Favourite Poems for Children

Written by Robert Browning, Guy Wetmore Carryl and Edward Lear

Narrated by Cathy Dobson

A delightful collection of classic poems that will delight young and old alike, including: "How Beauty Contrived to Get Square with the Beast" by Guy Wetmore Carryl, "How Little Red Riding Hood Contrived to Be Eaten" by Guy Wetmore Carryl, "How Rudeness and Kindness Were Justly Rewarded" by Guy Wetmore Carryl, "If No One Ever Marries Me" by Lawrence Alma TademaI’m, "Nobody, Who Are You?" by Emily Dickinson, "Lochinvar" by Sir Walter Scott, "The Akond of Swat" by Edward Lear, "The Eagle" by Alfred Lord Tennyson, "The Embarrassing Episode of Little Miss Muffet" by Guy Wetmore Carryl, "The Jumblies" by Edward Lear, "The Land of Storybooks" by Robert Louis Stevenson, "The Owl and the Pussy Cat" by Edward Lear, "The Pied Piper of Hamelin" by Robert Browning, "The Tiger" by William Blake, and "How They Brought the Good News from Ghent to Aix" by Robert Browning.

• Language: English
• Publisher: Red Door Consulting
• Release date: May 20, 2011
• ISBN: 9781467668071

Robert Browning

Robert Browning (1812-1889) was an English poet and playwright. Browning was born in London to an abolitionist family with extensive literary and musical interests. He developed a skill for poetry as a teenager, while also learning French, Greek, Latin, and Italian. Browning found early success with the publication of Pauline (1833) and Paracelsus (1835), but his career and notoriety lapsed over the next two decades, resurfacing with his collection Men and Women (1855) and reaching its height with the 1869 publication of his epic poem The Ring and the Book. Browning married the Romantic poet Elizabeth Barrett in 1846 and lived with her in Italy until her death in 1861. In his remaining years, with his reputation established and the best of his work behind him, Browning compiled and published his wife’s final poems, wrote a series of moderately acclaimed long poems, and traveled across Europe. Browning is remembered as a master of the dramatic monologue and a defining figure in Victorian English poetry.