The Critic Magazine

Good for the sole

SEAGULLS SQUITTER OVER-head. Cracks in the pavement trip your feet. Potholes tear at your tyres. The precipitate topography of Hastings wears down ill-advised retirees, who stagger between slope and strand. Rubbish overflows from bulging bins. On the beach the stones stick in my dogs’ paws.

Along the esplanade civic vulgarianism has vandalised such fragments of faded elegance as Hitler spared. But there are compensations: the gaunt, ruined outline of the clifftop castle, the rickety charm of

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
Romeo Coates “Between You And Me …”
GIVING US HIS MODERN-DAY Falstaff (suddenly “Shakespeare’s ultimate gangster”, apparently), McKellen unfashionably relies on a fat suit for the role. Though such an approach is now often frowned upon by the obese/obese-conscious, old Gandalf deems hi
The Critic Magazine4 min read
Michael Prodger on Art
SOMETIME AROUND 1909, THE Romanian sculptor Constantin Brâncuși was approached by “a lady from Paris, a princess” with a commission to carve her portrait. Brâncuși, a leading Modernist, had a “miserably low opinion” of traditional sculpture, even des
The Critic Magazine3 min read
Anne McElvoy on Theatre
AGATHA CHRISTIE HAD MODEST aspirations for The Mousetrap when her murder mystery opened in 1952. Her producer predicted a 14-month run but the great literary stiletto-wielder replied, “It won’t run that long. Eight months perhaps.” By 1957, it had be

Related