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Noble Savage (Behind the Ranges)
Noble Savage (Behind the Ranges)
Noble Savage (Behind the Ranges)
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Noble Savage (Behind the Ranges)

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Independent Katie Lachlan has caught the eye and heart of a rich suitor who won't take no for an answer. Luke Savage killed a man in a gunfight and swears he'll never carry a handgun again. A strong attraction and mutual dependence link them together for a journey along the brand new transcontinental railroad, as she flees the suitor who stalks her and he runs away from his past. Instead of safety, they find new danger as they are forced to travel on foot across a wintry landscape. While Katie learns that independence is no match for force, Luke discovers that saving Katie is more important to him than the vow he made. Striving together against wilderness, gunfighters bent on retribution, and a frontier town on the brink of riot, they find their strength, their convictions, and their very love tested by adversity and danger. This title is published by Uncial Press and is distributed worldwide by Untreed Reads.
LanguageEnglish
PublisherUntreed Reads
Release dateOct 13, 2006
ISBN9781601740120
Noble Savage (Behind the Ranges)

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    Noble Savage (Behind the Ranges) - Judith B. Glad

    tells.

    Chapter One

    Luke stared at a pool of blood spreading in the dusty street. The acrid bite of hot gunpowder burned in his nostrils.

    Why? he said hoarsely. Why did you make me do it?

    The eyes that stared back into his were blank, the face slack. Japhet Breedlove would never answer his question.

    A hard grip on his arm caused an automatic reaction, one learned where to be careless was to die. His Colt's barrel wasn't six inches from the Marshall's belt buckle before the star pinned to the man's vest registered. Swallowing hard, Luke forced his hand down, loosened his fingers. The Colt dropped in the dirt.

    I saw it, the Marshall said, his hard face showing no pity and no blame. You was forced into the fight, but that don't make no difference. The law says no gunfights in this here town and my job's enforcin' it.

    His voice caught somewhere in his tight chest, Luke could only nod.

    I'll let you keep your gun, seein' as how you might need it where you're goin'. The Marshall gestured. Pick it up.

    The body that bent over didn't feel like his, nor did the hand that grasped the gun. I...uh... The dryness in his throat caught at the words and held them. What'd you mean? Where I'm goin'?

    Don't make no difference to me, just as long as it's somewheres else. If I see you in town after sundown, I'll have to arrest you. Fightin' in the street's worth sixty days at hard labor, and bein' a public nuisance ought to get you another thirty.

    Luke looked again at the man he'd killed. A green fly crawled across Japhet's sunken cheek. On his belly, the blood, no longer bright red and glistening, was already congealing in the afternoon sun.

    God! Luke said, not sure whether the word was blessing or curse. He knelt and closed the sightless, accusing eyes.

    * * * *

    More roses, ma'am. And pink ones this time!

    Katie Lachlan took the bouquet and looked for a card. There was none.

    It was the twelfth bouquet she'd received in as many days--except Sunday--and none of them had a clue to the sender. Throw them away!

    At first she'd been thrilled. A secret admirer. How romantic!

    Her sister had agreed, when the first flowers arrived, a lovely posy of dainty white roses in a silver filigree holder. Ellen had hugged Katie. Oh, honey, a mystery suitor. How exciting! Maybe he'll come to our box at the opera tonight,

    But he was still a mystery, and the flowers were no longer romantic. If the men of Boston were as proper as she'd been told, then why was one of them sending her roses? Once was romantic. Twice was perhaps a bit daring. Thirteen bouquets was rude.

    Throw them away, she repeated handing the flowers back to the maid. I don't want them.

    Walking to the window, Katie looked out into the small garden behind her sister's house. The Michelmas daisies were blooming profusely, but an early frost had touched some of the other flowers. Although it was only September, winter was giving its warning.

    Katie? Oh, there you are. Colleen said you told her to throw your flowers away?

    Not turning, Katie said, Yes. She leaned her face against the cool glass. I have a bad feeling about them, Ellen. I don't know why.

    Her sister came to her and put an arm about her waist. You're just feeling gloomy because the days are getting shorter. You never did like to see summer end.

    Katie forced herself to smile. Of course. That must be it. She linked arms with Ellen and guided her sister to the sofa. If I weren't so determined to see what you're hiding in here-- patting Ellen's swollen belly--I'd be back home already.

    And I'd be tempted to go with you, if I could convince Charles to let me. Ellen shivered. I swear, Boston winters are twice as cold as Idaho's. And longer, too.

    And dirtier. Katie leaned back and stretched her legs out before her, a position that would have scandalized her classmates at Seminary. I never saw gray snow until I came East. Did you?

    Never. But I came to talk to you about tonight. Charles just sent a note. Something has come up and he can't escort you to the theatre.

    To tell the truth, Ellen, I'm ready for a quiet evening at home. I've never gadded so much in my life. For a moment she thought of the long evenings in the cabin when she was a child. Ma would read aloud while Pa carved. Or sometimes he'd play checkers with one of the older children. How thrilled she'd always been when it was her turn.

    She never had figured out whether he let her win or not, but when she did, she'd worked hard for it.

    Ellen sighed. I wish you weren't going home. It seems as if you just got here.

    Just got here? Ellen, I've been East for nearly three years. That's almost forever!

    And I've been here six. It doesn't seem possible, does it?

    They fell into reminiscences of home, and Katie forgot her unknown--and unwelcome--suitor.

    Until the next bouquet arrived on Monday.

    * * * *

    From Manassas to the Siege of Mobile, Luke Savage had fought as he must, not knowing the faces or the names of the men he fired upon--only that they were the enemy. After the War, he came home to a ragtag Kansas farm and three graves. He built a fence around the plot where his only family rested, then sold the farm and livestock to a neighbor. When a herd of longhorns passed nearby, he followed like a cocklebur on the tail of a cow.

    In the next three years, he ate a lot of dust, and learned many things. That there were harder ways to earn coffee and beans than in the Army. That no matter how much a man tried to forget the broken, bloodied bodies of friend and foe, some nightmares came back again and again. And that the railheads were as dangerous as the battlefields, for a man took his life in his hands, just walking down the street.

    As he had today. Now he couldn't sleep. Every time he closed his eyes, the look on Japhet Breedlove's face as the bullet struck his chest haunted him.

    All around him his fellow passengers slept, curled or slumped in their seats. Some snored, some shifted restlessly, as if trying to find a comfortable position. Down at the end of the car, a baby cried fretfully, and its mother's soothing voice was a low, soprano murmur, barely audible over the clackety-clack of the wheels.

    The train stopped once more. A lantern up toward the engine showed the supports of a water tank. Luke wondered where they were. Somewhere between Topeka and Kansas City was all he knew.

    His ticket was for Kansas City. After that maybe he'd go wherever the next freight was headed. It wouldn't be the first time he'd ridden the rods.

    The train lurched once, twice, before setting out again. It all but threw Luke from his seat. Giving up any hope of sleep, he picked up his bedroll and saddlebags and made his way to the end of the car, stepping over feet and legs and even one oblivious sleeper as he reeled down the narrow aisle.

    The vestibule was noisy, but it was a simple, mechanical noise. There was no one to see him, no one to pay attention to what he did. Luke opened a saddlebag and removed the gun belt he'd stowed before boarding the train. Its leather was supple, well oiled. The brass buckle was shiny with wear, catching light from the gibbous moon he could see through the open vestibule window.

    The revolver's grip felt familiar to his hand, a natural fit. This gun, an Army Colt .44, was an old friend. He'd carried it through the last year of the War, worn it night and day for the three years since. His hip felt curiously light, almost undressed without it.

    He turned the gun in his hand, looked down the wide aperture of its barrel. Tentatively he touched the front sight to his upper lip, rubbing it back and forth. He'd heard that the most certain way to blow out your brains was to stick the barrel as far into your mouth as it would go.

    A chill went through him. Was this how Japhet Breedlove had felt, looking down the barrel of this gun? Cold? Scared? Aware that the future could end here and now?

    Luke lowered the revolver, spun the cylinder. The steel was cold in his hand. As cold as his soul, when he'd looked into Japhet's dying face.

    The Colt caught the moon's light as he turned it before his face. A beautiful gun. A tool that did exactly what a man needed, and did it well. His hand tightened on the grip as once more he tilted the Colt, touched the barrel to his lips. One bullet. That's all it would take. And he'd never again be haunted by Japhet Breedlove's ghost.

    One bullet, one man.

    No, damn it! He pulled the barrel key, detached the barrel. For a moment he held it in his hand, weighing it. Weighing his regrets. With a deep breath, Luke rejected guilt, but accepted responsibility.

    "He'd have killed me! He wanted to kill me!" He threw the long steel barrel into the night.

    The cylinder slid easily free of the grip frame. Light caught on the faceted side of it, showing the six little compartments of death--cold, gray, leaded death. He threw it as hard as he could, watched it disappear into the formless night.

    The grip-frame felt curiously light in his hand, without the weight of heavy steel and lead that he was used to. Luke looked at it in the dim light from the railcars he stood between. It appeared harmless. Just an odd-shaped piece of steel, knurled to set easily in a man's hand, cast to accept cylinder and barrel, machined to function perfectly.

    Designed to kill.

    He held the grip-frame out the vestibule window. The train was moving fast now, swaying as it rounded a low hill. As Luke relaxed his hand, he smiled. A body would have a hell of a time finding all the pieces.

    Again he ran his hand over the finely tooled gun belt. He'd paid a pretty penny for it, back when such things mattered. Now he couldn't wait to be shut of its deadly cargo. With no regret, he detached a small leather bag from it and emptied its contents into his hand. His fist clenched around the cartridges, then opened. One by one, he let them drop from the window.

    The rhythm of the train changed. Looking out, Luke saw the lights of a town ahead. Folding the gun belt carefully, he replaced it in a saddlebag. Empty, it was just a piece of finely tooled leather. It should bring him a fair price in Kansas City.

    Luke's soul was less cold as he made his way back to his seat. Now he would sleep.

    * * * *

    My dear Miss Lachlan,

    Your beauty has enthralled me. Your manners and behavior have charmed me. For many weeks I have observed you. I have made my decision.

    My family is an old one, and well respected in Boston society. For these reasons, I have been slow to choose a wife. The woman I marry must be capable of moving in the best circles, her gentility must be unquestioned, and her beauty unparalleled.

    You will be honored, I know, to learn that you are my choice. I will give myself the pleasure of calling for you tomorrow, Thursday, at two in the afternoon, so that I may introduce you to my parents. You may, if you wish, invite your brother-in-law to accompany us, in loco parentis, as it were. It would be inappropriate for your sister to appear in company at this time, of course.

    I remain, Miss Lachlan, your devoted admirer,

    Hamilton Steens Whitney III

    Katie read the preposterous letter a second time. Part of her wanted to laugh, but another part, the cautious, suspicious part, wanted to take it to the police.

    Oh, yes. And what would she tell them? That this letter, following a month of anonymous daily bouquets, made her uneasy in an inexplicable way.

    They would think her mad.

    She folded the creamy vellum and carefully returned it to the envelope. A few deep breaths and the hollow feeling in her middle went away. She left her room and went down the hall.

    Ellen? She tapped at her sister's door. Ellen, are you awake? Her sister was napping daily. She had laughingly apologized, saying she might as well get all the sleep she could now, because she wouldn't get much after The Heir was born.

    Come in, Katie. I'm just being lazy. Ellen scooted herself up in the bed, moving awkwardly. In the past week her belly had enlarged enormously. Her back hurt all the time, she'd told Katie, and she couldn't breathe if she sat upright.

    I got a letter this morning--

    Ellen reached out. From Ma?

    Katie shook her head. It's from...here, you read it. She held out the envelope.

    Extracting the note, Ellen opened it. Almost immediately she gasped, Who-- She looked at the signature. Hamilton Whitney. Where did you meet him?

    I don't know, Katie said, shaking her head. I don't think I've ever heard of him, so how could I have met him?

    You must have, Ellen said, but with little force. Her eyes were skimming over the note. Oh, my! How strange!

    Yes, isn't it? I think he's the one who sent the flowers, Ellen.

    But Hamilton Whitney! Katie, don't you know who this is?

    An extremely conceited young man, I think.

    "As well he should be. The Whitneys have been here forever. Or at least since the Mayflower. If it weren't that people would think they had Indian blood, they'd probably claim to have gotten here first.

    And they're enormously rich! Why when Hortense Whitney made her debut, they had great big ice swans on all the tables. In July! Imagine!

    So why is he writing me a letter like this? Katie twitched the vellum from her sister's hand and read, "'You will be honored, I know, to learn that you are my choice.' His choice! As if I haven't any say in the matter. She jumped to her feet and stalked around the room, narrowly missing the small table on which stood a delicate porcelain figurine. And saying you shouldn't appear in public. What nerve!"

    She spun around and glowered at Ellen. Well, I'm not even going to answer this stupid letter. I don't want him to think I even care that much.

    Oh, Katie, maybe you should--

    No! Let him think I didn't get it, or thought it was a joke, or...or something. With any luck he'll decide I'm not worthy of him.

    Maybe you should talk to Charles. He knows the Whitneys, Ellen said. He'll know what to do.

    I'll talk to him, but only because he's a man. She made a face as she crumpled the envelope in her hand. Something tells me this self-important son of a knock-kneed turkey wouldn't pay attention to anything a woman had to say.

    Katie--

    Don't worry, I won't ask Charles to do anything dreadful. Just write a letter. She struck a pose in the doorway, nose in the air, mouth pursed as if she'd been sucking limes. How about, 'Miss Lachlan does not welcome your attentions. I suggest that you look elsewhere for the future Mrs. Full-of-Yourself Whitney, the Umpteenth.' She put her hand on the doorknob, turned and grinned. Go back to your nap, Ellen. You want to be bright-eyed and bushy-tailed when Charles comes home, don't you?

    Ellen's answering smile turned into a grimace. After a moment, she said, I'm not sure I can be. I seem to be about to have this baby.

    Ellen! Katie shrieked. Why didn't you tell me? She ran from the room, calling to the housekeeper and to the nurse already installed down the hall.

    Behind her, she heard Ellen's voice, a little peevish. I just did.

    * * * *

    Shaking his head, Luke said, Mick, I just don't want to stay in Chicago. There's land out West. I could make a fresh start. And maybe leave the nightmares behind. He was already regretting the impulse to look up his old comrade. Just seeing Mick Conner reminded him of battles they had fought together. Battles he'd just as soon forget.

    You can do that right here. Why man, there's a real future with the Pinkertons. We're growing every day.

    Sorry, Mick, but detective work's not for me. I don't want to ever again get into a fix where I have to rely on a gun. He drained his glass, set it on the table. I'll be heading West in a week or so, soon as I can get some gear together. When I get to a stopping place, I'll send you a wire.

    Wait! Mick's hand on his arm prevented him from rising. There's a job--

    I'm not lookin' for a job, Luke repeated.

    This wouldn't be working for the Pinkertons. We're doin' it as a favor to some bigwig back East. A young woman's traveling alone, needs a guard, and we're shorthanded. These bank robberies, well, they're keeping our people busy as a weasel in a henhouse. Could you--

    This time Luke managed to stand before Mick prevented it. I'm no bodyguard, particularly for a young woman. He was the last man on earth should be taking responsibility for a female--especially a lady.

    Three hundred dollars, Mick said. Half up front, half when you get her safe to Ogden.

    That stopped Luke. He had about seventy dollars left from his wages, but no horse, no gear, and he still had to buy a train ticket. Three hundred dollars could give him a good start.

    Where's Ogden?

    Hell, I don't know. Somewhere out West. All I know is the railroad hasn't got there yet. You'd go the last ways on a stage.

    If the railroad wasn't there yet, there'd be plenty of empty land for a man wanting to make himself a new home. I'll do it, he said, before he could think about what a mistake he might be making. When?

    Wednesday. She's comin' from Boston. Rising, he said, Let's go back to the office. I've got all the information there.

    * * * *

    Ellen frowned up at Katie. I wish you weren't going! She stroked a finger across the baby cheek at her breast. Not with winter coming on.

    You knew I'd leave as soon as you were back on your feet. You've got nurses and maids and friends and all of Charles' family. You don't need me.

    That's according to how you define 'need.' I'll miss you something awful, Katie-girl. You're the only family I've got for two thousand miles.

    Katie smiled. I can always tell when you start thinking of me as your baby sister. You call me 'Katie-girl.' She knelt beside her sister and reached to touch the baby's tiny hand, lying delicately on the embroidered pink coverlet. You've got family--right there in your arms. And Charles too, of course.

    I know. I guess I'm just clutching at straws. Maybe one of them will convince you to stay through winter.

    I got another letter today.

    The smile on Ellen's face vanished. Oh, no! And I thought--

    Yes, Katie said, fighting to contain her anger. So did I, when there were no flowers and no letters for a week. But this one-- She took the letter from her pocket and waved it. Ellen, it's just outrageous!

    Ellen took the envelope from her. It was, as before, heavy, creamy vellum, addressed in an elegant hand. Unfolding the letter, she read its message aloud.

    My dear Miss Lachlan;

    I saw you in the park yesterday, looking more lovely than ever. Your hair shone in the sunlight. Your cheeks bore the blush of autumn's cool touch.

    I commend you for your shyness, your reserve. It is essential that a young woman of your station be modest and unassuming. Yet I wonder if you do not carry it too far. For I have stated my intentions and still you hesitate.

    My parents have initiated inquiries into your antecedents and await results. I am certain you will be acceptable to them. In anticipation, I wish you to accept my ring, a pledge of my intentions.

    I will do myself the honor of waiting on you Wednesday next at three o'clock in the afternoon. At that time I will formalize my offer. Please do not trouble yourself to reply, as I will let nothing hinder me.

    As ever, your devoted admirer,

    Hamilton Steens Whitney III

    Ellen's eyes were wide as she raised them to look at Katie. But Charles told him--

    I know. I listened at the door. Accepting the letter back, Katie folded it carefully. She had kept all the notes he'd written her, except the first. Something told her she should not destroy them, although the mere fact of keeping them made her angry all over again.

    She stared out the window, unseeing. I think, she said slowly, that it's a very good thing my train leaves tomorrow.

    Chapter Two

    I really wish you'd take Colleen, Ellen said.

    Katie hugged her sister and laughed. And who would be taking care of whom? A pretty little Irish maid like her! I'd need a broom to sweep away the men.

    Well, it just isn't done, for a lady to travel alone.

    I seem to remember someone threatening to hitch a ride on a freight wagon until Pa gave in and brought you back East. She dipped in an elaborate curtsey. Lawks, Miz Forsythe, a body'd never believe you was raised in a log cabin, you bein' so proper and all!

    Ellen turned bright pink. Hush! It's not that I'm so proper. I'm just worried about you. There are all sorts of people riding the trains, especially once you get past Chicago.

    Oh, Ellen, listen to you! Whose family has more 'all sorts' than ours? Counting on her fingers, she said, Chinese and mountain men and gold seekers and ex-slaves, maybe even an Indian or two. I'd sure like to see Mr. Upper-crust Whitney's parents when they get their report on the Lachlans.

    Ellen grinned and shook her head. I know. I sounded like a real prig, didn't I? She tucked a rolled-up petticoat into a corner of Katie's satchel. There! I think that's everything you'll need on the train. But I still wish you weren't going away.

    I'm not like you, Ellen. I'm not suited to the fancy life. All this-- She spun, arms out, in a wide gesture that took in the comforts of a Beacon Hill house. I feel like a pig in the parlor, sometimes.

    I know, but...

    But you're a long way from home, and Charles won't even talk about your going back for a visit until the railroad's built. Katie hugged Ellen once more. It's been wonderful, going to school out here in the East. The opera. The theatre. And oh! The museums! She looked out the window, seeing trimmed trees and the grand houses across the busy street. But I miss the mountains, Ellen. I miss being able to see for miles. Not hearing another human voice for days at a time.

    Colleen tapped on the door before opening it and entering. The cab's here, Miss. I'll have Kirby take your bags down.

    There's just the one, Colleen.

    Ellen gathered Katie into her arms. I still wish you were taking Colleen. Or one of the other maids. After Chicago, you'll be all on your own.

    Katie gave her sister one last squeeze. Don't worry about me, Ellen. I can take care of myself. I always have.

    * * * *

    Luke laid his rifle and his spare set of clothes carefully on his blanket and rolled everything inside the tarp that had served him as ground sheet and tent for so long. A leather thong tied it into a neat roll, with enough left over to make a handle he could slip his arm into. Everything else was stowed in the saddlebags, never mind he had no horse to sling them across.

    God! He'd be glad to get out of Chicago. Too many people. Too much smoke and dirt.

    The Union Pacific had laid rails almost to Utah. His ticket was for Laramie. Maybe a bit beyond. The agent didn't know how far they were carrying passengers this week. The letter from Charles Forsythe of Boston had said he was to go as far on the train as Miss Kathryn Lachlan did, then accompany her on the stage to Ogden.

    At least Luke now knew where Ogden was. What he didn't know was why Miss Lachlan wasn't supposed to know he was guarding her. Or what from.

    He walked to the depot of the Northwestern Railroad, knowing that in a few hours he'd be wishing he could stretch his legs. A crowd filled the high-ceilinged waiting room, most of them dressed in dark, sturdy clothing. He wondered where they were all going.

    At one end of the cavernous room, beyond a velvet rope on which swung a fancy sign, another sort of crowd was gathered. There weren't many, twenty or so, all dressed to the nines. Luke maneuvered around so he could read the sign. First Class Only.

    He'd stayed in a first class hotel once, during the War, when he'd been sent to Washington with secret dispatches. The fellow who'd carried his bag to his room had worn more gold braid than General Grant himself. The room had been as ornate as any in the fancy whorehouse he'd visited in St. Louis.

    A conductor appeared and led the swells out a side door. Luke sauntered along behind them. He got as far as the door, before a porter pulled it shut in his face.

    Sorry, suh, the porter said. You gots to have a first class ticket to go through here.

    Luke showed his ticket. But I don't want to get on until just before the train pulls out.

    The porter's eyebrows rose, but all he said was, Whatever you say, suh. Your seat's the end one on this side of the car.

    The prosperous looking men and their well-fed women stood in a cluster on the platform. After a few moments they began, one by one, to board the next-to-last railcar.

    Ladies weren't the same shape as they'd been before the War. Their hoops were flatter at the sides and humped up more in the back. These women wore bonnets trimmed with flowers and feathers to beat the band. Their fur cloaks or fancied-up velvet coats covered hooped skirts that dragged the ground in back, caught on the wind-blown papers and debris littering the platform.

    Maybe that's why the slim young woman stood out in the crowd. Her coat was dark red, fur-trimmed wool, snugged around her slender body to show a slim waist with curves above and below--curves lush enough to make a man conjecture. Her skirt was hooped, but not wide, and it swung enough above the ground so that he could see she wore sturdy black boots. Coal black hair was piled up on her head, a mass of curls that made his hands itch to bury themselves in silken loops.

    She turned her head. He saw that her chin was pointed and strong, her nose straight, and her eyes wide and dark under arched brows. For a moment it was as if she looked straight into his eyes. Luke's pulse leaped. Suddenly he hungered for rich and sweet, and knew she was.

    Then she looked away. In a moment she was aboard the railcar and gone from his sight.

    Part of him wanted to hightail it out of there. Mick hadn't warned him just how dangerous this job could be.

    The rest of him wondered if his luck had changed all of a sudden.

    Dropping his saddlebags and bedroll, Luke hunkered down against the wall. The train was due to pull out about three, but he wouldn't bet the farm on its being on time. Not if all these folks were planning on boarding it.

    Idly he wondered what it would be like, sleeping in a real bed while you traveled thirty or forty miles an hour.

    He'd find out tonight.

    That's some fancy railcar, now ain't it?

    Luke turned to look at the man who'd spoken. Tall and gaunt, he was a man who'd once been strong, with wide shoulders and big hands. Now illness sat on him like a shroud, for all

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