During his prolific and inventive career, Marc Quinn has cast a selfportrait with his own frozen blood, preserved flowers in liquid silicone, and made a series of 3-D works by covering images of postcard-pretty sunsets with urban detritus and mounting them on violently crumpled aluminum. The through line? Our inextricable dependence on our environment, both natural and of our own making. Or, as Quinn puts it, “what it is to
