The Case of the Sad Luck Dame (A Huey Dusk Caper)
By Whit Howland
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About this ebook
More blood, guts and grease paint from the world of crazy mimes, man-children and corrupt clown cops in this tawdry tale of circus noir.
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The Case of the Sad Luck Dame (A Huey Dusk Caper) - Whit Howland
Eight
The Case of the Sad Luck Dame (A Huey Dusk Caper)
By Whit Howland
Copyright 2012 by Whit Howland
Cover Copyright 2012 by Ginny Glass and Untreed Reads Publishing
The author is hereby established as the sole holder of the copyright. Either the publisher (Untreed Reads) or author may enforce copyrights to the fullest extent.
This ebook is licensed for your personal enjoyment only. This ebook may not be resold, reproduced or transmitted by any means in any form or given away to other people without specific permission from the author and/or publisher. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.
This is a work of fiction. Any resemblance to the living or dead is entirely coincidental.
Also by Whit Howland and Untreed Reads Publishing
Huey Dusk
http://www.untreedreads.com
The Case of the Sad Luck Dame (A Huey Dusk Caper)
By Whit Howland
Chapter One
Something’s wrong, Huey Dusk thought. But he couldn’t pinpoint what it was even with his clown sense and Langley training. He sat with the crowd as they laughed when the female puppet stuck a cherry bomb in the back of the male puppet’s pants. Everyone ducked at the sound of the explosion, but Huey remained upright and smoothed his green hair over his bald spot then scratched his big red bulb nose. He was cooling his heels until his meeting with his latest client.
He looked up at the vaulted ceiling, the stained glass windows, the plush carpeted aisles and the stage’s gold velvet curtain. This was one of Boss L’Enfant’s nicest puppet joints.
He had played his share of bad children’s gigs in dives all around the city. So he knew a classy place when he saw one—and that’s what was bothering him.
A joint like this would have security,
he muttered under his breath.
He looked over in the corner and saw nothing. That wasn’t L’Enfant’s style; he would have his muscle visible, guarding the exits and the front door.
For good measure, Huey looked again for some evidence of security and that’s when he saw a gun barrel peering out from the darkness. He stood up and pulled a nickel-plated cannon out of his suit coat.
Children and mothers screamed when they saw him toting the big pistol. Machine gun fire interrupted the shrieks as two clowns dressed in ’50s garb and wielding Tommy guns appeared out of nowhere and showered the auditorium with bullets. Then they turned and riddled the stage.
Two burly men wearing berets and dressed in black fell out from behind the stage and fell to the floor. As bodies bled out on the carpet, people continued to scream.
Get down! Get down!
Dusk barked.
The two clowns swung their guns toward Huey. He instinctively ducked behind a seat and braced himself for the gunfire that was sure to follow. All he heard was a click.
He popped up and saw the two reloading their weapons. He pointed his gun at one of them and pulled the trigger. Blood erupted from the man’s chest as he was thrown back against the wall and killed instantly.
Dusk let out a low growl and turned his sights on the other thug. He took aim for his head and fired. The man was launched into the air, his body a tangled and twisted mess when it hit the floor.
As he stepped over terrified women and children, the clown twirled his gun on his finger and stuffed it in his pants. When he reached the aisle, he pulled out a cigar, popped it in his mouth and lit it. He took a long draw and casually blew smoke at the ceiling. His interest then shifted to one of the bodies. He knelt down to go through the dead clown’s pockets, pulling out an empty billfold and stuffing it into his jacket. Then he noticed a hardened drop of glue on the man’s forehead.
Fake clowns,
he muttered.
* * *
Several flash bulbs went off as police photographers took pictures of the carnage. Uniforms had herded the audience behind police tape at the back of the auditorium. Huey stood by the two lead detectives.
One was a heavy-set man in a rumpled coat with a salt and pepper crew cut and a nose two sizes bigger than it should have been. The other detective was a clown with a short, orange afro speckled with green, red and blue, like sprinkles on a doughnut. His bright red overcoat was just as rumpled as the