe man. The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat; for it hath a rounded and orbicular sound to it, and rings like unto bullion. I will freely add, that I was not insensible to the late John Jacob Astor’s good opinion.
Some time prior to the period at which this little history begins, my avocations had been largely increased. The good old office, now extinct in the State of New York, of a Master in Chancery, had been conferred upon me. It was not a very arduous office, but very pleasantly remunerative. I seldom lose my temper; much more seldom indulge in dangerous indignation at wrongs and outrages; but I must be permitted to be rash here and declare, that I consider the sudden and violent abrogation of the office of Master in Chancery, by the new Constitution, as a——premature act; inasmuch as I had counted upon a life-lease of the profits, whereas I only received those of a few short years. But this is by the way.
My chambers were up stairs, at No.—Wall Street. At one end, they looked upon the white wall of the interior of a spacious sky-light shaft, penetrating the building from top to bottom.
This view might have been considered rather tame than otherwise, deficient in what landscape painters call life.
But, if so, the view from the other end of my chambers offered, at least, a contrast, if nothing more. In that direction, my windows commanded an unobstructed view of a lofty brick wall, black by age and everlasting shade; which wall required no spyglass to bring out its lurking beauties, but, for the benefit of all near-sighted spectators, was pushed up