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The Come Up: An Oral History of the Rise of Hip-Hop
The Come Up: An Oral History of the Rise of Hip-Hop
The Come Up: An Oral History of the Rise of Hip-Hop
Audiobook18 hours

The Come Up: An Oral History of the Rise of Hip-Hop

Written by Jonathan Abrams

Narrated by Dion Graham, Diontae Black, Torian Brackett and

Rating: 4.5 out of 5 stars

4.5/5

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About this audiobook

The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire
 
The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things)
 
ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin

The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language.

And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen. 
 
In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations.
 
Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music.
 
The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history.
LanguageEnglish
PublisherPenguin Random House Audio Publishing Group
Release dateOct 18, 2022
ISBN9780593634936
Author

Jonathan Abrams

Jonathan Abrams is an award-winning journalist who writes for Bleacher Report. He is the author of the New York Times bestselling Boys Among Men. He was previously a staff writer at Grantland, the Los Angeles Times, and the New York Times and is a graduate of the University of Southern California.

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  • Rating: 5 out of 5 stars
    5/5

    Jul 8, 2022

    The Come Up: An Oral History of the Rise of Hip-Hop, by Jonathan Abrams, is a wonderful look at the history through the recollections of those involved.

    Many oral histories, no matter the subject, consist of a collection of accounts, each told by a participant (or large excerpts from the people grouped thematically). I find the approach here to be both very effective and a lot of fun. Abrams offers the structure through paragraphs that set up what is being discussed. Then shorter but very on-point quotes are used to almost simulate a conversation. So rather than just reading about the history or reading what would amount to several versions of the history if each person was included separately, you feel like you are listening to all of these icons sitting around and remembering what happened.

    The one thing this does require of the reader is keeping the various people straight. Abrams includes their roles each time and after a few pages you begin to just follow naturally. So, if you are initially unsettled by always switching speaker, give it time. You'll get used to it and once you do, you'll be well rewarded for the effort.

    No matter how well you know the history of hip-hop, this book will offer new information and great perspectives on things you knew. Even having read a couple of other books and taken a MOOC, this volume still both educated and entertained me.

    Highly recommended for those with an interest in hip hop and music history more broadly. Many of the insights also speak to how the music industry itself has changed.

    Reviewed from a copy made available by the publisher via NetGalley.